A special volume of essays to celebrate the 150th anniversary of the Society, with a full listing and index of Hakluyt Society publications 1847-1995. Containing: P.E.H. Hair, ’The Hakluyt Society: from Past to Future’; R.C. Bridges, ’William Desborough Cooley and the Foundation of the Hakluyt Society’; Tony Campbell, ’R.H. Major and the British Museum’; R.J. Bingle, ’Henry Yule: India and Cathay’; Ann Savours, ’Clements Markham: longest serving Officer, most prolific Editor’; C.F. Beckingham, ’William Foster and the Records of the India Office’; D.B. Quinn, ’R.A. Skelton of the Map Room’; Michael Strachan, ’Esmond S. de Beer: Scholar and Benefactor’; and R.C. Bridges and P.E.H. Hair, ’The Hakluyt Society and World History’.

Around 1600, the English geographer and cleric Richard Hakluyt sought to honour his nation by publishing a compilation of every document he could find relating to its voyages and trade beyond the boundaries of Europe. The resulting collection of travel narratives, royal letters, ships’ logs, maps, lists, and commentaries was published as Principal Navigations, Voyages, Traffiques and Discoveries of the English Nation. Spanning two thousand pages and documenting more than two hundred voyages, Principal Navigations is a window onto how the world appeared to England in 1600. Lines Drawn across the Globe unlocks Richard Hakluyt’s work for modern readers. Mary Fuller traces the history of the book’s compilation and gives order and meaning to its famously diverse contents. From Sierra Leone to Iceland, from Spanish narratives of New Mexico to French accounts of the Saint Lawrence and Portuguese accounts of China, Hakluyt’s shaping of this many-authored book provides a conceptual map of the world’s regions and of England’s real and imagined relations to them: exchange, alliance, aggression, extraction, translation, imitation – always depending on the needs of the moment. At the height of the British imperial project, Principal Navigations came to be seen and valued as a founding document of English national identity. It remains a crucial piece of evidence on the history of empire, the nation, and the world. Yet after a century and a half of modern scholarship, Hakluyt’s book needs to be disentangled from the perspectives of the nineteenth century and read anew. Lines Drawn across the Globe works across the scales of Hakluyt’s collection to deliver a dazzling account of an editorial project that was fundamental to England’s encounter with the world – and the nation’s idea of itself.

This twelve-volume edition of the geographical works of Richard Hakluyt (1552?-1616) was published in 1903-5.

In this riveting book, Kelsey, biographer of Sir Francis Drake, tells the story of Drake's cousin Hawkins, who was a successful seaman and played a pivotal role in the history of England and the emergence of the global slave trade. 23 illustrations.

Reproduction of the original.

What was the purpose of representing foreign lands for writers in the English Renaissance? This innovative and wide-ranging study argues that writers often used their works as vehicles to reflect on the state of contemporary English politics, particularly their own lack of representation inpublic institutions. Sometimes such analyses took the form of displaced allegories, whereby writers contrasted the advantages enjoyed, or disadvantages suffered, by foreign subjects with the political conditions of Tudor and Stuart England. Elsewhere, more often in explicitly colonial writings,authors meditated on the problems of government when faced with the possibly violent creation of a new society. If Venice was commonly held up as a beacon of republican liberty which England would do well to imitate, the fear of tyrannical Catholic Spain was ever present - inspiring and hauntingmuch of the colonial literature from 1580 onwards. This stimulating book examines fictional and non-fictional writings, illustrating both the close connections between the two made by early modern readers and the problems involved in the usual assumption that we can make sense of the past with thecategories available to us. Hadfield explores in his work representations of Europe, the Americas, Africa, and the Far East, selecting pertinent examples rather than attempting to embrace a total coverage. He also offers fresh readings of Shakespeare, Marlowe, More, Lyly, Hakluyt, Harriot, Nashe,and others.