Countering dominant narratives of conflict through attention to memory and trauma This volume presents approaches to the archaeology of war that move beyond the forensic analysis of battlefields, fortifications, and other sites of conflict to consider the historical memory, commemoration, and social experience of war. Leading scholars offer critical insights that challenge the dominant narratives about landscapes of war from throughout the history of North American settler colonialism. Grounded in the empirical study of fields of conflict, these essays extend their scope to include a commitment to engaging local Indigenous and other descendant communities and to illustrating how public memories of war are actively and politically constructed. Contributors examine conflicts including the battle of Chikasha, King Philip’s War, the 1694 battle at Guadalupe Mesa, the Rogue River War, the Dakota-U.S. War of 1862, and a World War II battle on the island of Saipan. Studies also investigate the site of the Schenectady Massacre of 1690 and colonial posts staffed by Black soldiers. Chapters discuss how prevailing narratives often minimized the complexity of these conflicts, smoothed over the contradictions and genocidal violence of colonialism, and erased the diversity of the participants. This volume demonstrates that the collaborative practice of conflict archaeology has the potential to reveal the larger meanings, erased voices, and lingering traumas of war. A volume in the series Cultural Heritage Studies, edited by Paul A. Shackel

The human cost in any conflict is of course the first care in terms of the reduction, if not the elimination of damage. However, the destruction of archaeology and heritage as a consequence of civil and international wars is also of major concern, and the irreversible loss of monuments and sites through conflict has been increasingly discussed and documented in recent years. Post-Conflict Archaeology and Cultural Heritage draws together a series of papers from archaeological and heritage professionals seeking positive, pragmatic and practical ways to deal with conflict-damaged sites. For instance, by showing that conflict-damaged cultural heritage and archaeological sites are a valuable resource rather than an inevitable casualty of war, and suggesting that archaeologists use their skills and knowledge to bring communities together, giving them ownership of, and identification with, their cultural heritage. The book is a mixture of the discussion of problems, suggested planning solutions and case studies for both archaeologists and heritage managers. It will be of interest to heritage professionals, archaeologists and anyone working with post-conflict communities, as well as anthropology, archaeology, and heritage academics and their students at a range of levels.

Modern Conflict and the Senses investigates the sensual worlds created by modern war, focusing on the sensorial responses embodied in and provoked by the materiality of conflict and its aftermath. The volume positions the industrialized nature of twentieth-century war as a unique cultural phenomenon, in possession of a material and psychological intensity that embodies the extremes of human behaviour, from total economic mobilization to the unbearable sadness of individual loss. Adopting a coherent and integrated hybrid approach to the complexities of modern conflict, the book considers issues of memory, identity, and emotion through wartime experiences of tangible sensations and bodily requirements. This comprehensive and interdisciplinary collection draws upon archaeology, anthropology, military and cultural history, art history, cultural geography, and museum and heritage studies in order to revitalize our understandings of the role of the senses in conflict.

In its multidisciplinary approach and wide-ranging contributions, the book looks at trench art and postcards through museum collections to prosthetic limbs, and examines the First World War and its significance through the things it left behind.

Beneath the Killing Fields of the Western Front still lies a hidden landscape of industrialised conflict virtually untouched since 1918. This subterranean world is an ambiguous environment filled with material culture that that objectifies the scope and depth of human interaction with the diverse conflict landscapes of modern war. Covering the military reasoning for taking the war underground, as well as exploring the way that human beings interacted with these extraordinary alien environments, this book provides a more all-encompassing overview of the Western Front. The underground war was intrinsic to trench warfare and involved far more than simply trying to destroy the enemys trenches from below. It also served as a home to thousands of men, protecting them from the metallic landscapes of the surface. With the aid of cutting edge fieldwork conducted by the author in these subterranean locales, this book combines military history, archaeology and anthropology together with primary data and unique imagery of British, French, German and American underground defences in order to explore the realities of subterranean warfare on the Western Front, and the effects on the human body and mind that living and fighting underground inevitably entailed.

