Part man, part…rock? Over seven feet tall and weighing over a thousand pounds, he is known as Concrete but is in reality the mind of one Ronald Lithgow, trapped inside a shell of stone, a body that allows him to walk unaided on the ocean's floor or survive the crush of a thousand tons of rubble in a collapsed mineshaft…but prevents him from feeling the touch of a human hand. These stories of Concrete are as rich and satisfying as any in comics: funny, heartbreaking, and singularly human. Depths, the first in a series of collections reprinting the classic early Concrete stories along with never-before-collected short stories, includes the Eisner-nominated "Orange Glow" and "Vagabond," Paul Chadwick's autobiographical account of a cross-country hitchhiking trip. • "Probably the best comic being published today by anyone, anywhere."—Harlan Ellison • Paul Chadwick's Concrete has won five Eisner Awards and three Harvey Awards. • One of GQ's "20 Graphic Novels You Should Read."

Part man, part...rock? Over seven feet tall and weighing over a thousand pounds, he is known as Concrete but is in reality the mind of one Ronald Lithgow, trapped inside a shell of stone, a body that allows him to walk unaided on the ocean's floor or survive the crush of a thousand tons of rubble in a collapsed mineshaft...but prevents him from feeling the touch of a human hand. These stories of Concrete are as rich and satisfying as any in comics: funny, heartbreaking, and singularly human.

Concrtete needs to rescue his personal assistant and best friend who was kidnapped by a psychopath.

Trapped in an indestructible body, Concrete looks like a specioal effect come to life, so it's only logical when an ingenious film crew, filming the sci-fi epic Rulers of the Universe, hires Concrete to create the unbelievable wonders their screenplay demands.

Being a celebrity has its benefits . . . and its costs. Due to his status as the world's most unusual travel writer-being a thousand pounds of walking, talking rock will do that-Concrete is approached by a group of radical eco-warriors to see firsthand and write about their efforts to save old-growth forest. What begins as a lark soon turns into a harrowing struggle, and Concrete must decide whether to dispassionately observe or to join these people who would risk anything, even life itself, to save the planet. Called "the best comic being published by anyone, anywhere,"Paul Chadwick's critically acclaimed Concrete is at once rousing fantasy and grounded reality, as thought-provoking and challenging as it is entertaining. Think Like a Mountaincollects the 1996 Parents' Choice Award winning series along with bonus short stories, some collected here for the first time. • This value priced volume collects Think Like a Mountain #1-6; short stories: "Like Disneyland, Only Toxic," "Stay Tuned for Pearl Harbor," "A Billion Conscious Decisions," "Objects of Value," "Steel Rain," various "A Sky of Heads" stories

Through illustration and poetry, Seeds Planted in Concrete is Bianca Sparacino's raw testament to the beauty that is found within the contrasts of life. By writing truthfully about the intricacies of both love and loss, Sparacino's first collection of work is one that will speak to the very depths of those who read it, inspiring a will to love, and live. This collection is a manifesto of the journey every human being takes throughout their life; an assembly of words that celebrates the resilience of the human heart through stages of hurting, feeling, healing and loving.

In honor of Frank’s 20th anniversary Fantagraphics is re-releasing the massive, long out of print Frank Book omnibus, which collected all the Frank material up to the mid-aughts, including several jaw-droppingly beautiful full-color stories, literally dozens of lushly-delineated black-and-white stories, and a treasure trove of covers and illustrations. The Frank Book also features an introduction by one of Frank’s biggest fans (himself a Frank, or almost): Francis Ford Coppola.

LRB BOOKSHOP'S AUTHOR OF THE MONTH ONE OF THE GUARDIAN'S BEST BOOKS OF 2019WITH A NEW AFTERWORD BY MICHAEL HOFMANN'If you haven't read Bernhard, you will not know of the most radical advance in fiction since Joyce ... My advice: dive in.' Lucy Ellmann'I absolutely love Bernhard: he is one of the darkest and funniest writers ... A must read for everybody.' Karl Ove KnausgaardInstead of the book he is meant to write, Rudolph, a Viennese musicologist, produces this dark and grotesquely funny account of small woes writ large, of profound horrors detailed and rehearsed to the point of distraction. We learn of Rudolph's sister, whose help he invites then reviles; his 'really marvellous' house which he hates; the suspicious illness he carefully nurses; his ten-year-long attempt to write the perfect opening sentence; and his escape to the island of Majorca, which turns out to be the site of someone else's very real horror story, and ultimately brings him no release from himself.Concrete is Thomas Bernhard at his very finest: a bleakly hilarious insight into procrastination and failure that scratches the murky depths of our souls.

Exploring image and imagination in conjunction with natural environments, the animal, and the human, this collection of essays turns the ecocritical and ecocompositional gaze upon comic studies. The comic form has a long tradition of representing environmental rhetoric. Through discussions of comics including A.D.: New Orleans After the Deluge, We3, Concrete, and Black Orchid, these essays bring the rich work of ecological criticism into dialogue with the multi-faceted landscape of comics, graphic novels, web-comics, cartoons, and animation. The contributors ask not only how nature and environment are portrayed in these texts but also how these textual forms inform how we come to know nature and environment--or what we understand those terms to represent. Interdisciplinary in approach, this collection welcomes diverse approaches that integrate not only ecocriticism and comics studies, but animal studies, posthumanism, ecofeminism, queer ecology, semiotics, visual rhetoric and communication, ecoseeing, image-text studies, space and spatial theories, writing studies, media ecology, ecomedia, and other methodological approaches.