Relationships are hard enough to negotiate without advice from outsiders who don’t know you at all. This book is not a “how-to” aimed at attaining the ideal. Rather, it is a how-it-is, an exploration of how relationships are, how they develop, how they deteriorate, how they may end and how they may even revive. Strange as it may seem, it is not a book about how individual human beings are. It doesn’t concern itself with individual human failings. Those failings are given in being human. Instead, it describes the potentials for joy, disappointment and burden that are intrinsic to relationship and by extension to the process of becoming fully human. In a world obsessed with attaining an illusory ideal, becoming fully human is the greatest threat.

The idea of "community" is increasingly vital to our individual and social well-being. Yet at the same time, our ordinary communal relations are being eroded by increased social and geographical mobility, lost traditions, and the growing pluralism of society. Examining this renewed desire for community, Coming Together/Coming Apart locates the current problems of society in the conditions of modern capitalism. Arising out of a common matrix of a world in crisis, contemporary religious, social and feminist discussions of community compose an ideological struggle over the reformation of society.

Next to the death of a loved one, the ending of a relationship is the most painful experience most people will ever go through. Coming Apart is a first aid kit for getting through the ending. It is a tool that will enable you to live through the end of your relationship with your self-esteem intact.Daphne Rose Kingma, the undisputed expert on matters of the heart, explores the critical facets of relationship breakdowns:Love myths: why we are really in relationshipsThe life span of loveHow to get through the endingHow to create a personal workbook for finding resolutionTime does a lot to heal our broken hearts, but really understanding what transpired in each of our relationships is what allows us to finally let go and move on.Replaces ISBN 9781573245470

Praise for Coming Together, Coming Apart "Interesting conversation is Israel's most ingratiating commodity, and this is an especially interesting one. To read Coming Together, Coming Apart is to be engaged in an ongoing dialogue with one of Israel's most thoughtful observers--an American who made Israel his home, despite its imperfections and dangers. Gordis's conversational narrative is irresistible." --Alan dershowitz, author of The Case for Israel "Whether describing a walk through Jerusalem in snow, a hike in the desert, or a farewell family drive to the Gaza settlements, Gordis manages to capture the essential details that tell us the larger meaning of our Israeli lives. There is much irony in this book, and also anger, especially against those who unfairly judge Israel in its most desperate and noble times. Most of all, though, this book is the chronicle of a love story--of an immigrant family in Jerusalem falling in love with Israel and, through that love, discovering the strength to cope with life on the front lines of a jihadist war. As a fellow Jerusalemite, I feel a profound debt to Gordis for explaining what it means to raise a family in the middle of a terror zone, and the courage that average Israelis instinctively display in maintaining the pretense of normal life. Those of us who share his passion are fortunate to be so well represented by this book." --Yossi Klein Halevi, Foreign Correspondent, The New Republic

An independent scholar and former history professor addresses the post-WWII period in Volume 2 of his narrative history of the 20th century. His account revolves around two dominant global events--the Cold War and the revolt against imperialism--showing how these events both drove nations apart while creating political and regional alliances. Annotation copyrighted by Book News, Inc., Portland, OR

NEW YORK TIMES BESTSELLER • A fascinating explanation for why white America has become fractured and divided in education and class, from the acclaimed author of Human Diversity. “I’ll be shocked if there’s another book that so compellingly describes the most important trends in American society.”—David Brooks, New York Times In Coming Apart, Charles Murray explores the formation of American classes that are different in kind from anything we have ever known, focusing on whites as a way of driving home the fact that the trends he describes do not break along lines of race or ethnicity. Drawing on five decades of statistics and research, Coming Apart demonstrates that a new upper class and a new lower class have diverged so far in core behaviors and values that they barely recognize their underlying American kinship—divergence that has nothing to do with income inequality and that has grown during good economic times and bad. The top and bottom of white America increasingly live in different cultures, Murray argues, with the powerful upper class living in enclaves surrounded by their own kind, ignorant about life in mainstream America, and the lower class suffering from erosions of family and community life that strike at the heart of the pursuit of happiness. That divergence puts the success of the American project at risk. The evidence in Coming Apart is about white America. Its message is about all of America.

