"A single mother's personal, unflinching look at America's class divide (Barack Obama)," this New York Times bestselling memoir is the inspiration for the Netflix limited series, hailed by Rolling Stone as "a great one." At 28, Stephanie Land's dreams of attending a university and becoming a writer quickly dissolved when a summer fling turned into an unplanned pregnancy. Before long, she found herself a single mother, scraping by as a housekeeper to make ends meet. Maid is an emotionally raw, masterful account of Stephanie's years spent in service to upper middle class America as a "nameless ghost" who quietly shared in her clients' triumphs, tragedies, and deepest secrets. Driven to carve out a better life for her family, she cleaned by day and took online classes by night, writing relentlessly as she worked toward earning a college degree. She wrote of the true stories that weren't being told: of living on food stamps and WIC coupons, of government programs that barely provided housing, of aloof government employees who shamed her for receiving what little assistance she did. Above all else, she wrote about pursuing the myth of the American Dream from the poverty line, all the while slashing through deep-rooted stigmas of the working poor. Maid is Stephanie's story, but it's not hers alone. It is an inspiring testament to the courage, determination, and ultimate strength of the human spirit. "A single mother's personal, unflinching look at America's class divide, a description of the tightrope many families walk just to get by, and a reminder of the dignity of all work." -PRESIDENT BARACK OBAMA, Obama's Summer Reading List

During the course of the years in which I have been more or less closely associated with other prostitutes I have frequently listened to explanations as to just what this one or that owed her degradation; the particular villainy to which she attributed her advent into a life of shame. The usual story is one of seduction by a lover under the inevitable extenuating circumstance of "before I really knew anything," with the occasional variation, "he put something in my drink, and when I came too..." or, "he was stronger than I was and I couldn't do anything." In these glib stories, in which none but the inconsequential details vary, the man is always to blame and the girl is never a willing accomplice. She is always, by artifice, force or deception, and subsequent abandonment, the victim of some man's depravity. I confess that I have listened to these tales and even witnessed a few tears of self-pity, with a certain amount of scepticism. In thinking back over my own life I can find nothing which would serve as a valid excuse to shift upon somebody else the responsibility of my own condition, nor can I in justice accuse any man of having instigated my moral degradation, although the number of those who have taken advantage of my voluntary delinquency is legion. True, were I to hypocritically search for some contributing factor with which to justify myself in my own mind or in the minds of others, I might place some blame upon the environment under which I was raised as a child, yet, a conscientious analysis of my subsequent life leads me to no other conclusion than that had these conditions been entirely normal I would still, just as water seeks its level, have drifted into a life analogous to that in which you find me. I do not believe that character is made by environment or training. I am something of a fatalist and it is my conviction that the seeds of goodness or badness, kindness or malevolence, virtue or viciousness, are implanted in the soul right from the beginning, and while some slight modifications either for better or for worse may be possible under varying circumstances, the net result will not be greatly changed. In my childhood days I knew two brothers, sons of affluent parents highly respected in the community. These two boys were raised under the most favourable home and moral environment possible to imagine. The elder, always the personification of honour and circumspection, occupies a position of trust high in the affairs of the nation. The younger child of the same parents, raised under exactly the same conditions and influences, early in life manifested all the characteristics of an irresponsible nature and is today being sought for his participation in a robbery which culminated in murder. I know of other such instances.

