A fresh and lively biography of the revolutionary landscape painter John Constable. John Constable, who captured the landscapes and skies of southern England in a way never before seen on canvas, is beloved but little-understood artist. His paintings reflect visions of landscape that shocked and perplexed his contemporaries: attentive to detail, spontaneous in gesture, brave in their use of color. His landscapes show that he had sharp local knowledge of the environment. His skyscapes show a clarity of expression rarely seen in other artist's work. The figures within show an understanding of the human tides of his time. And his late paintings of Salisbury Cathedral show a rare ability to transform silent, suppressed passion into paint. Constable was also an active and energetic correspondent. His letters and diaries reveal a man of opinion, passion, and discord. His letters also reveal the lives and circumstances of his extended family who serve to define the social and economic landscape against which he can be most clearly seen. These multifaceted reflections draw a sharp picture of the person, as well as the painter. James Hamilton's biography reveals a complex and troubled man. Hamilton's portrait explodes previous mythologies about this timeless artist and establishes him in his proper context as a giant of European art.

A refugee from city life, Constable Evan Evans hardly gets a chance to settle down in Llanfair, a secluded Welsh village with plenty of local color, before he must investigate the murder of two hikers on a mountain. Reprint. K.

This study concentrates on the six foot canvases of the River Stour produced by Constable between 1819 and 1825 and examines the artist's development of this single thematic concept. Each work is shown beside its compositional sketch, illustrating his artistic process.

Re:Create is an easy to follow, how-to guide to making unique and personalised books by hand. The focus in this book is repurposing, reusing and recycling. Learn how to: Spot everyday items that can be repurposed into a book. Use collage, found items to customise your books. Turn disasters into an opportunity to create a unique piece of work.

A darkly comic Dickensian ghost story from Blue Peter Award winner Gareth P. Jones: it's not the dead you'll need to worry about! Sam Toop lives in a funeral parlour, blessed (or cursed) with an unusual gift. While his father buries the dead, Sam is haunted by their constant demands for attention. Trouble is afoot on the 'other side' - there is a horrible disease that is mysteriously imprisoning ghosts into empty houses in the world of the living. And Sam is caught in the middle - will he be able to bring himself to help? Blue Peter Award winner Gareth P. Jones has woven a darkly comic story, a wonderfully funny adventure that roams the grimy streets of Victorian London.

Why a theology of prayer? Because counterfeit prayer abounds, we need Scripture's guidance, writes Thomas Constable. Praying as God desires requires considering what God has revealed about it. As we give prayer our careful attention, we gain greater understanding of what he intends it to be. Constable details the different forms of communication God invites us to use. He identifies the counterfeits that pass for prayer, discusses the conditional nature of prayer, and explains why some prayers seem to go unanswered.

Attempts to match paintings with ideas and tries to establish

On John Constable as a proto-abstractionist of pastoral landscape One of Britain's greatest landscape painters, John Constable was brought up in Dedham Vale, the valley of the River Stour in Suffolk. The eldest son of a wealthy mill owner, he entered the Royal Academy Schools in 1800 at the age of 24, and thereafter committed himself to painting nature out of doors. His "six-footers," such as The Hay Wainand The Leaping Horse, were designed to promote landscape as a subject and to stand out in the Academy's Annual Exhibition. Despite this, he sold few paintings in his lifetime and was elected a Royal Academician late in his career. With texts by leading authorities on the artist, this handsome book looks at the freedom of Constable's late works and records his enormous contribution to the English landscape tradition. John Constable(1776-1837) is one of Britain's best-known artists, and is often considered one of the greatest landscape painters of all time. He was born near the River Stour in Suffolk, an area the artist depicted so frequently that it is referred to as "Constable country." Pastoral scenes were unfashionable at the time and Constable struggled to establish himself as a painter. He was finally elected a Royal Academician in 1829, and in 1832, he exhibited The Opening of Waterloo Bridge--an effort 13 years in the making--at the Summer Exhibition.