Bringing together the work of an array of North American and European scholars, this collection highlights a previously unexamined area within global comics studies. It analyses comics from countries formerly behind the Iron Curtain like East Germany, Poland, Czech Republic, Hungary, Romania, Yugoslavia, and Ukraine, given their shared history of WWII and communism. In addition to situating these graphic narratives in their national and subnational contexts, Comics of the New Europe pays particular attention to transnational connections along the common themes of nostalgia, memoir, and life under communism. The essays offer insights into a new generation of European cartoonists that looks forward, inspired and informed by traditions from Franco-Belgian and American comics, and back, as they use the medium of comics to reexamine and reevaluate not only their national pasts and respective comics traditions but also their own post-1989 identities and experiences.

Artists working in a variety of western European nations have overturned the dominant traditions of comic book publishing as it has existed since the end of the Second World War, seeking instead to instill the medium with experimental and avant-garde tendencies commonly associated with the visual arts. This book addresses this transformation.

Her students draw images of tragic violence and careful optimism: rafts and tanks, flowers and the Eiffel Tower. In her eight years in Germany, Ali Fitzgerald experiences the highs of the creatively hopeful, along with the deep depression of the disillusioned, all while waiting to stumble onto her own glory like the great Modernists before her. In the gigantic plastic bubble that is the refugee center, worlds collide and echo, and her drawings are compassionate and unflinchingly intimate, perfectly visualizing the fantasy of her Bohemia crumbling in a globalized city.

Whereas in English-speaking countries comics are for children or adults 'who should know better', in France and Belgium the form is recognized as the 'Ninth Art' and follows in the path of poetry, architecture, painting and cinema. The bande dessinée [comic strip] has its own national institutions, regularly obtains front-page coverage and has received the accolades of statesmen from De Gaulle onwards. On the way to providing a comprehensive introduction to the most francophone of cultural phenomena, this book considers national specificity as relevant to an anglophone reader, whilst exploring related issues such as text/image expression, historical precedents and sociological implication. To do so it presents and analyses priceless manuscripts, a Franco- American rodent, Nazi propaganda, a museum-piece urinal, intellectual gay porn and a prehistoric warrior who's really Zinedine Zidane. Laurence Grove is Senior Lecturer and Head of French at the University of Glasgow. His previous affiliations include the University of Pittsburgh, the Newberry Library (Chicago), Middlebury College (Vermont) and the Université Rennes 2. He works on text/image phenomena from the sixteenth century to the present day and has authored a number of works on the subject. Laurence Grove is President of the IBDS, an international society for the study of the bande dessinée.

Dr. Manoj Srivastava is a PhD from Manipal University Jaipur.Over three decades of experience in Hospitality Industry & Academia, Food Production Research,resulting made9 culinary based Limca Book of World Records. For which he is honored with Honorius Causa form England. He join the Hospitality Industry in 1990 when he joined the Taj Group of Hotels. He rose quickly to product development and research. Joined Australian Bakels as National Support Manager. At Present associated as Professor& Principal,NIMS University, School of Hotel Management. He is authored a Book “The Art of research in Hospitality” and wrote many research papers in National and International journals of repute.He is on the board of many Journal as Editorial Board member & Reviewer of Hospitality & Tourism management journals.

A quiet, aging teacher decides to run the NY Marathon. Along the way, he transforms into the man he always wanted to be.

Miguel Ruiz is a Spanish veteran exiled in France who was a member of “La Nueve” ("The Nine"), a company of men that went straight from fighting for their homeland in the Spanish Civil War to battles spanning the globe in WWII. Their years-long trek across Europe and Africa was spurred on by their love for their country and their hatred for brutal dictatorships. Roca uses the composite character Ruiz’s “memories” to tell a story that’s an ode to a generation that bravely stood up to, and beat back, violent fascism.

No. 1 bestseller and superstar doing what he does best, introducing millions of avid readers to little-known peoples and places. Until the early 1990s, when the Berlin Wall came tumbling down, travelling behind the iron curtain was never easy. In undertaking his new journey through Eastern Europe, breathing in its rich history, and exquisite sights and talking to its diverse peoples, Michael fills what has been a void in his own experience and that of very many others. NEW EUROPE is very much a voyage of discovery, from the snows of the Julian Alps to the beauty of the Baltic sea, he finds himself in countries he'd barely heard of, many unfamiliar and mysterious, all with tragic histories and much brighter futures. During his 20-country adventure Palin meets Romanian lumberjacks, drives the 8.58 stopping train from Poznan to Wolsztyn, treads the catwalk at a Budapest fashion show, learns about mine-clearing in Bosnia and watches Turkish gents wrestling in olive oil. As with all his bestselling books, in his uniquely entertaining style, Palin opens up a new and undiscovered world to millions of readers.

Julian Lethercore can read minds. Well, actually, what he reads are molecules, borne on saliva and other bodily fluids, with which he can access a person's memories, the secrets of their very lives and identities. He's also the result of a top secret military experiment gone wrong. He and the four other "bloodcogs" serve their master, Senator Pershing, a former warhawk now disgraced under a new administration headed by President Harmond. But Harmond may be gunning for more than the Senator's reputation. He may be out for all the bloodcogs—and it's up to Julian to find out.

Keepers of Lost Time is a Serbian science-fiction comics trilogy wrriten by Miroslav Marić and drawn by Vujadin Radovanović. It is rightfully considered to be a significant work in the history of Serbian fantasy and comics. The first episode was published in 1990, the second in 2000, but it wasn't until 2012 that the trilogy finally saw its highly anticipated conclusion, published by Darkwood. This future-fantasy comic depicts two cultures – one of high technology, the other – tribal, in moments of their internal crises. They exist synchronously and interdependently, yet are in conflict due to their vastly different perceptions of the world and spiritual values.