Born to Be Weird... When Tom Kolczyskrenski got his discharge papers from the Air Force, he decided to look up his old pals¾and the world would never be the same. At one time, the oddly mismatched trio had been roommates, then they'd gone their separate ways. Tom, for lack of money, enlisted in the Air Force to learn electronics. The other two had finished college, lan McTavish going into mechanical engineering and a job with GM, and Jim Hasenpfeffer into behavioral science, leading to his having gotten a Department of Defense grant to¾this is serious stuff, now¾study social interactions in motorcycle gangs. So the three set out to be their own motorcycle gang. But these easy riders had barely begun to closely observe their own interactions when they ran across a strange perfectly hemispherical hole in the ground where a house used to be, with everything that had been in the sphere of influence slowly materializing in bits and pieces in the surrounding area. And they found the plans for the machine that had done this, and were sure they could duplicate it and get rich. But before long they would be wishing they had kept on being the three musketeers on bikes, instead of the three stooges of time travel.... At the publisher's request, this title is sold without DRM (Digital Rights Management).

This book traces the literary friendship between Joseph Conrad and H. G. Wells from their early correspondence through to the differences that caused their estrangement, including their respective responses to the First World War. It thus gives an overview of the literary scene in the late Victorian and early Edwardian period.

Widely recommended, this guide to Conrad offers a vivid and incisive account of his life and literary career, and gives detailed attention to the contexts, themes, problems and paradoxes of his works.

By situating Conrad's work in relation to other writings on 'primitive' peoples, John Griffith shows how his fiction draws on prominent anthropological and biological theories regarding the degenerative potential of contacts between European and other cultures. At the same time, however, Conrad's work reflected an anthropological dilemma: he constantly posed the question of how to bridge conceptual and cultural gaps between various peoples.

One moment Conrad Schwartz was suffering from a severe hangover as he hiked through the mountains of present-day Poland, the next he was hurled back to the same country in the 13th century. He remembered from his history classes that in another ten years, Mongol hordes were scheduled to attack, pillage, burn and kill¾and Conrad was likely to suffer all of the above. So, he set out to turn Poland into a world power by introducing universal education, aircraft, radios, steamboats, and generally discourage Mongols or anybody else from messing with either Poland or Conrad. But things weren't going to be quite that simple. . . . The Mongols were not quite as awed by advanced technology as he had hoped.He was under observation by mysterious Time Lords who didn't approve of disruptions in the flow of historical time.Last, and anything but least, he had married the formidable Lady Francine, and there was absolutely nothing simple about that noble-born and tempestuous woman. At the publisher's request, this title is sold without DRM (Digital Rights Management).

This is the fourth of the eight volumes of a widely acclaimed edition comprising all the surviving letters of Joseph Conrad. It covers the period during which he wrote Under Western Eyes, and the mental and physical breakdown that followed the novel's completion. The tale of these years emerges vividly from the correspondence. Of special interest are frank critiques of John Galsworthy's work, an indignant falling out with Ford Madox Ford, revealing accounts of his writing in progress, and reactions to the tumultuous politics of the day.

A biographical chapter relates The Secret Agent to Conrad's career. Next, the work's process of composition is discussed, and differences between the serial, the book version and the stage version are explained. An analysis of the plot gives particular attention to its ironic strategies and to the character of the narrator. Various themes and contexts are explored: conceptions of time and topography; anarchistic and Fenian politics; anti-Semitism; evolution, Lombroso and criminology. Literary influences and analogues are illustrated: Dickens, Zola, Ibsen, terrorist fiction. The characters are considered from various viewpoints. A critical survey summarises the work's reception since its first publication. The bibliography provides a guide to further reading.

CHANGE THE COURSE OF HISTORY¾OR DIE! One moment Conrad Schwartz was suffering from a severe hangover as he hiked through the mountains of present-day Poland, the next he was running for his life from an angry Teutonic knight. Things went downhill from there, and he finally had to face the disheartening fact he had somehow been stranded in 1231 A.D. He would have been happier if he had known less history. But there was very bad news in his new future, so he set out to turn Medieval Poland into the most powerful country in the thirteenth century. It wouldn't be easy. He would be investigated by the Inquisition (he should have expected that), be knighted, round up vassals, build a city, survive armed combat with the Champion of the Teutonic Knights, invent the steam engine and cloth factories, establish universal education, and organize an army. He needed that army most of all, because he knew that the Mongol hordes would attack in only ten years and destroy medieval Poland¾and that would really mess up Conrad's life. Three novels in the Locus best-selling series in one volume. At the publisher's request, this title is sold without DRM (Digital Rights Management).

Although the dramatic dimension to Joseph Conrad's fiction is frequently acknowledged, his own experiments in drama have traditionally been marginalized. However, in all of Conrad's plays we see a distinct effort to investigate seriously the dramatic form and some of his plays are startlingly ahead of their time. Furthermore, all of the plays are adaptations and comprise One Day More , based on Tomorrow , Laughing Anne , based on Because of the Dollars, Victory: A Drama and The Secret Agent . The creation of these reveals much about the history, theory and practice of this fascinating cultural process.

Brings together for the first time the most important and illuminating letters of one of our major writers.