NATIONAL BESTSELLER After nursing a broken engagement with Jane Austen novels and Absolut, Courtney Stone wakes up and finds herself not in her Los Angeles bedroom or even in her own body, but inside the bedchamber of a woman in Regency England. Who but an Austen addict like herself could concoct such a fantasy? Not only is Courtney stuck in another woman’s life, she is forced to pretend she actually is that woman; and despite knowing nothing about her, she manages to fool even the most astute observer. But not even her level of Austen mania has prepared Courtney for the chamber pots and filthy coaching inns of nineteenth-century England, let alone the realities of being a single woman who must fend off suffocating chaperones, condom-less seducers, and marriages of convenience. This looking-glass Austen world is not without its charms, however. There are journeys to Bath and London, balls in the Assembly Rooms, and the enigmatic Mr. Edgeworth, who may not be a familiar species of philanderer after all. But when Courtney’s borrowed brain serves up memories that are not her own, the ultimate identity crisis ensues. Will she ever get her real life back, and does she even want to?

Transported through time to Regency England, heartbroken Jane Austen fan Courtney Stone is forced to live the discouragingly difficult life of a nineteenth-century woman and finds herself experiencing memories that are not her own.

A tale of time travel, true love, and Jane Austen New York actress C.J. Welles, a die-hard Jane Austen fan, is on the verge of landing her dream role: portraying her idol in a Broadway play. But during her final audition, she is mysteriously transported to Bath, England, in the year 1801. And Georgian England, with its rigid and unforgiving social structure and limited hygienic facilities, is not quite the picturesque costume drama C.J. had always imagined. Just as she wishes she could click her heels together and return to Manhattan, C.J. meets the delightfully eccentric Lady Dalrymple, a widowed countess who takes C.J. into her home, introducing her as a poor relation to Georgian society—including the dashing Earl of Darlington and his cousin, Jane Austen! When a crisis develops, C.J.—in a race against time—becomes torn between two centuries. An attempt to return to her own era might mean forfeiting her blossoming romance with the irresistible Darlington and her growing friendship with Jane Austen, but it’s a risk she must take. And in the midst of this remarkable series of events, C.J. discovers something even more startling—a secret from her own past that may explain how she wound up in Bath in the first place.

The Watsons is an abandoned novel by Jane Austen, completed by her niece. The story tells about the widowed priest and his six children, four of which are daughters wishing to get married t a rich man. Although one of the daughters, Emma, was raised by their rich childless aunt. As a result, she is better educated than her other three sisters and has different values. The pursuit for love and wealthy admirers and the opposition between sisters lead to mingled affairs, romantic love stories, and exciting adventures.

“The most brilliant Austen-adjacent book on the market. . . . Flynn’s style makes this a quick, fun read, and since the story is Jane-related there’s even a romantic subplot.” — Vulture “What lover of literature hasn’t dreamed of going back in time to meet Jane Austen? . . . . Kathleen A. Flynn brings this dream to life, creating a vivid portrait of Regency England in all its glory and squalor.” —Lauren Belfer, author of After the Fire and A Fierce Radiance Perfect for fans of Jane Austen, this engrossing novel offers an unusual twist on the legacy of one of the world's most celebrated and beloved authors: two researchers from the future are sent back in time to meet Jane and recover a suspected unpublished novel. London, 1815: Two travelers—Rachel Katzman and Liam Finucane—arrive in a field in rural England, disheveled and weighed down with hidden money. Turned away at a nearby inn, they are forced to travel by coach all night to London. They are not what they seem, but rather colleagues who have come back in time from a technologically advanced future, posing as wealthy West Indies planters—a doctor and his spinster sister. While Rachel and Liam aren’t the first team from the future to “go back,” their mission is by far the most audacious: meet, befriend, and steal from Jane Austen herself. Carefully selected and rigorously trained by The Royal Institute for Special Topics in Physics, disaster-relief doctor Rachel and actor-turned-scholar Liam have little in common besides the extraordinary circumstances they find themselves in. Circumstances that call for Rachel to stifle her independent nature and let Liam take the lead as they infiltrate Austen’s circle via her favorite brother, Henry. But diagnosing Jane’s fatal illness and obtaining an unpublished novel hinted at in her letters pose enough of a challenge without the continuous convolutions of living a lie. While her friendship with Jane deepens and her relationship with Liam grows complicated, Rachel fights to reconcile the woman she is with the proper lady nineteenth-century society expects her to be. As their portal to the future prepares to close, Rachel and Liam struggle with their directive to leave history intact and exactly as they found it. . . however heartbreaking that may prove.

