This work studies the conservation of classical monuments in the Mediterranean region. It focuses on a specific method, anastylosis, and its application to classical monuments. The terminology, philosophy, theoretical principles and technical issues of anastylosis are explored within the wider context of cultural heritage management, through case studies from Greece and Turkey, a survey of anastylosis practitioners, and a short visitor survey. Problematic areas in decision-making, planning, implementation, and post-implementation are identified and analysed with reference to current and future practices. Building on this analysis, this work recognises the importance of anastylosis as a tool within the wider field of heritage conservation and management and offers a framework for planning, decision-making, implementation, and post-implementation. The book concludes by asserting the importance of anastylosis as a conservation method for ancient monuments, with significant interpretative potential in the management and presentation of archaeological sites.

This book addresses physical, chemical, and biological methods for the preservation of ancient artifacts. Advanced materials are required to preserve the Mediterranean belt's historic, artistic and archaeological relics against weathering, pollution, natural risks and anthropogenic hazards. Based upon the 10th International Symposium on the Conservation of Monuments in the Mediterranean Basin, this book provides a forum for international engineers, architects, archaeologists, conservators, geologists, art historians and scientists in the fields of physics, chemistry and biology to discuss principles, methods, and solutions for the preservation of global historical artifacts.

One of the greatest challenges faced today by those responsible for ancient cultural sites is that of maintaining the delicate balance between conserving these fragile resources and making them available to increasing numbers of visitors. Tourism, unchecked development, and changing environmental conditions threaten significant historical sites throughout the world. These issues are among the topics dealt with in this book, which reports on the proceedings of an international conference on the conservation of classical sites in the Mediterranean region, organized by the Getty Conservation Institute and the J. Paul Getty Museum. The book includes chapters discussing management issues at three sites: Piazza Armerina, Sicily; Knossos, Crete; and Ephesus, Turkey. While visiting these sites, conference participants examined how issues raised at these locales can illuminate the challenges of management and conservation faced by complex heritage sites the world over. Additional chapters discuss such topics as the management of cultural sites, the reconstruction of ancient buildings, and ways of presenting and interpreting sites for today's visitors.

Scientists, historians and archaeologists are at last beginning to collaborate seriously on studies of the long-term history of the environment. The fruit of an international conference held in Rome in 2011, The Ancient Mediterranean Environment between Science and History brings together scientists and scholars who are interested in the interaction of their several disciplines as well as in specific problems such as the effects of climate change and other environmental factors on historical developments and events, the sources of the energy and fuel used in ancient civilizations, and the effects of humans on the lands around the Mediterranean. The collection balances broad Mediterranean-wide studies and tightly focused studies of particular regions in Italy and Jordan.

“From such well-known and long-vexed sites as the Athenian Acropolis to more contemporary locales like the Space Age Modernist capital city of Brasília, the conflicting and not always neatly resolvable forces that bear upon preservation are addressed as clearly and thoughtfully as the general reader could hope for.”—New York Review of Books “...an astonishing feat of research, compilation and synthesis.”—Context The book delivers the first major survey concerning the conservation of cultural heritage in both Europe and the Americas. Architectural Conservation in Europe and the Americas serves as a convenient resource for professionals, students, and anyone interested in the field. Following the acclaimed Time Honored, this book presents contemporary practice on a country-by-country and region-by-region basis, facilitating comparative analysis of similarities and differences. The book stresses solutions in architectural heritage protection and the contexts in which they were developed.

Winner of the RIBA Book Award, this important and timely publication brings together contributions from leading stone conservation practitioners. It discusses the philosophical principles on which stone conservation is founded and the need to understand the full history and development of a building before starting work. Other topics covered in this book include consolidation, cleaning, and the replacement of stone; conservation of different stone types, including limestone, sandstone, and marble; problems of dealing with polychrome stone; and finally, issues relating to church monuments and graveyards, taking account of the need for good maintenance and health and safety requirements. The book is illustrated with the authors' own examples of stone conservation in practice. Architects, surveyors and craftsmen involved in the conservation of stone structures will find this both a practical and useful reference work.

As the Roman Empire expanded its African settlements in the early centuries of the common era, thousands of mosaic floor pavements were fashioned to adorn the townhouses and rural estates of the African upper classes. Between the second and sixth centuries, mosaic art blossomed, particularly in Africa Proconsularis, the region comprising modern Tunisia. In contrast to the official art of imperial Rome, mosaics generally expressed the worldviews of private citizens. These artworks are remarkable for the intricate beauty of their polychromatic geometric and floral designs, as well as for figural scenes depicting the interests and activities of the patrons who commissioned them--scenes of daily life, athletic contests, gladiator spectacles, and classical literature and mythology. Abundantly illustrated throughout, Tunisian Mosaics: Treasures from Roman Africa offers the general reader a lively introduction to this extraordinary ancient art. Initial chapters survey the historical background of Roman Africa and discuss the development of mosaic art in the Mediterranean. Subsequent chapters profile Tunisia's major mosaic sites and tour the collections of important museums. A final chapter surveys current initiatives to preserve this heritage for future generations.