Say hello to Constance, a sweet, grateful, good little girl--NOT! In fact, she’s a mischief-making, rule-breaking imp with a wicked gleam in her eye. Wherever she goes, trouble (and her enormous cat, Tiny) surely follow. That’s why children will go absolutely mad for her: Constance does exactly what they dream of doing in their naughtiest moments...and she’s never repentant. Making the delicious Constance stories even more fun: the comic contrast between the deadpan text and the outrageous illustrations. Like the cheeky character herself, the pictures always say the opposite of the words

In Constance and Tiny the irrepressible scamp ran away only to get dragged back home. Now her scheming parents are sending her off to a terrible, horrible place: a boarding school for wayward children! There, the rules are strict, the bathwater’s cold, and the food’s horrid. Worst of all, her beloved cat Tiny can’t come along. It’s just like prison! But canny Constance has a plan: Since only bad boys and girls can stay there, maybe if she pretends to be really good they’ll set her free...

Take silly seriously! A fall-off-your-high-chair funny picture book starring a spoon, a fork, and the baby they both want to feed, perfect for fans of The Bad Seed. “Time to feed the baby!” yells clock. Tiny Spoon is ready for the job! But who’s this pointy guy? “I’m Little Fork. I feed the baby, too!” Wait. What? This isn’t going to get ugly, is it? (Nah!) Who’s known baby longer? (Spoon) Who’s good at stabbing and poking? (Fork) Who comes from the best family? (Both families are rather impressive.) Who does baby like better? (Neither. Turns out Baby likes throwing both utensils across the kitchen, and that’s EXACTLY what baby does.) Now it's going to take cooperation—not competition—to make their way back to baby. And when they do get back they'll still have to feed the baby. Anyone who has ever tried to feed a baby knows it ain't easy—but does it have to be this hard?

An engaging read I could not put down. The resilience of the human spirit shines through every episode Constance so compellingly shares. - Mary Hickey Zander In this unflinching memoir, Constance Malloy delivers a gripping story of suffering and redemption. Tormented by a manipulative, narcissistic father and a loving but delusional mother, young Constance fights to be seen or become invisible, depending on the scenario she's forced to endure. From this unpredictable and emotionally unstable childhood, where her fears are amplified by incessant dreams of natural disaster and violence, to the challenges of her young adult life, Constance manages to keep moving forward with remarkable optimism and strength. Her commitment to therapy and her desire to get well turn the momentum of the narrative toward healing. For survivors of childhood trauma or any reader seeking to restore emotional health, Tornado Dreams is a captivating tale of survival, perseverance, and, ultimately, personal triumph.

Lauren McBride returns to the Circle M ranch as a beautiful, confident woman, certain of her own mind. The last thing she would tolerate was a marriage of convenience, arranged by her father. Garret Lassiter had broken her heart once before. Now, only a declaration of everlasting love would convince her to become his bride.

A small village on the rocky coast of Maine one day finds itself shrouded in thick fog. The shivering villagers do not listen to the advice of a small girl and instead turn to the ageless baker, butcher, and candle maker for thier help in riding them of the fog. Only after the three have had no success in getting rid of the fog do the villagers listen to the little girl. This story underscores the importance of community and the joys of finding answers in the most unlikely places and forms.

“THE MOST IMPORTANT THING WE CAN GIVE OUR CHILDREN IS AN EDUCATION.” —Mae Bertha Carter In 1965, the Carters, an African American sharecropping family with thirteen children, took public officials at their word when they were offered “Freedom of Choice” to send their children to any school they wished, and so began their unforeseen struggle to desegregate the schools of Sunflower County, Mississippi. In this true account from the front lines of the civil rights movement, four generations of the Carter family speak to author and civil rights activist Constance Curry, who lived this story alongside the family—a story of clear-eyed determination, extraordinary grit, and sweet triumph. “Dignity . . . is a quality displayed in abundance by the heroes of this tale . . . Mae Bertha cut a path for her children. Now it is their turn, and their children's turn.” —The New York Times “Alternately inspiring and mortifying, frightening and enraging . . . Silver Rights is a sure-to-be-classic account of 1960s desegregation.” —Los Angeles Times “A ‘case study’ of moral leadership . . . [An] instructive, even revelatory book.” —Robert Coles, author of Children of Crisis “The book has an immediacy, intimacy and emotional truth that history rarely reveals. It also unfolds with a simplicity of words and facts that make the Carters' courage, faith and love a reality any reader can share.” —Smithsonian “A solid contribution to the literature of recent American political history.” —Kirkus Reviews “Silver Rights is pure gold . . . Connie Curry shines a light on the civil rights movement’s unknown makers . . . A must-read.” —Julian Bond A LITERARY GUILD SELECTION

A novel of lesbian identity and motherhood, and the societal pressures that place them in opposition. The daughter of an illustrious French family whose members include a former Prime Minister, a model, and a journalist, Constance Debré abandoned her marriage and legal career in 2015 to write full-time and begin a relationship with a woman. Her transformation from affluent career woman to broke single lesbian was chronicled in her 2018 novel Play boy, praised by Virginie Despentes for its writing that is at once “flippant and consumed by anxiety.” In Love Me Tender, Debré goes on to further describe the consequences of that life-changing decision. Her husband, Laurent, seeks to permanently separate her from their eight-year old child. Vilified in divorce court by her ex, she loses custody of her son and is allowed to see him only once every two weeks for a supervised hour. Deprived of her child, Debré gives up her two-bedroom apartment and bounces between borrowed apartments, hotel rooms, and a studio the size of a cell. She involves herself in brief affairs with numerous women who vary in age, body type, language, and lifestyle. But the closer she gets to them, the more distant she feels. Apart from cigarettes and sex, her life is completely ascetic: a regime of intense reading and writing, interrupted only by sleep and athletic swimming. She shuns any place where she might observe children, avoiding playgrounds and parks “as if they were cluster bombs ready to explode, riddling her body with pieces of shrapnel.” Writing graphically about sex, rupture, longing, and despair in the first person, Debré’s work is often compared with the punk-era writings of Guillaume Dustan and Herve Guibert, whose work she has championed. As she says of Guibert: “I love him because he says I and he’s a pornographer. That seems to be essential when you write. Otherwise you don’t say anything.” But in Love Me Tender, Debré speaks courageously of love in its many forms, reframing what it means to be a mother beyond conventional expectations.

We Have Always Lived in the Castle is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate.

This enchanting tale of a cursed mythical creature and the lonely fisherman who falls in love with her is "a daring, mesmerizing novel…single-handedly bringing magic realism up-to-date" (Maggie O’Farrell, best-selling author of Hamnet). "Sentence by sensuous sentence, Roffey builds a verdant, complicated world that is a pleasure to live inside.... You might start to believe in the existence of mermaids.” —The New York Times In 1976, David is fishing off the island of Black Conch when he comes upon a creature he doesn’t expect: a mermaid by the name of Aycayia. Once a beautiful young woman, she was cursed by jealous wives to live in this form for the rest of her days. But after the mermaid is caught by American tourists, David rescues and hides her away in his home, finding that, once out of the water, she begins to transform back into a woman. Now David must work to win Aycayia's trust while she relearns what it is to be human, navigating not only her new body but also her relationship with others on the island—a difficult task after centuries of loneliness. As David and Aycayia grow to love each other, they juggle both the joys and the dangers of life on shore. But a lingering question remains: Will the former mermaid be able to escape her curse? Taking on many points of view, this mythical adventure tells the story of one woman’s return to land, her healing, and her survival.