Sequel to: Pride and prejudice by Jane Austen.

Wow. This is it. This is me growing up. On my own, going to Performing Arts College. This is good-bye, Tallulah, you long, gangly thing, and hellooooo, Lullah, star of stage. Tallulah Casey is ready to find her inner artist. And some new mates. And maybe a boy or two or three. The ticket to achieving these lofty goals? Enrolling in a summer performing arts program, of course. She's bound for the wilds of Yorkshire Dales—eerily similar to the windswept moors of Wuthering Heights. Tallulah expects new friends, less parental interference, and lots of drama. Acting? Tights? Moors? Check, check, check. What she doesn't expect is feeling like a tiny bat's barging around in her mouth when she has her first snog. Bestselling author Louise Rennison returns with her trademark wit, a hilarious new cast, and a brand-new cheeky heroine who is poised to discover plenty of opportunities for (mis)adventure!

Courtney Stone - sassy, smart and suddenly single - has always felt she might have been better suited to life in Jane Austen's England. She senses that she would have found soul mates in Emma and Elinor, and through good times and bad Sense and Sensibility and Pride and Prejudice have been her secret under-the-duvet pleasures. One evening, having drifted off to sleep after self-medicating with pizza, Absolut, and Elizabeth and Darcy, Courtney wakes up in nineteenth-century England, in the bed (not to mention the slim and svelte body) of a girl called Jane Mansfield. At first she thinks this has to be some sort of weird dream, but slowly she becomes used to the absence of toothpaste and fat-free food, and finds herself actually enjoying Jane's life. Perhaps she could do without her wicked new 'mother' who wants to marry Jane off as soon as possible to the nearest wealthy man ... although this may not be such a bad thing, as the nearest wealthy man just happens to be the very dishy Charles Edgeworth. But, in becoming Jane, Courtney has left some important unfinished business behind, and she soon realises that in order to return to the present day she needs not only to solve the riddle of Jane and Charles but to get to grips with her own twenty-first-century relationship phobias along the way.

Jamie is a young housing officer on a rough East London estate. His work is sometimes frustrating, but the tenants he tries to help - by turns exasperating, funny, heroically brave or dangerously hostile - can make it all worth while. Friendship and romance blossom too, in Ben Richards' exuberant, gripping first novel.

There's no place for pride in this Austen misadventure. Chloe Parker was born two centuries too late. A thirty-nine-year- old divorced mother, she runs her own antique letterpress business, is a lifelong member of the Jane Austen Society, and gushes over everything Regency. But her business is failing, threatening her daughter's future. What's a lady to do? Why, audition for a Jane Austen-inspired TV show set in England, of course. What Chloe thinks is a documentary turns out to be a reality dating show set in 1812. Eight women are competing to snare Mr. Wrightman, the heir to a gorgeous estate, along with a $100,000 prize. So Chloe tosses her bonnet into the ring, hoping to transform from stressed-out Midwest mom to genteel American heiress and win the money. With no cell phones, indoor plumbing, or deodorant to be found, she must tighten her corset and flash some ankle to beat out women younger, more cutthroat, and less clumsy than herself. But the witty and dashing Mr. Wrightman proves to be a prize worth winning, even if it means the gloves are off...