"Tales of giants and heroes, of beautiful maidens, of the Emperor of Rome and the Emperor Arthur, of legendary history and historical legend, all told with the skill of long-trained storytellers and sensitive touch of polished writers. Such are the four tales translated here: How Culhwch got Olwen, perhaps the oldest but certainly, by far, the most exuberant of Arthurian tales, the finely crafted Dream of Maxen Wledig, Emperor of Rome, who fell in love in his sleep, the folkloric triad of The Story of Lludd and Llefelys, with its link to the legends of Merlin, and the exceedingly colourful Dream of Rhonabwy.'" This is how John K. Bollard introduces his new translation of those four native Welsh tales found in the same two medieval manuscripts as the great classic The Mabinogi. The text is beautifully illustrated by Anthony Griffiths's photographs of the locations and landscapes evoked by and specifically named in the text, reminding us of the timelessness and beauty of the stories and land they inhabit.

The four stories that make up the Mabinogi, along with three additional tales from the same tradition, form this collection and compose the core of the ancient Welsh mythological cycle. Included are only those stories that have remained unadulterated by the influence of the French Arthurian romances, providing a rare, authentic selection of the finest works in medieval Celtic literature. This landmark edition translated by Patrick K. Ford is a literary achievement of the highest order.

The retelling of the epic Welsh myth that is “certainly among the top 5 fantasy series of the twentieth century” (sfsite.com). The Mabinogion is to Welsh mythology what the tales of Zeus, Hera, and Apollo are to Greek myth. these tales constitute a powerful work of the imagination, ranking with Tokien’s Lord of the Rings novels and T.H. White’s The Once and Future King. Evangeline Walton’s compelling rendition of these classic, thrilling stories of magic, betrayal, lost love, and bitter retribution include the encounter between Prince Pwyll and Arawn, the God of Death, which Pwyll survives by agreeing to kill the one man that Death cannot fell, and the tale of bran the blessed and his family’s epic struggle for the throne. The Mabinogion is internationally recognized as the world’s finest arc of Celtic mythology; Walton’s vivid retelling introduces an ancient world of gods and monsters, heroes, kings and quests, making accessible one of the greatest fantasy sagas of all time. “These books are not only the best fantasies of the twentieth century, but also great works of fiction. They are actual retellings of diverse legends of the Mabinogion in novel form . . . dealing with Good and Evil . . . and the nature of love.” —The Saturday Review (UK) “Magnificently conceived . . . persuasive and powerful . . . the product of keenly imaginative and well disciplined mind.” —August Derleth “Evangeline Watson’s Mabinogion books remain the benchmark against which any future retellings of the stories must be measured.” —Diana L. Paxson

'Here at the turn of the leaf a horseman is riding through the space between one world and another . . .' The Mabinogi is the Welsh national epic, a collection of prose tales of war and enchantment, adventure and romance, which have long fascinated readers all over the world. Matthew Francis's retelling of the first four stories (the Four Branches of the Mabinogi) is the first to situate it in poetry and captures the magic and strangeness of this medieval Celtic world: a baby is kidnapped by a monstrous claw, a giant wades across the Irish Sea to do battle, a wizard makes a woman out of flowers, only to find she is less biddable than he expected. Permeating the whole sequence is a delight in the power of the imagination to transform human experience into works of tragedy, comedy and wonder. The Mabinogi is an important contribution to the storytelling of the British Isles. 'I have waited a life for this book: our ancient British tales re-told, in English, by a poet, as they were in their original Welsh. This is more than translation. It picks up the harp and sings.' Gillian Clarke

Culture in Practice collects the academic and political writings from the 1960sthrough the 1990s of anthropologist Marshall Sahlins. More than a compilation, Culture in Practiceunfolds as an intellectual autobiography. The book opens with Sahlins's early general studies ofculture, economy, and human nature. It then moves to his reportage and reflections on the war inVietnam and the antiwar movement, the event that most strongly affected his thinking about culturalspecificity. Finally, it offers his more historical and globally aware works on indigenous peoples,especially those of the Pacific islands.Sahlins exposes the cultural specificity of the West,developing a critical account of the distinctive ways that we act in and understand the world. Thebook includes a play/review of Robert Ardrey's sociobiology, essays on "native" consumption patternsof food and clothes in America and the West, explorations of how two thousand years of Westerncosmology affect our understanding of others, and ethnohistorical accounts of how cultural orders ofEuropeans and Pacific islanders structured the historical experiences of both. Throughout, Sahlinsoffers his own way of thinking about the anthropological project. To transcend critically our nativecategories in order to understand how other peoples have historically constructed their modes ofexistence--even now, in the era of globalization--is the great challenge of contemporaryanthropology.

Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.

Six-hundred-year-old tales with modern relevance. This stunning full-colour edition from the bestselling Cambridge School Chaucer series explores the complete text of The Miller's Prologue and Tale through a wide range of classroom-tested activities and illustrated information, including a map of the Canterbury pilgrimage, a running synopsis of the action, an explanation of unfamiliar words and suggestions for study. Cambridge School Chaucer makes medieval life and language more accessible, helping students appreciate Chaucer's brilliant characters, his wit, sense of irony and love of controversy.

The four stories that make up the Mabinogi, along with three additional tales from the same tradition, form this collection and compose the core of the ancient Welsh mythological cycle. Included are only those stories that have remained unadulterated by the influence of the French Arthurian romances, providing a rare, authentic selection of the finest works in medieval Celtic literature. This landmark edition translated by Patrick K. Ford is a literary achievement of the highest order.