Ronald Radosh's earliest memory is of being trundled off to May Day celebrations by his communist parents with a Soviet flag stuck in his baby carriage. Then came education at New York's ''little red schoolhouse.'' Summers at ''commie camp.'' And college at the University of Wisconsin where he became a founding father of the New Left. Commies is a brilliant memoir of growing up in the culture of radicalism. But it also about the hard decisions faced by those professing a radical faith. For Radosh himself, the crisis came when he concluded in his authoritative book on Julius and Ethel Rosenberg that the couple (on whose behalf he had demonstrated as a boy) had indeed been guilty of spying. Attacked as a ''traitor,'' Radosh began to question his political commitments. His disillusionment climaxed in the 1980s when he traveled through Central America as a journalist and historian and ran into his old comrades there still searching for the revolution. One journalist calls Ronald Radosh ''the Zelig of the American Left, seen everywhere and knowing everyone.'' Humorous and tragic, filled with anecdote and personality, Commies is a trip log of his journey, the most intimate look yet at the experience of a radical generation.

in the confusing decade following World War II, comic books were all the rage. They treated such issues as the atomic and hydrogen bombs, communism, and the Korean War, and they offered heroes and heroines to deal with these problems. Using five representative cartoon stories, historian William Savage looks at the immense popularity of comic books and their impact on the American public. Cartoons.

"Red Scared! offers valuable lessons from the vault on how to identify Communists, media reports on the jolly side of Stalin, guidelines for bomb shelter chic, and much more. As they did in their other lively pop-culture histories, Teenage Confidential and Wedding Bell Blues, Michael Barson and Steven Heller once again bring the nearly forgotten details of American culture into full relief with Red Scared!"--BOOK JACKET.

The commie spirit is social expectations: share, share, share. Conformity and casual sex expectations, social connections, serial relationships, breakups/broken families. Empaths easily take on neuroses of invaders lest they learn to set boundaries. For this false religion replaces socials for God and humans for divine. Modernity is not into individuation but GROUPS. Cover design by Karen Kellock, Inside page by Blaze Goldburst

This is a great collection of an unfortunately neglected example of the post-Zap explosion of underground comics - this features work by many stalwarts of the Zap! crew (Crumb, Robt. Williams, Spain Rodriguez, and S. Clay Wilson alongside Tim Boxell), as well as a slew of fine-but-forgotten artists and writers.

The Western genre has long been associated with right-wing and libertarian politics, and is said to promote individualism and free-market economics. In a new look at the Western, however, Ryan McMaken shows that the Western is in fact often anti-capitalist, and in many ways, the genre attacks the dominant ideology of nineteenth-century America: classical liberalism. The classical Westerns of the mid-twentieth century often feature wealthy capitalist villains who oppress the cowardly and defenseless shopkeepers and farmers of the frontier. The gunfighter, a representative of the law and order provided by the nation-state, intervenes to provide safety and justice. In addition to attacks on capitalism, the Western attacks other prized values of the bourgeois middle classes including Christianity, education and urbanization. McMaken examines these themes as used in the films of John Ford, Anthony Mann, and Howard Hawks. These pioneers of the classical Westerns are then contrasted with later innovators such as Sergio Leone, Sam Peckinpah, and Clint Eastwood. Also included are discussions of the role of the LITTLE HOUSE ON THE PRAIRIE series, Victorian literature, and the nature of crime on the historical frontier. With a foreword by Paul A. Cantor, author of GILLIGAN UNBOUND and THE INVISIBLE HAND IN POPULAR CULTURE.

The author tells the story behind a 1948 FBI roundup of twelve men in New York city, Chicago, and Detroit, whom the U.S. government believed posed a grave threat to the nation as the leadership of the Communist Party-USA.

From her operational-base-cum-family-home, Commie Girl brings you this brave and brilliant journal of daily life in a land where no liberal-humanist sentiment has been detected since the dawn of Reaganism. Whether working her way through a syphilis scare or puzzling in vain over the philosophical conundrum of taking Arnold Schwarzenegger seriously, Commie Girl finds the inner solidarity to hoist the red flag everywhere it isn't welcome. And the ferocious gaiety with which she defends herself from the Versace-decked, HumVee-crashing, Chardonnay-addled denizens of the USA's ultimate evil paradise will draw gasps of astonishment and admiration from all those who think it really can't be that bad.

Hunter James has spent more than thirty-five years as an editorialist and correspondent for such papers as the Atlanta Constitution and Baltimore Sun, winning numerous press association awards for his work, as well as a share of the 1970 Pulitzer Prize for Public Service. He is a highly seasoned political reporter and has written extensively on the civil rights movement of the sixties. His articles and stories have appeared in Newsweek, National Geographic (book division), Historic Preservation, Southern Magazine, The Southern Review and in many other magazines and periodicals. This is his eighth book and second work of fiction. He also served in the late seventies as a fellow for the National Endowment for the Humanities. He now spends most of his time free lancing and writing “wicked” novels and short stories, as Fred Chappell, a premier American author and North Carolina’s poet laureate, said of James’s first fictional work, The Rosary

This international bestseller plumbs recently opened archives in the former Soviet bloc to reveal the accomplishments of communism around the world. The book is the first attempt to catalogue and analyse the crimes of communism over 70 years.