The New York Times Bestseller Fear. Grief. Loss. Betrayal. Rachel Hollis has felt all those things, and she knows you have too. Now, she takes you to the other side. With her signature humor, heartfelt honesty, and intimate true-life stories, #1 New York Times bestselling author Rachel Hollis shows readers how to seize difficult moments for the learning experiences they are and the value and growth they provide. Rachel Hollis sees you. As the millions who read her #1 New York Times bestsellers Girl, Wash Your Face and Girl, Stop Apologizing, attend her RISE conferences and follow her on social media know, she also wants to see you transform. When it comes to the “hard seasons” of life—the death of a loved one, divorce, loss of a job—transformation seems impossible when grief and uncertainty dominate your days. Especially when, as Didn’t See that Coming reveals, no one asks to have their future completely rearranged for them. But, as Rachel writes, it is up to you how you come through your pain—you can come through changed for the better, having learned and grown, or stuck in place where your identity becomes rooted in what hurt you. To Rachel, a life well-lived is one of purpose, focused only on the essentials. This is a small book about big feelings: inspirational, aspirational, and an anchor that shows that darkness can co-exist with the beautiful.

An urban neighborhood remakes itself every day—and unmakes itself, too. Houses and stores and streets define it in one way. But it’s also people—the people who make it their home, some eagerly, others grudgingly. A neighborhood can thrive or it can decline, and neighbors move in and move out. Sometimes they stay but withdraw behind fences and burglar alarms. If a neighborhood becomes no longer a place of sociability and street life, but of privacy indoors and fearful distrust outdoors, is it still a neighborhood? In the late 1960s and 1970s Carlo Rotella grew up in Chicago’s South Shore neighborhood—a place of neat bungalow blocks and desolate commercial strips, and sharp, sometimes painful social contrasts. In the decades since, the hollowing out of the middle class has left residents confronting—or avoiding—each other across an expanding gap that makes it ever harder for them to recognize each other as neighbors. Rotella tells the stories that reveal how that happened—stories of deindustrialization and street life; stories of gorgeous apartments with vistas onto Lake Michigan and of Section 8 housing vouchers held by the poor. At every turn, South Shore is a study in contrasts, shaped and reshaped over the past half-century by individual stories and larger waves of change that make it an exemplar of many American urban neighborhoods. Talking with current and former residents and looking carefully at the interactions of race and class, persistence and change, Rotella explores the tension between residents’ deep investment of feeling and resources in the physical landscape of South Shore and their hesitation to make a similar commitment to the community of neighbors living there. Blending journalism, memoir, and archival research, The World Is Always Coming to an End uses the story of one American neighborhood to challenge our assumptions about what neighborhoods are, and to think anew about what they might be if we can bridge gaps and commit anew to the people who share them with us. Tomorrow is another ending.

Julia Chiang's word and pattern based artwork has been exhibited across the world. Her deceptively simple yet precisely painted patterns are merged with poetic language to form the core of her exuberantly colourful work. This collection of her artwork was produced in conjunction with Chiang's summer 2013 exhibition in Tokyo and collects her abstract artwork and ceramics from 2011 to the present. This edition is accompanied by an introductory essay by Lumi Tan.

With eight short stories and a novella that travel from dusty city streets to humid beaches, Cristina Henríquez carves out a distinctive and unforgettable vision of contemporary Panama. The stories of Come Together, Fall Apart combine to create a seamless fictional world in which the varied landscapes and shifting culture of a country in transition—and the insistent voices of its young people—are vividly represented. In “Yanina,” a young man’s fidelity is tested when a new living situation strains his relationship with his girlfriend. For the young woman in “Ashes,” the very notion of fidelity is shattered—and her lover’s philandering is only one link in a chain of traumatic events that begins with her mother’s death. In “Mercury,” an American girl visits her grandparents in Panama while her parents divorce at home, and attempts to connect with her ailing grandfather in broken Spanish that he’ll never understand. Again and again, characters find their fates irrevocably tied to those of their families—in “Beautiful,” as fortunes rise; and in “Come Together, Fall Apart,” as they collapse. These are stories of family bonds and generational conflicts, youthful infatuation and genuine passion that are tender, ambitious, and unflinching, from a bold and original young writer who is not only an accomplished prose stylist but also an irresistible storyteller.