The Cold War was one of the twentieth century's defining events, with long-lasting political, social, and material implications. It created a global landscape of culturally and politically significant artifacts and sites that are critical to understanding and preserving the history of that conflict. The stories of these artifacts and sites remain mostly untold, however, because so many of the facilities operated in secret. In this volume, Todd Hanson examines the Cold War's secret sites through three theoretical frameworks: conflict archaeology, the archaeology of the recent past, and the archaeology of science. He presents case studies of investigations conducted at some famous--and some not so famous--historic sites that were pivotal to the conflict, including Bikini Atoll, the Nevada Test Site, and the Cuban sites of the Soviet Missile Crisis. Hanson illustrates how, by examining nuclear weapons testing sites, missile silos, peace camps, fallout shelters, and more, archaeology can help strip away the Cold War's myths, secrets, and political rhetoric in order to better understand the conflict's formative role in the making of the contemporary American landscape. Addressing modern ramifications of the Cold War, Hanson also looks at the preservation of atomic heritage sites, the phenomenon of atomic tourism, and the struggles of America's atomic veterans. As the Cold War retreats into the annals of history, and its monuments fade away, so too do the opportunities to gain deeper insight into the successes--and the failures--of the era. Hanson suggests topics for future archaeological research and reflects on the implications of failing to study or preserve North America's Cold War heritage. A volume in the series the American Experience in Archaeological Perspective, edited by Michael S. Nassaney

Modern military history, inspired by social and cultural historical approaches, increasingly puts the national histories of the Second World War to the test. New questions and methods are focusing on aspects of war and violence that have long been neglected. What shaped people’s experiences and memories? What differences and what similarities existed in Eastern and Western Europe? How did the political framework influence the individual and the collective interpretations of the war? Finally, what are the benefits of Europeanizing the history of the Second World War? Experts from Belgium, Germany, France, Great Britain, Italy, Luxembourg, Poland, and Russia discuss these and other questions in this comprehensive volume.

The new interdisciplinary study of modern conflict archaeology has developed rapidly over the last decade. Its anthropological approach to modern conflicts, their material culture and their legacies has freed such investigations from the straitjacket of traditional 'battlefield archaeology'. It offers powerful new methodologies and theoretical insights into the nature and experience of industrialised war, whether between nation states or as civil conflict, by individuals as well as groups and by women and children, as well as men of fighting age. The complexities of studying wars within living memory demand a new response - a sensitised, cross-disciplinary approach which draws on many other kinds of academic study but which does not privilege any particular discipline. It is the most democratic kind of archaeology - one which takes a bottom-up approach - in order to understand the web of emotional, military, political, economic and cultural experiences and legacies of conflict. These 18 papers offer a coherent demonstration of what modern conflict archaeology is and what it is capable of and offers an intellectual home for those not interested in traditional 'war studies' or military history, but who respond to the idea of a multidisciplinary approach to all modern conflict.

1. Landscape archaeological approach instead of a site-oriented approach; 2. The use of a new technique, Light Detecting and Ranging (LiDAR); 3. The very first academic study on modern conflict archaeology in the Netherlands.

The Great War was a turning point of the twentieth century, giving birth to a new, modern, and industrial approach to warfare that changed the world forever. The remembrance, awareness, and knowledge of the conflict and, most importantly, of those who participated and were affected by it, altered from country to country, and in some cases has been almost entirely forgotten. New research strategies have emerged to help broaden our understanding of the First World War. Multidisciplinary approaches have been applied to material culture and conflict landscapes, from archive sources analysis and aerial photography to remote sensing, GIS and field research. Working within the context of a material and archival understanding of war, this book combines papers from different study fields that present interdisciplinary and multidisciplinary approaches towards researching the First World War and its legacies, with particular concentration on the central and eastern European theatres of war.