One of the Europe's most celebrated rivers, the Seine stretches from the fertile plains of Burgundy to the English Channel at Le Havre. Starting at its source near Dijon, writer and engraver Robert Gibbings follows the river's 400-mile course as it develops from a tranquil stream into the mighty waterway that links Rouen to the sea. The journey takes different forms: on foot, in a tiny boat 'hardly more than a coracle', on a barge, and on a boat used for transporting books. Throughout this leisurely voyage during one summer Gibbings records his impressions, visual and verbal, of places and people as well as explaining how the river has played a vital role in French history. In part an evocation of the Seine's changing landscapes and rural beauty, this is also an account of towns and cities-Troyes, Rouen, Paris-and their relationship with the river. Looking at writers and painters as well as historic figures who have left their mark on the Seine, Gibbings presents an affectionate picture of this great river and the people who live and work on its banks. Discussing the vineyards of Champagne, the paintings of Sisley and Utrillo, the rituals of Parisian cafe life, the author conveys a

An American Library in Paris "Coups de Coeur" Selection A Los Angeles Times Bestseller "Elaine Sciolino is a graceful, companionable writer.… [She] has laid one more beautiful and amusing wreath on the altar of the City of Light.” —Edmund White, New York Times Blending memoir, travelogue, and history, The Seine is a love letter to Paris and the river that determined its destiny. Master storyteller and longtime New York Times foreign correspondent Elaine Sciolino explores the Seine through its lively characters—a bargewoman, a riverbank bookseller, a houseboat dweller, a famous cinematographer—and follows it from the remote plateaus of Burgundy through Paris and to the sea. The Seine is a vivid, enchanting portrait of the world’s most irresistible river.

A Connecticut woman trades her smalltown bookshop for one in Paris in this charming contemporary romance for fans of The Holiday. When bookshop owner Sarah Smith is offered the opportunity for a job exchange with her Parisian friend, Sophie, saying yes is a no-brainer—after all, what kind of romantic would turn down six months in Paris? Sarah is sure she’s in for the experience of a lifetime—days spent surrounded by literature in a gorgeous bookshop, and the chance to watch the snow fall on the Eiffel Tower. Plus, now she can meet up with her journalist boyfriend, Ridge, when his job takes him around the globe. But her expectations cool faster than her café au lait soon after she lands in the City of Light—she’s a fish out of water in Paris. The customers are rude, her new coworkers suspicious, and her relationship with Ridge has been reduced to a long-distance game of phone tag, leaving Sarah to wonder if he’ll ever put her first over his busy career. As Christmas approaches, Sarah is determined to get the shop—and her life—back in order . . . and make her dreams of a Parisian happily ever after come true.

Vols. 39-214 (1874/75-1921/22) have a section 2 containing "Other selected papers"; issued separately, 1923-35, as the institution's Selected engineering papers.

A vividly rendered portrait of both the rise of Impressionism and of Monet, the artist at the center of the movement. It is, above all, a love story of the highest romantic order.

From the author of Pardon My French and A Certain Je Ne Sais Quoi, this is the charming and hilariously funny story of one man's attempt to travel the entire length of the Seine by boat When Charles shows his friends the rowing boat he has spent the last six months building, he little realises the adventures that lie ahead. Several glasses of champagne later (it is New Year's Eve), he finds himself betting he will travel the entire length of the Seine from source to the sea in the next year and discover the true France. But the reality proves somewhat more difficult than he had expected. As Charles sets sail into an unvarnished France on a variety of craft from steamers to police patrol boats to inflatables, he encounters truffle-thieving terriers and obsessive fishermen, grapples with strong rapids and stubborn cattle, and is nearly destroyed by a cheese so smelly it comes with its own health warning. This is the charming and often hilarious story of Charles's Quixotic quest - and the most unique guide to the true France that you will find. Reviews: 'There are new year's resolutions and then there are those rash decisions that come after the last bottle has been drunk on the last night of the year. The journey down the Seine that Charles Timoney describes in his third book about France stemmed from the latter ... a charming story of life along the river ... that lingers in the mind' Sunday Times (Books of the Month) 'A wonderful view of France as seen from the water, and through the eyes of a genuinely funny writer - I laughed out loud' Philip Marsden (author of The Levelling Sea) About the author: When Charles Timoney and his French wife were both made redundant in the same week, they decided to try living in France for a year or so. It proved much harder than expected. Charles's O level in French was little help when everyone around him consistently used a wide variety of impenetrable slang and persisted in the annoying habit of talking about things he had never heard of. But they stayed. Two decades and two thoroughly French children later, An Englishman Aboard is Charles's third book on his experience of France, the French people and the French language: Pardon My French: Unleash Your Inner Gaul, A Certain Je Ne Sais Quoi: The Ideal Guide to Sounding, Acting and Shrugging Like the French and now An Englishman Aboard.

A charming memoir from one of America’s best-loved novelists, William Wharton, author of war-time classic ‘Birdy’.

It is not surprising that Robert Gibbings, artist to his fingertips, has chosen the Seine to follow Sweet Thames and his other river books. For the Seine comprises Pairs, the natural heart of the artistic world. But when he undertook to navigate that quiet-sounding river, little did he dream what was in store for him, and the dangerous nature of his nature in a flimsy little boat on the flooded upper reaches of the river will be missed by none of his readers, despite his light-hearted way of describing it. While Coming Down the Seine is more serious in tone and mood at times than Mr. Gibbing’s last book, it loses none of its appeal because of that. The occasional pause for meditative comment or philosophic aside or discussion of the problems of painting takes nothing away from and, indeed, tends to enhance the characteristically gay tone. No opportunity for the humorous approach is ever missed, no opening for the apt story is lost, no ‘character’ ever fails to receive deft appreciation. From the source of the river to its mouth there can be few places worthy of note about which he does not find something interesting or amusing to relate, whether because of their historical importance, their artistic associations, their scenic peculiarities, or their local legends. He has captured the ‘atmosphere’ of Paris with effortless ease—Paris of the bridges, the pavement cafes, the art schools, and the ateliers, Paris of Montparnasse, ‘cité de toutes les gloires, citée de tous les dédains.’ Recurring through the book are passages of descriptive writing of great beauty, rich in imagery. More than fifty wood engravings illuminate the pages.