Since the assassination of John F. Kennedy, motion pictures and television productions-some based on historical fact and conjecture, others clearly fanciful-have embraced the idea that conspiracies shape many events, hide others, and generally dictate much of the course of modern life, often to the disadvantage of the average person. As a result, conspiracy theories have developed into a potent undercurrent in American politics. By the 1990s, it was not unusual to find conspiracies used as explanations for a wide range of political events that would otherwise seem to have quite ordinary explanations. Thus, a vast right-wing conspiracy was suggested as the source of Bill Clinton's troubles, just as conspiracy-like machinations of the liberal media were used to explain why the picture of world events did not coincide with conservative views. And this is to say nothing of the bitter arguments that still erupt over varying explanations for the attacks of 9/11. Regardless of a person's opinion about such claims, what these and many other examples clearly show is that conspiracy-theory explanations have penetrated mainstream American thought. Here, author Gordon Arnold examines the evolution of this cultural climate in the United States. Conspiracy Theory in Film, Television, and Politics examines the intersection of various film and television productions in the context of unfolding political developments. The chapters follow this story chronologically, showing how screen media have both reflected and shaped the cultural milieu in which traumatic events and political controversies have been interpreted with increasing cynicism. The work also reviews the original contexts in which film, television, and political manifestations of conspiracy ideas first appeared.

This book investigates representations of the Central Intelligence Agency (CIA) in Hollywood films, and the synergies between Hollywood product, U.S. military/defense interests and U.S. foreign policy. As probably the best known of the many different intelligence agencies of the US, the CIA is an exceptionally well known national and international icon or even "brand," one that exercises a powerful influence on the imagination of people throughout the world as well as on the creative minds of filmmakers. The book examines films sampled from five decades - the 1960s, 1970s, 1980s, 1990s and 2000s - and explores four main issues: the relative prominence of the CIA; the extent to which these films appeared to be overtly political; the degree to which they were favorable or unfavorable to the CIA; and their relative attitude to the "business" of intelligence. A final chapter considers the question: do these Hollywood texts appear to function ideologically to "normalize" the CIA? If so, might this suggest the further hypothesis that many CIA movies assist audiences with reconciling two sometimes fundamental opposites: often gruesome covert CIA activity for questionable goals and at enormous expense, on the one hand, and the values and procedures of democratic society, on the other. This interdisciplinary book will be of much interest to students of the CIA/Intelligence Studies, media and film studies, US politics and IR/Security Studies in general.

We are living in an age of conspiracy theories, whether it's enduring, widely held beliefs such as government involvement in the Kennedy assassination or alien activity at Roswell, fears of a powerful infiltrating group such as the Illuminati, Jews, Catholics, or communists, or modern fringe movements of varying popularity such as birtherism and trutherism. What is it in American culture that makes conspiracy theories proliferate? Who is targeted, and why? Are we in the heyday of the conspiracy theory, or is it in decline? Though there is significant scholarly literature on the topic in psychology, sociology, philosophy, and more, American Conspiracy Theories is the first to use broad, long-term empirical data to analyze this popular American tendency. Joseph E. Uscinski and Joseph M. Parent draw on three sources of original data: 120,000 letters to the editor of the New York Times and Chicago Tribune from between 1890 and 2010; a two-wave survey from before and after the 2012 presidential election; and discussions of conspiracy theories culled from online news sources, blogs, and other Web sites, also from before and after the election. Through these sources, they are able to address crucial questions, such as similarities and differences in the nature of conspiracy theories over time, the role of the Internet and communications technologies in spreading modern conspiracy theories, and whether politics, economics, media, war, or other factors are most important in popularizing conspiratorial beliefs. Ultimately, they conclude that power asymmetries, both foreign and domestic, are the main drivers behind conspiracy theories, and that those at the bottom of power hierarchies have a strategic interest in blaming those at the top-in other words, "conspiracy theories are for losers." But these "losers" can end up having tremendous influence on the course of history, and American Conspiracy Theories is an unprecedented examination of one of the defining features of American political life.

