"This primer on feminism and media literacy teaches young readers why it matters The League of Super Feminists is an energetic and fierce comic for tweens and younger teens. Cartoonist Mirion Malle guides readers through some of the central tenets of feminism and media literacy including consent, intersectionality, privilege, body image, inclusivity and more; all demystified in the form of a witty, down-to-earth dialogue that encourages questioning the stories we're told about identity. Malle’s insightful and humorous comics transport lofty concepts from the ivory tower to the eternally safer space of open discussion. Making reference to the Bechdel test in film and Peggy McIntosh’s dissection of white privilege through the metaphor of the “invisible knapsack,” The League of Super Feminists is an asset to the classroom, library, and household alike. Knights and princesses present problems associated with consent; superheroes reveal problematic stereotypes associated with gender; and grumpy onlookers show just how insidious cat-calling culture can be. No matter how women dress, Malle explains, there seems to always be someone ready to call it out. The League of Super Feminists articulates with both poise and clarity how unconscious biases and problematic thought processes can have tragic results. Why does feminism matter? Are feminists man-haters? How do race and feminism intersect? Malle answers these questions for young readers, in a comic that is as playful and hilarious as it is necessary."

"Comics, Activism, Feminisms explores how comic art, activism, and feminisms are intertwined from both historical and contemporary perspectives and how comic art in itself can be a form of activism. Feminist comic art emerged with the second-wave feminist movements; today, in the 2020s, there are comics connected to social activist movements working for change in a variety of areas. Comics artists often react quickly to political events and make comics on topical issues, assuming a critical or satirical stance and highlighting the need for change. Comic art can point to problems, present alternatives, and give hope. Issues pertaining to feminisms and LGBTQIA+ issues, war and political conflict, climate crisis, the global migrant and refugee situation, and other societal problems engage comics artists from all parts of the world. The chapters illuminate aesthetic and thematic aspects of comics, activism, and feminisms globally. The founding of comics collectives, where Do-it-Ourselves is a strategy among activism-oriented artists, shows the use of a great variety of media such as fanzines, albums, webcomics, and exhibitions to communicate and disseminate activist comic art. Comics, Activism, Feminisms is an essential collection for scholars and students of comics, literary, art, and media studies, and gender studies"--

In 1930s Bolivia, self-described Anarchist Cholas form a libertarian trade union. In the Northern Highlands of Vietnam, the songs of one girl’s youth lead her to a life of activism. In the Philippines, female elders from Kalinga blaze a trail when pushed into an impromptu protest. Equally striking accounts from, Chile, Ecuador, India, Nepal, and Peru weave a tapestry of trauma and triumph, shedding light on not-too-distant histories otherwise overlooked. Indigenous Peoples all over the world have always had to stand their ground in the face of colonialism. While the details may differ, what these stories have in common is their commitment to resistance in a world that puts profit before respect, and western notions of progress before their own. Movements & Moments is an introductory glimpse into how Indigenous Peoples tell these stories in their own words. From Southeast Asia to South America, vibrant communities must grapple with colonial realities to assert ownership over their lands and traditions. This project was undertaken in cooperation with the Goethe-Institut Indonesien in Jakarta. These stories were selected from an open call across forty-two countries to spotlight feminist movements and advocacies in the Global South.

Comics, Activism, Feminisms explores from both historical and contemporary perspectives how comic art, activism, and feminisms are intertwined, and how comic art itself can be a form of activism. Feminist comic art emerged with the second-wave feminist movements. Today, there are comics connected to social activist movements working for change in a variety of areas. Comics artists often respond quickly to political events, making comics on topical issues that take a critical or satirical stance and highlighting the need for change. Comic art can point to problems, present alternatives, and give hope. Comics artists from all parts of the world engage issues pertaining to feminisms and LGBTQIA+ issues, war and political conflict, climate crisis, the global migrant and refugee situation, and other societal problems. The chapters of this anthology illuminate the aesthetic and thematic aspects of comics, activism, and feminisms globally. Particular attention is given to the work of comics collectives, where Do-it-Ourselves is a strategy among activism-oriented artists, which use a great variety of media, such as fanzines, albums, webcomics, and exhibitions to communicate and disseminate activist comic art. Comics, Activism, Feminisms is an essential anthology for scholars and students of comics studies, literary studies, art history, media studies, and gender studies.

A bold and gripping graphic history of the fight for women’s rights by the New York Times bestselling author of Hood Feminism “A beautifully drawn, hold-no-punches, surprisingly deep dive through the history of women's rights around the world, which will entrance kids and adults alike.”—N. K. Jemisin, Hugo Award–winning author of the Broken Earth trilogy The ongoing struggle for women’s rights has spanned human history, touched nearly every culture on Earth, and encompassed a wide range of issues, such as the right to vote, work, get an education, own property, exercise bodily autonomy, and beyond. Amazons, Abolitionists, and Activists is a fun and fascinating graphic novel–style primer that covers the key figures and events that have advanced women’s rights from antiquity to the modern era. In addition, this compelling book illuminates the stories of notable women throughout history—from queens and freedom fighters to warriors and spies—and the progressive movements led by women that have shaped history, including abolition, suffrage, labor, civil rights, LGBTQ liberation, reproductive rights, and more. Examining where we've been, where we are, and where we're going, Amazons, Abolitionists, and Activists is an indispensable resource for people of all genders interested in the fight for a more liberated future.

