Common Place is about how we can develop community and create convivial and sustainable places in the face of disjointed and fast-placed growth. It offers strategies for reclaiming and improving our neighborhoods and cities, which today are increasingly dominated by fear and disintegration and the automobile. Douglas Kelbaugh offers here a personal, passionate statement of how architecture and urban design can enrich our lives. At the heart of the book are summaries of eight design workshops, or charrettes, each consisting of five days of brainstorming by university students, community leaders, and design professionals. The charrettes apply design concepts to real problems such as housing, transportation, and suburban sprawl. Thousands of hours of creative effort have produced a blueprint for the Seattle region that is pertinent to other regions. Bridging academic theory and on-the-ground practice, Common Place is an indispensable book for designers, planners, city officials, developers, environmentalists, and citizens interested in understanding and shaping the American metropolis.

Repairing the American Metropolis is based on Douglas Kelbaugh’s Common Place: Toward Neighborhood and Regional Design, first published in 1997. It is more timely and significant than ever, with new text, charts, and images on architecture, sprawl, and New Urbanism, a movement that he helped pioneer. Theory and policies have been revised, refined, updated, and developed as compelling ways to plan and design the built environment. This is an indispensable book for architects, urban designers and planners, landscape architects, architecture and urban planning students and scholars, government officials, developers, environmentalists, and citizens interested in understanding and shaping the American metropolis.

Why do some people call the police to quiet a barking dog in the middle of the night, while others accept devastating loss or actions without complaint? Sociologists Patricia Ewick and Susan Silbey examine more than 400 case studies to explore the various ways the law is perceived and utilized, or not, by a broad spectrum of citizens.

Reading is perhaps best understood as a peculiar form of writing, and vice versa. Renaissance thinkers took this paradox seriously, giving it concrete form in their "commonplace books," manuscript journals of passages copied from assorted texts and organized under various headings. The origins of the practice lay in the preparatory methods of classical oratory and medieval sermon composition, but commonplacing achieved the status of a true art among humanists like Erasmus and Montaigne, who used these notebooks to maintain command over an ever-expanding body of published texts, while culling material for their own correspondence, essays and literary compositions. The perfect gift for the itinerant thinker, this handsome volume is a facsimile of a notebook originally printed in 1797--the only remaining copy of which is held in the rare books collection of Princeton University--and reprints its introduction to the principles of commonplacing as practiced by the philosopher John Locke, as well as 144 blank pages for collecting and cataloguing your own thoughts.

Common Place negotiates intimacy while navigating the complexities of memory, addressing shifting, resilient bodies and landscapes challenged by systems of capital and power. From thin threads of text messages across borders to encounters with strangers in the crush of rush hour transit, Sarah Pinder explores seeing and being seen in our most private and public of moments. With considered, quiet urgency, these poems name our ambiguous, aching present and look towards what comes next.

In this debut collection, award-winning poet and baker Kate Lebo redefines everything we thought we knew about pie. An eclectic mix of prose poems, fantasy zodiac, and humor, A Commonplace Book of Pie explores the tension between the container and the contained while considering the real and imagined relationships between pie and those who love it. Expanding on Lebo's successful chapbook of the same name, this volume includes new poems as well as more than two dozen Americana-themed illustrations by artist Jessica Lynn Bonin. Bonin's art adds a sense of nostalgia alongside Lebo's modern style, and together with the text, puts pie and the art of baking in a fresh, contemporary context. Kate Lebo makes poems and pies in Seattle. Her writing has appeared in Best New Poets, Gastronomica, and Poetry Northwest. When Kate is not creating poems, she is hosting her semi-secret pie social, Pie Stand, around the US, teaching creative writing at the University of Washington and Richard Hugo House, and pie-making at Pie School, her cliche-busting pastry academy. Jessica Lynn Bonin is an illustrator and mixed-media artist whose work adds a modern twist to familiar images of American culture. Bonin's murals are displayed in New York,Oregon and Washington state. She lives and works in a former hardware store and lumberyard in Edison, Washington.

William Byrd II (1674-1744) was an important figure in the history of colonial Virginia: a founder of Richmond, an active participant in Virginia politics, and the proprietor of one of the colony's greatest plantations. But Byrd is best known today for his diaries. Considered essential documents of private life in colonial America, they offer readers an unparalleled glimpse into the world of a Virginia gentleman. This book joins Byrd's Diary, Secret Diary, and other writings in securing his reputation as one of the most interesting men in colonial America. Edited and presented here for the first time, Byrd's commonplace book is a collection of moral wit and wisdom gleaned from reading and conversation. The nearly six hundred entries range in tone from hope to despair, trust to dissimulation, and reflect on issues as varied as science, religion, women, Alexander the Great, and the perils of love. A ten-part introduction presents an overview of Byrd's life and addresses such topics as his education and habits of reading and his endeavors to understand himself sexually, temperamentally, and religiously, as well as the history and cultural function of commonplacing. Extensive annotations discuss the sources, background, and significance of the entries.

Jay, the restless wanderer, rocks the lives of two strangers by introducing them to the strange world he has stumbled across-the streets of Melbourne. Rick, the bookworm, is torn away from his mundane academic life. Johnny, the paranoid poet, is released from his small-town worries. When they hit the streets together, twisted tales rise from the gutters. The bathing man. The cardboard preacher. The mute who isn't a mute. The trio cast aside everything they know, embarking on a journey to meet the city's neglected souls. There's a Tale to This City is an offbeat portrait of Melbourne that combines poetry, narrative prose and toilet paper diary entries, recollecting the strange experiences of three writers, who came together to learn the art of listening.

The Not-So-Dark Dark Ages What they forgot to teach you in school: People in the Middle Ages did not think the world was flat The Inquisition never executed anyone because of their scientific ideologies It was medieval scientific discoveries, including various methods, that made possible Western civilization’s “Scientific Revolution” As a physicist and historian of science James Hannam debunks myths of the Middle Ages in his brilliant book The Genesis of Science: How the Christian Middle Ages Launched the Scientific Revolution. Without the medieval scholars, there would be no modern science. Discover the Dark Ages and their inventions, research methods, and what conclusions they actually made about the shape of the world.