OVER 1 MILLION COPIES SOLD WORLDWIDE • *WINNER OF THE NED KELLY AWARD FOR BEST INTERNATIONAL CRIME FICTION* • *SHORTLISTED FOR THE EDGAR ALLAN POE BEST NOVEL AWARD* • INSTANT #1 NATIONAL BESTSELLER • #1 NEW YORK TIMES BESTSELLER • GOOD MORNING AMERICA BOOK CLUB PICK • CITYLINE BOOK CLUB PICK • “A twist-and-turn whodunit, set in a five-star hotel, from the perspective of the maid who finds the body. Think Clue. Think page-turner.”—Glamour A dead body is one mess she can’t clean up on her own. Molly Gray is not like everyone else. She struggles with social skills and misreads the intentions of others. Her Gran used to interpret the world for her, codifying it into simple rules that Molly could live by, but since Gran died a few months ago, Molly has been navigating life's complexities by herself. With gusto, she throws herself into work as a hotel maid. Her unique character, along with her obsessive love of cleaning and proper etiquette, make her an ideal fit for the job. She delights in donning her crisp uniform each morning, stocking her cart with miniature soaps and bottles, and returning guest rooms at the Regency Grand Hotel to a state of perfection. But Molly’s orderly life is upended the day she enters the suite of the infamous and wealthy Charles Black, only to find it in a state of disarray and Mr. Black himself dead in his bed. Before she knows what’s happening, Molly’s unusual demeanour has the police targeting her as their lead suspect. She quickly finds herself caught in a web of deception, one she has no idea how to untangle. Fortunately for Molly, friends she never knew she had unite with her in a search for clues to what really happened to Mr. Black. But will they be able to find the real killer before it’s too late? Both a Clue-like, locked-room mystery and a heartwarming journey of the spirit, The Maid explores what it means to be the same as everyone else and yet entirely different—and reveals that all mysteries can be solved through connection to the human heart.

Now a major TV series. Read the hilarious rom-com that inspired the hit sitcom Not Dead Yet starring Gina Rogriguez. As recommended on Davina McCall's Making the Cut podcast, and perfect for fans of Dolly Alderton, Ruth Jones and Marian Keyes. 'The new Bridget Jones' – Celia Walden, Telegraph 'Funny but layered . . . this is a perfect and inspiring new year read' – Red A novel for any woman who wonders how the hell she got here, and why life isn't quite how she imagined it was going to be. And who is desperately trying to figure it all out when everyone around them is making gluten-free brownies. Meet Nell. Her life is a mess. In a world of perfect Instagram lives, she feels like a disaster. But when she starts a secret podcast and forms an unlikely friendship with Cricket, an eighty-something widow, things begin to change. Because Nell is determined. This time next year things will be very different. But first, she has a confession . . . Confessions of a Forty-Something by Alexandra Potter will make you laugh, and it might even make you cry. Above all, it will remind you that you're not on your own – we're all in this together. 'Brilliant! Laughing out loud' – Emma Gannon, podcaster (Ctrl Alt Delete) and author of Olive 'Say hello to a book that will have you laughing with every page, whether you're 20, 40 or 80' – Heat

First book in the USA Today bestselling Victorian San Francisco Mystery series. It’s the summer of 1879, and Annie Fuller, a young San Francisco widow, is in trouble. Annie’s husband squandered her fortune before committing suicide five years earlier, and one of his creditors is now threatening to take the boardinghouse she owns to pay off a debt. Annie Fuller also possesses a secret. She supplements her income by giving domestic and business advice as Madam Sibyl, one of San Francisco’s most exclusive clairvoyants, and one of Madam Sibyl’s clients, Matthew Voss, has died. The police believe his death was suicide brought upon by bankruptcy, but Annie believes Voss has been murdered and that his assets have been stolen. Nate Dawson wrestles with a difficult decision. As the Voss family lawyer, he would love to prove that Matthew Voss didn't leave his grieving family destitute. But that would mean working with Annie Fuller, a woman who alternatively attracts and infuriates him as she shatters every notion he ever had of proper ladylike behavior. Sparks fly as Anne and Nate pursue the truth about the murder of Matthew Voss in this light-hearted, cozy historical mystery set in the foggy, gas-lit world of Victorian San Francisco. Maids of Misfortune is the first book in M. Louisa Locke’s USA Today bestselling Victorian San Francisco mystery series, followed by Uneasy Spirits, Bloody Lessons, Deadly Proof, Pilfered Promises, Scholarly Pursuits, and Lethal Remedies. Locke’s shorter works, collected in Victorian San Francisco Stories: Vols 1 and 2, and Victorian San Francisco Novellas, feature beloved minor characters from the series. There are also two boxed sets of the novels, Victorian San Francisco Mysteries: Books 1-4 and Victorian San Francisco Mysteries: Books 5-7.