The journal of Daisy Fay Harper from 1952, when she is eleven years old, through the next six years and her crowning as Miss Mississippi.

Movie trailers—those previews of coming attractions before the start of a feature film—are routinely praised and reviled by moviegoers and film critics alike: "They give away too much of the movie." "They're better than the films." "They only show the spectacular parts." "They lie." "They're the best part of going to the movies." But whether you love them or hate them, trailers always serve their purpose of offering free samples of a film to influence moviegoing decision-making. Indeed, with their inclusion on videotapes, DVDs, and on the Internet, trailers are more widely seen and influential now than at any time in their history. Starting from the premise that movie trailers can be considered a film genre, this pioneering book explores the genre's conventions and offers a primer for reading the rhetoric of movie trailers. Lisa Kernan identifies three principal rhetorical strategies that structure trailers: appeals to audience interest in film genres, stories, and/or stars. She also analyzes the trailers for twenty-seven popular Hollywood films from the classical, transitional, and contemporary eras, exploring what the rhetorical appeals within these trailers reveal about Hollywood's changing conceptions of the moviegoing audience. Kernan argues that movie trailers constitute a long-standing hybrid of advertising and cinema and, as such, are precursors to today's heavily commercialized cultural forms in which art and marketing become increasingly indistinguishable.

Looks at the future of Hollywood in the wake of rapid technological innovation, examining the potential opportunities, for both the entertainment and high-tech industries, of new digital and Web formats in terms of the creation, distribution, and consumption of entertainment products, and arguing that the two industries must work together if they are both to succeed.

The audience's first exposure to a new movie is often in the form of a "coming attraction" trailer, and short previews are also a vanguard for emerging technology and visual techniques. This book demonstrates how the trailer has educated audiences in new film technologies such as synchronized sound, widescreen and 3-D, tracing the trailer's status as a trailblazer on to new media screens and outlets such as television, the Internet, and the iPod. The impact and use of new technologies and the evolution of trailers beyond the big screen is followed into the digital era.

In short, Coming Attractions reveals the Kingdom of God in its foundational stage. The lives and experiences narrated by the author demonstrate how God interacted with the people He chose to represent His ways. As the narrative of 1 Samuel proceeds through the episodes about Hannah, Saul, David, and others, God wants us to learn something new or affirm something old. In fact what the reader learns are the same principles that a contemporary person of faith needs to learn when encountering the God of Samuel and David. The contemporary relevance of these ancient stories is what makes the entire narrative so intriguing. The trials and victories that the individuals faced revealed much about the God they served, opened up new ways of life, moved Israel closer to her destiny, and provided the foundation for kingdom living fully revealed in Christ. In 1 Samuel as each character experienced more of God’s ways, every encounter revealed new aspects of salvation history, and as the episodes unfolded, God was previewing the Kingdom established by Jesus Christ.

Wysten Turner is a Brit visiting America after it's great war with Russia. He meets a woman with a tale of woe in the streets of New York. Her boyfriend is a professional wrestler who beats her. She begs Turner to help her escape him, but is the situation as straight forward as it seems? Nominated for a Retro Hugo Award.

In this sequel to his autobiography "Stamp Album", the young Terence begins his acting career in the late 1950s. With the dedicated coaching of his new thespian friends and his Yugoslav trainer, Dragon, Stamp won a scholarship to the Webber Douglas Academy. He won his first professional role in "The Long and the Short and the Tall" where he met Michael Caine. They were soon sharing a mews flat and also the same suit for auditions which did not fit either of them. Then Stam's big break came when Peter Ustinov cast him in the title role of his film "Billy Budd".

Katie graduates college and follows her heart into a new adventure with Eli beside her.

An index English language science fiction anthologies and collections of stories by one author. This edition combines the information from two earlier books, Index to science fiction anthologies and collections and Index to science fiction anthologies and collections: 1977-1983, incorporating many enhancements, corrections and additions.