Provides a comprehensive guide to the history and current shape of conspiracy theories in American life, including the findings of research seeking to understand their origins, type, function, and widespread appeal. This all-in-one resource provides an accessible overview of conspiracy theories past and present in all their many forms. Taking an even-handed, scholarly approach, the book outlines the longer history of conspiracy theories, starting with Ancient Greece and Rome and continuing the story up to the present day, including analysis of 9/11, anti-vaccine, COVID, and QAnon theories. It surveys an array of current books and articles to try to understand why people believe in and act on outlandish and evidence-free conspiracy theories. Notably, this resource also outlines the problems created by untrue conspiracy theories in terms of their negative impact on public debate, trust in others, and efforts to nurture an informed and educated citizenry. Instead, many conspiracy claims have become sources of misinformation, cynicism, and polarization. This book will benefit anyone who seeks a pathway through our current "epistemic crisis" in which the lines between fact and fiction-and between truth and falsehood-have become blurred.

Conspiracy theories are a ubiquitous feature of our times. The Handbook of Conspiracy Theories and Contemporary Religion is the first reference work to offer a comprehensive, transnational overview of this phenomenon along with in-depth discussions of how conspiracy theories relate to religion(s). Bringing together experts from a wide range of disciplines, from psychology and philosophy to political science and the history of religions, the book sets the standard for the interdisciplinary study of religion and conspiracy theories.

A collection of government documents dating back to 1950's.

Taking a global and interdisciplinary approach, the Routledge Handbook of Conspiracy Theories provides a comprehensive overview of conspiracy theories as an important social, cultural and political phenomenon in contemporary life. This handbook provides the most complete analysis of the phenomenon to date. It analyses conspiracy theories from a variety of perspectives, using both qualitative and quantitative methods. It maps out the key debates, and includes chapters on the historical origins of conspiracy theories, as well as their political significance in a broad range of countries and regions. Other chapters consider the psychology and the sociology of conspiracy beliefs, in addition to their changing cultural forms, functions and modes of transmission. This handbook examines where conspiracy theories come from, who believes in them and what their consequences are. This book presents an important resource for students and scholars from a range of disciplines interested in the societal and political impact of conspiracy theories, including Area Studies, Anthropology, History, Media and Cultural Studies, Political Science, Psychology and Sociology.

In this book, Paul Lynch explores the genre of the British conspiracy thriller, a confrontational and dark response to what novelists and filmmakers perceived as an increasingly Orwellian secret state in the political landscape of the time. Through analyses of a variety of film and television productions, Lynch examines the ways in which they were influenced by their Hollywood and European counterparts and the work of John le Carré, conveying the real-world practices of the British intelligence services that served as inspiration and evaluating the genre’s effectiveness in providing meaningful political commentary to mainstream audiences. Lynch draws on extensive interviews with novelists, film producers, screenwriters, and directors to form the basis of detailed and original case studies about films such as Defence of the Realm (1986), The Whistle Blower (1986), and The Fourth Protocol (1987). In addition to these case studies, Lynch also includes declassified intelligence material and interviews with former members of the intelligence community to reveal the extent to which popular television and cinema accurately reflected the inner workings of the security services at that time. Scholars of film studies, cultural history, political science, and adaptation studies will find this book of particular interest.

In this book, Pablo Castrillo Maortua analyzes the emergence of the political thriller in Hollywood at a time of angst and turmoil in the United States. The Cold War, the nuclear age, domestic and international scandals, and an increasingly deceitful political culture catalyzed a filmmaking current that would gradually develop its own narrative form and aesthetics into a new genre. Castrillo Maortua explores the dramatic identity and design of the American political thriller, tracking the close correlation between the evolution of the genre and the history of the United States from the Cuban Missile Crisis to the 9/11 terrorist attacks and the ensuing War on Terror. Ultimately, the author demonstrates how the American political thriller defies Hollywood conventions and cultural presuppositions with an entertaining yet critical view of the state of politics. Scholars of film studies, screenwriting, and genre theory will find this book of particular interest.

The contributors to this volume argue that whilst there is a commonplace superstition conspiracy theories are examples of bad beliefs (and that the kind of people who believe conspiracy theories are typically irrational), many conspiracy theories are rational to believe: the members of the Dewey Commission were right to say that the Moscow Trials of the 1930s were a sham; Woodward and Bernstein were correct to think that Nixon was complicit in the conspiracy to deny any wrongdoing in the Watergate Hotel break in; and if we either accept the terrorist events of 9/11 were committed by Al-Qaeda, or that the Bush Administration was responsible, then it seems we are endorsing some theory about a conspiracy to commit an act of terror on American soil. As such, there is no reason to reject conspiracy theories sui generis. This volume challenges the prima facie that conspiracy theories are irrational beliefs, arguing that we should treat conspiracy theories and the phenomena of conspiracy theories seriously. It presents fresh perspectives from the wider philosophical, sociological and psychological community on what is becoming an issue of increasing relevance in our time.