This edited collection explores how the relationship between comic art and feminism has been shaped by global, transnational, and local trends, curating analyses of multinational comic art that encompass themes of gender, sexuality, power, vulnerability, assault, abuse, taboo, and trauma. The chapters illuminate in turn the defining features of the aesthetics, materiality, and thematic content of their source material – often expressed with humorous undertones of self-reflection or social criticism – as well as recurring strategies of visualising and narrating female experiences. Broadening the research perspective of feminist comics to include national comics cultures peripheral to the cultural centers of Anglo-American, Franco-Belgian, and Japanese comics, the anthology explores how the dominant narrative or history of canonical works can be challenged or deconstructed by local histories of comics and feminism and their transnational connections, and how local histories complement or challenge the current understanding of the relationship between feminism and comic art. This is an essential collection for scholars and students in comics studies, women and gender studies, media studies, and literature.

"An open letter from your black friend to you about race, racism, friendship, and alienation"--Back cover.

Inspired by the global #MeToo Movement, Drawing Power: Women’s Stories of Sexual Violence, Harassment, and Survival is a collection of original, nonfiction comics drawn by more than 60 female cartoonists from around the world. Featuring such noted creators as Emil Ferris, Aline Kominsky-Crumb, MariNaomi, Liana Finck, and Ebony Flowers the anthology’s contributors comprise a diverse group of many ages, sexual orientations, and races—and their personal stories convey the wide spectrum of sexual harassment and abuse that is still all too commonplace. With a percentage of profits going to RAINN, Drawing Power is an anthology that stokes the fires of progressive social upheaval, in the fight for a better, safer world. Full list of contributors: Rachel Ang, Zoe Belsinger, Jennifer Camper, Caitlin Cass, Tyler Cohen, Marguerite Dabaie, Soumya Dhulekar, Wallis Eates, Trinidad Escobar, Kat Fajardo, Joyce Farmer, Emil Ferris, Liana Finck, Sarah Firth, Mary Fleener, Ebony Flowers, Claire Folkman, Noel Franklin Katie Fricas, Siobhán Gallagher, Joamette Gil, J. Gonzalez-Blitz, Georgiana Goodwin, Roberta Gregory, Marian Henley, Soizick Jaffre Avy Jetter, Sabba Khan, Kendra Josie Kirkpatrick, Aline Kominsky-Crumb, Nina Laden, Miss Lasko-Gross, Carol Lay, Miriam Libicki Sarah Lightman, LubaDalu, Ajuan Mance, MariNaomi, Lee Marrs, Liz Mayorga, Lena Merhej, Bridget Meyne, Carta Monir, Hila Noam Diane Noomin, Breena Nuñez, Meg O’Shea, Corinne Pearlman, Cathrin Peterslund, Minnie Phan, Kelly Phillips, Powerpaola, Sarah Allen Reed, Kaylee Rowena, Ariel Schrag, M. Louise Stanley, Maria Stoian, Nicola Streeten, Marcela Trujillo, Carol Tyler, Una, Lenora Yerkes, Ilana Zeffren

This book explores representations of Wonder Woman and Captain Marvel in comics and film, as well as political struggles over these works, to illuminate contemporary cultural concerns about gender, sexuality, race, migration, imperialism, and war. It focuses on the only two female superheroes who have long histories grounded in feminist activism and military service, and who have starred in blockbuster origin films at a time when resurgent progressive activism has been met by an emboldened backlash against movements for equality. Interdisciplinary and intersectional, the book employs insights from political science and political economy, feminist theories, critical race theory, postcolonial theory, and queer theory to explore how these characters' feminism and militarism render them particularly appealing and profitable in contentious times. This is a concise, accessible text suitable for students and scholars in comics studies, media studies, film studies, and women's and gender studies.

A new voice in comics is incisive, funny, and fiercely feminist. "The mental load. It's incessant, gnawing, exhausting, and disproportionately falls to women. You know the scene--you're making dinner, calling the plumber/doctor/mechanic, checking homework and answering work emails--at the same time. All the while, you are being peppered with questions by your nearest and dearest 'where are my shoes?, 'do we have any cheese?...'" --Australian Broadcasting Corp on Emma's comic In her first book of comic strips, Emma reflects on social and feminist issues by means of simple line drawings, dissecting the mental load, ie all that invisible and unpaid organizing, list-making and planning women do to manage their lives, and the lives of their family members. Most of us carry some form of mental load--about our work, household responsibilities, financial obligations and personal life; but what makes up that burden and how it's distributed within households and understood in offices is not always equal or fair. In her strips Emma deals with themes ranging from maternity leave (it is not a vacation!), domestic violence, the clitoris, the violence of the medical world on women during childbirth, and other feminist issues, and she does so in a straightforward way that is both hilarious and deadly serious.. If you're not laughing, you're probably crying in recognition. Emma's comics also address the everyday outrages and absurdities of immigrant rights, income equality, and police violence. Emma has over 300,000 followers on Facebook, her comics have been. shared 215,000 times, and have elicited comments from 21,000 internet users. An article about her in the French magazine L'Express drew 1.8 million views--a record since the site was created. And her comic has just been picked up by The Guardian. Many women will recognize themselves in THE MENTAL LOAD, which is sure to stir a wide ranging, important debate on what it really means to be a woman today.