An analysis of the relationship between urbanism and personal identity evaluates the ways in which people are shaped by their spaces and vice versa, in an account that explores such topics as the disparities between structural interiors and exteriors, the moral obligations of citizens, and the role of a city's atmosphere in molding its residents' beliefs. 10,000 first printing.

Presents a selection of Poe's tales and poems with in-depth marginal notes elucidating his sources, obscure words and passages, and literary, biographical, and historical allusions.

Films and Dreams considers the essential link between films and the world of dreams. To discuss dream theory in the context of film studies means moving from the original, clinical context within which dream theory was originally developed to an environment established by primarily aesthetic concerns. Botz-Bornstein deals with dreams as "self-sufficient" phenomena that are interesting not because of their contents but because of the "dreamtense" through which they deploy their being. A diverse selection of films are examined in this light: Tarkovsky's anti-realism exploring the domain of the improbable between symbolization, representation and alienation; Sokurov's subversive attacks on the modern image ideology; Arthur Schnitzler's shifting of thefamiliar to the uncanny and Kubrick's avoidance of this structural model in Eyes Wide Shut; and Wong Kar-Wai's dreamlike panorama of parodied capitalism.

New York is a city of few boundaries, a city of well-known streets and blocks that ramble on and on, into our literature, dreams, and nightmares. We know the city by the byways that split it, streets like Broadway and Madison and Flatbush and Delancey. From those streets, peering down the blocks and up at the top floors, the city seems immense and endless. And though the land itself may end at the water, the city does not. Long before Broadway was a muddy cart track, the water was the city's most distinguishing feature, the rivers the only byways of importance. Some people, like William Kornblum, still see the city as an urban archipelago, shaped by the water and the people who have sailed it for goods, money, pirate's loot, and freedom. For them, the City will always be an island. William Kornblum--New York City native, longtime sailor, urban sociologist, and first-time author--has spent decades plying the waterways of the city in his ancient catboat, Tradition. In At Sea in the City, he takes the reader along as he sails through his hometown, lovingly retelling the history of the city's waterfront and maritime culture and the stories of the men and women who made the water their own. In At Sea in the City and in Kornblum's own humility, humor, and sense of wonder, one detects echoes of E. B. White, John McPhee, and Joseph Mitchell.

Eye-opening and thoroughly engaging, this is an indispensible look at American urban/suburban society and its future. In The Great Inversion, Alan Ehrenhalt, one of our leading urbanologists, reveals how the roles of America’s cities and suburbs are changing places—young adults and affluent retirees moving in, while immigrants and the less affluent are moving out—and addresses the implications of these shifts for the future of our society. Ehrenhalt shows us how the commercial canyons of lower Manhattan are becoming residential neighborhoods, and how mass transit has revitalized inner-city communities in Chicago and Brooklyn. He explains why car-dominated cities like Phoenix and Charlotte have sought to build twenty-first-century downtowns from scratch, while sprawling postwar suburbs are seeking to attract young people with their own form of urbanized experience.

