This volume contains word-for-word commentaries on Pindar's Olympian Odes 3, 7, 12, 14. Emphasis is placed on the explanations of peculiarities of grammar and idiom, but due attention is paid to figures of style and problems of poetic structure. The interpretations proposed by the author - many of them which are new - are documented as fully, but at the same time as concisely, as possible. This documentation, which includes a critical examination of other views, has been made more easily accessible by detailed indexes. The poems discussed do not have special similarities or interrelationships. On the other hand, they may be considered representative of the poet's art. From this point of view, the present selection may serve as an introduction to the study of Pindar's work. Vol. II will contain commentaries on Olympians 1, 10, 11, Nemean 11, and Isthmian 2. A third volume on Pythians 1, 8, 10 is inteded to conclude the series.

This volume contains word-for-word commentaries on Pindar's Olympian Odes 3, 7, 12, 14. Emphasis is placed on the explanations of peculiarities of grammar and idiom, but due attention is paid to figures of style and problems of poetic structure. The interpretations proposed by the author - many of them which are new - are documented as fully, but at the same time as concisely, as possible. This documentation, which includes a critical examination of other views, has been made more easily accessible by detailed indexes. The poems discussed do not have special similarities or interrelationships. On the other hand, they may be considered representative of the poet's art. From this point of view, the present selection may serve as an introduction to the study of Pindar's work. Vol. II will contain commentaries on Olympians 1, 10, 11, Nemean 11, and Isthmian 2. A third volume on Pythians 1, 8, 10 is inteded to conclude the series.

This volume contains word-for-word commentaries on Pindar's Olympian Odes 10 and 11, and on Nemean 11 and Isthmian 2. These are preceded by a large number of notes on Olympian 1, intended to form a supplement to D.E. Gerber's edition (1982). The author has tried to explain peculiarities of grammar and nuances of meaning as fully as possible, but due attention is paid to figures of style and problems of poetic structure. The interpretations proposed by the author - many of which are new - are accompanied by an adequate documentation, including a critical examination of other views. This documentation has been made more easily accessible by detailed indexes, one of subjects and one of Greek words. The book forms a sequel to volume I, which contains commentaries on Olympians 3, 7, 12, 14. A third volume on Pythians 1, 8, 10 is intended to conclude the series.

Olympian Nine celebrates the wrestling victory in 468 of Epharmostus of Opous. Although one of PindarAes longer odes, it has received less scholarly attention than others of comparable size. The present commentary fills this gap. A significant portion of the ode is devoted to EpharmostusAe previous victories and an appendix analyses how victory catalogues are treated elsewhere by Pindar as well as by Bacchylides and agonistic epigrams. "There are a thousand things to treasure here; details are a steep path and require too much discussion to give a sense of the whole. IAell put it simply: Gerber makes hard scholarship look easy. The wise will store up against future need." Classical World

A study of three "epinicia" of Pindar, which have in common that they celebrate victories of Aeginetan athletes. The primary objective of this book is to provide an interpretation of each of the three odes as meaningful, coherent works of the literary art.

The series publishes important new editions of and commentaries on texts from Greco-Roman antiquity, especially annotated editions of texts surviving only in fragments. Due to its programmatically wide range the series provides an essential basis for the study of ancient literature.

No detailed description available for "A Commentary on Pindar, Nemean Nine".

The series publishes important new editions of and commentaries on texts from Greco-Roman antiquity, especially annotated editions of texts surviving only in fragments. Due to its programmatically wide range the series provides an essential basis for the study of ancient literature.

Pindar is one of the greatest Greek poets, but while the metre of half of his poems is easy to grasp, that of the other half has so far remained obscure. Kiichiro Itsumi presents a new account of their metre. He separates the metre into two types and identifies a series of precise entities from which the verses are made, in this way imposing a new clarity and discipline on what had previously seemed a much vaguer process. Itsumi's analyses of individual poems include a discussion ofstanzaic structure, of textual problems, and of particular lines in the stanza and their exploitation within the text. These analyses will be an invaluable resource for serious scholars of Pindar.

Pindar's Eyes is a ground-breaking interdisciplinary exploration of the interactions between Greek lyric poetry and visual and material culture in the early fifth century BCE. Its aim is to open up analysis of lyric to the wider theme of aesthetic experience in early classical Greece, with particular focus on the poetic mechanisms through which Pindar's victory odes use visual and material culture to engage their audiences. Complete readings of Nemean 5, Nemean 8, and Pythian 1 reveal the poet's deep interest in the relations between lyric poetry and commemorative and religious sculpture, as well as other significant visual phenomena, while literary studies of his evocation of cultural attitudes through elaborate use of the lyric first person are combined with art-historical treatments of ecphrasis, of image and text, and of art's framing of ritual experience in ancient Greece. This specific aesthetic approach is expanded through fresh treatments of Simonides' and Bacchylides' own engagements with material culture, as well as an account of Pindaric themes in the Aeginetan logoi of Herodotus' Histories. These come together to offer not just a novel perspective on the relationship between art and text in Pindaric poetry, but to give rise to new claims about the nature of classical Greek visuality and ritual subjectivity, and to foster a richer understanding of the ways in which classical poetry and art shaped the lives and experiences of their consumers.