Who knew? Wisconsin comic artists, editors, and publishers have made both central and fringe contributions to the language, form, and content of comic strips, comic books, and other forms of this popular art. Paul Buhle traces this history, illustrated by more than two hundred reproductions, from "The Gumps" and "Gasoline Alley"--which introduced the continuity of daily life into newspaper "funnies"--to comic book histories of Students for a Democratic Society and the Industrial Workers of the World, alternative press comics that fostered talents like Lynda Barry and James Sturm, and comic adaptations of totemic figures like Howard Zinn and Studs Terkel. Specialists and collectors will treasure this volume, and readers will find themselves educated and vastly entertained.

Make way for Ruth Bader Ginsburg! It's RBG like you've never seen her before! Using a unique mix of first-person narrative, hilarious comic panels, and essential facts, Dean Robbins introduces young readers to an American trailblazer. The first book in an exciting new nonfiction series, You Are a Star, Ruth Bader Ginsburg focuses on Ruth's lifelong mission to bring equality and justice to all. Sarah Green's spot-on comic illustrations bring this icon to life, and engaging backmatter instructs readers on how to be more like Ruth!

Wisconsin Funnies is the first exhibition to present the rich history of comics in Wisconsin. The nearly two hundred works by twenty-five artists on display at the Museum of Wisconsin Art and this accompanying exhibition catalogue will illustrate the major themes, innovations, and publications that characterize the state's past half-century of comic art. The exhibition and this catalogue pair hand-drawn original art with printed material such as comic books, alternative weekly newspapers, and other collectibles and ephemera.

From ages 10 to 20, Craig Thompson (the author of Blankets) and his little brother Phil, toiled in Wisconsin farms. Weeding and harvesting ginseng--an exotic medicinal herb that fetched huge profits in China--funded Craig's youthful obsession with comic books. Comics in turn, allowed him to escape his rural, working class trappings. Now, for the first time in his career, Thompson is working in serial form, in a bimonthly comic book series. Part memoir, part travelogue, part essay--all comic book--Ginseng Roots explores class divide, agriculture, holistic healing, the 300 year long trade relationship between China and North America, childhood labor, and the bond between two brothers. Set of six pamphlet comic books.

Presents the work of America's most popular and influential comic artists, and includes critical essays accompanying each artist's drawings.

2017 The Association for the Studies of the Present Book Prize Finalist Mention, 2017 Lora Romero First Book Award Presented by the American Studies Association Winner of the 2012 CLAGS Fellowship Award for Best First Book Project in LGBT Studies How fantasy meets reality as popular culture evolves and ignites postwar gender, sexual, and race revolutions. In 1964, noted literary critic Leslie Fiedler described American youth as “new mutants,” social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and “freaks” soon came to embody the social and political aspirations of America’s most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants, Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women’s and Gay Liberation Movements. Through a series of comic book case studies—including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants—alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.

DOUBLE-SIZED THIRD ISSUE! The gang finds a clue about Sid’s disappearance, but it’s not what they hoped for. And sometimes a cozy home, a cup of cocoa, and a slice of raccoon pie aren’t as kind as they seem. Time to fight some Grown-Ups!

Drakkon returns and the Mighty Morphin Power Rangers will never be the same. The “SHATTERED GRID” event begins here!

State birds, flowers, trees, and animals brought to board book form for the youngest book lovers. Toddlers will delight in these books filled with rhyming riddles framed by brightly painted clues, introducing elements that make each state so special.

The idiosyncratic curriculum from the Professor of Interdisciplinary Creativity will teach you how to draw and write your story Hello students, meet Professor Skeletor. Be on time, don’t miss class, and turn off your phones. No time for introductions, we start drawing right away. The goal is more rock, less talk, and we communicate only through images. For more than five years the cartoonist Lynda Barry has been an associate professor in the University of Wisconsin–Madison art department and at the Wisconsin Institute for Discovery, teaching students from all majors, both graduate and undergraduate, how to make comics, how to be creative, how to not think. There is no academic lecture in this classroom. Doodling is enthusiastically encouraged. Making Comics is the follow-up to Barry's bestselling Syllabus, and this time she shares all her comics-making exercises. In a new hand-drawn syllabus detailing her creative curriculum, Barry has students drawing themselves as monsters and superheroes, convincing students who think they can’t draw that they can, and, most important, encouraging them to understand that a daily journal can be anything so long as it is hand drawn. Barry teaches all students and believes everyone and anyone can be creative. At the core of Making Comics is her certainty that creativity is vital to processing the world around us.