DigiCat presents to you this unique collection, designed and formatted to the highest digital standards and adjusted for readability on all devices. Content: H. P. Lovecraft: The Dunwich Horror The Shunned House From Beyond Théophile Gautier: Clarimonde The Mummy's Foot James Malcolm Rymer & Thomas Peckett Prest: Sweeney Todd, the Demon Barber of Fleet Street Edgar Allan Poe: The Fall of the House of Usher The Murders in the Rue Morgue Mary Shelley: Frankenstein The Evil Eye John William Polidori: The Vampyre Bram Stoker: Dracula The Squaw Washington Irving: The Legend of Sleepy Hollow The Spectre Bridegroom Henry James: The Turn of the Screw The Romance of Certain Old Clothes The Ghostly Rental M. R. James: Canon Alberic's Scrap-Book The Mezzotint Wilkie Collins: The Haunted Hotel The Devil's Spectacles E. F. Benson: The Room in the Tower The Man Who Went Too Far Nathaniel Hawthorne: Rappaccini's Daughter The Birth Mark Ambrose Bierce: The Death of Halpin Frayser The Haunted Valley Arthur Machen: The Great God Pan The Terror William Hope Hodgson: The House on the Borderland The Night Land Carnacki, the Ghost-Finder M. P. Shiel: Shapes in the Fire Arthur Conan Doyle: The Leather Funnel The Beetle Hunter Ralph Adams Cram: Black Spirits and White Grant Allen: The Reverend John Creedy The Backslider Richard Marsh: The Beetle Thomas Hardy: What the Shepherd Saw The Grave by the Handpost Charles Dickens: The Signal-Man The Hanged Man's Bride Guy de Maupassant: The Horla Ghosts Pedro De Alarçon: The Nail Walter Hubbell: The Great Amherst Mystery Francis Marion Crawford: The Dead Smile The Screaming Skull Man Overboard! For The Blood is the Life The Upper Berth By The Water of Paradise The Doll's Ghost John Buchan: No-Man's-Land The Watcher by the Threshold W. W. Jacobs: The Monkey's Paw The Severed Hand Miscellaneous Tales: The Ghost in the Cap'n Brown House The Apparition of Mrs. Veal When the World Was Young Uncle Cornelius His Story...

This carefully crafted ebook: “The Complete Short Stories: 69 Horror & Crime Tales” is formatted for your eReader with a functional and detailed table of contents. This collection comprises 69 short stories - all of the stories Poe is known to have written. Table of contents: The Bargain Lost (1831), Loss of Breath (1831), A Dream (1831), The Duc de L’Omelette (1831), Metzengerstein (1831), A Tale of Jerusalem (1831), The Assignation (1833), Four Beasts in One (1833), Manuscript Found in a Bottle (1833), A Parable (1833), Silence — A Fable (1833), Berenice (1835), Bon-Bon (1835), King Pest (1835), Lionizing (1835), Morella (1835), The Unparalleled Adventure of One Hans Pfaal (1835), Mystification (1837), Why the Little Frenchman Wears His Hand in a Sling (1837), How to Write a Blackwood Article (1838), Ligeia (1838), The Conversation of Eiros and Charmion (1839), The Devil in the Belfry (1839), The Fall of the House of Usher (1839), The Man That Was Used Up (1839), William Wilson (1839), The Journal of Julius Rodman (1839-1840), The Business Man (1840), Lionizing (1835), The Man of the Crowd (1840), The Colloquy of Monos and Una (1841), A Descent into the Maelström (1841), Eleonora (1841), The Island of the Fay (1841), The Murders in the Rue Morgue (1841), Never Bet the Devil Your Head (1841), Three Sundays in a Week (1841), The Black Cat (1842), The Domain of Arnheim (1842), The Masque of the Red Death (1842), The Oval Portrait (1842), The Pit and the Pendulum (1842), The Tell-Tale Heart (1842), Diddling Considered as One of the Exact Sciences (1843), The Gold-Bug (1843), The Angel of the Odd (1844), The Balloon-Hoax (1844), The Literary Life of Thingum Bob, Esq. (1844), Mesmeric Revelation (1844), The Oblong Box (1844), The Purloined Letter (1844), The Premature Burial (1844), Some Words with a Mummy (1844), The System of Doctor Tarr and Professor Fether (1844), A Tale of the Ragged Mountains (1844), The Spectacles (1844), Thou Art the Man (1844), The Thousand-and-Second Tale of Scheherazade (1844), The Imp of the Perverse (1845), The Facts in the Case of M. Valdemar (1845), The Power of Words (1845), The Sphinx (1845), The Cask of Amontillado (1846), Landor’s Cottage (1848), Mellonta Tauta (1848), Von Kempelen and His Discovery (1849), The Mystery of Marie Roget (1842-1843). Edgar Allan Poe (1809-1849) was an American short-story writer, poet, critic, and editor . Edgar Allan Poe's tales of mystery and horror initiated the modern detective story, and the atmosphere in his tales of horror is unrivaled in American fiction. His The Raven (1845) numbers among the best-known poems in national literature.