British Sci-Fi Comics collects science-fiction funnies from across the pond. Golden and Silver Age all-stars like Captain Future, Space Commander Kerry, Red Avenger, Space Pilot, Captain Condor, and the Spacetroopers! 100 Big Pages of hi-tech futuristic fun!

"From Alison Bechdel to Zora, humor anthologist Roz Warren has compiled her best book ever, an action-packed omnibus of the wild imaginations of lesbian cartoonists. Here are your favorite comic characters - Mo and the gang from Dykes to Watch Out For, Hothead and Chicken from Hothead Paisan, Bitchy Bitch, Liliane, and a host of other pen-and-ink lesbian icons - dissing homophobes and politicos, and serving up hilarious slices of lesbian life."--Back cover.

Batman is making his way to the end of his Knightmares, but his unseen enemy has a few more tricks up his sleeve. ItÕs time once again to stick a knife into the Caped CrusaderÕs broken heart, letting the groom-that-could-have-been peer in on the bachelorette (or should that be ÒCatcheloretteÓ?) party that never was. Artist Amanda Conner (Harley Quinn) rejoins the Bat-family for this monthÕs special storyÑbecause who else you gonna invite to a shindig like this?

"I dance. Naked. For large (and occasionally insultingly modest) sums of money." It all started five years ago in Sydney, Australia when she was just 23: "I still wanted to be a traveler, just not a poor one anymore. So I shaved my legs and bush, showed up to the first Google search result that came up for 'gentlemen's club Sydney, ' got naked for this old fat guy named Jim and, to my surprise, I liked it. A lot." Stripping is about feeling powerful, sexy, and endlessly curious about how far a dude's kinks will go ('show me your armpits') and how much he is willing to pay for them ($1200). And the money's sexy.

In a society where a comic equates with knockabout amusement for children, the sudden pre-eminence of adult comics, on everything from political satire to erotic fantasy, has predictably attracted an enormous amount of attention. Adult comics are part of the cultural landscape in a way that would have been unimaginable a decade ago. In this first survey of its kind, Roger Sabin traces the history of comics for older readers from the end of the nineteenth century to the present. He takes in the pioneering titles pre-First World War, the underground 'comix' of the 1960s and 1970s, 'fandom' in the 1970s and 1980s, and the boom of the 1980s and 1990s (including 'graphic novels' and Viz.). Covering comics from the United States, Europe and Japan, Adult Comics addresses such issues as the graphic novel in context, cultural overspill and the role of women. By taking a broad sweep, Sabin demonstrates that the widely-held notion that comics 'grew up' in the late 1980s is a mistaken one, largely invented by the media. Adult Comics: An Introduction is intended primarily for student use, but is written with the comic enthusiast very much in mind.

From their origins in the 1960s, through to titles such as Cozmic Comics, Blood Sex, and Terror and Sin City, through to the emergence of Viz in the 1980's, Nasty Tales covers the turbulent history of these comics and the culturual instability from which they emerged. Incorporating many exclusive interviews with key artists and publishers, it offers a unique insight into an hitherto unseen and undocumented world.

The most comprehensive guide to U.S. newspaper comics ever published

How could Max Miller reduce an audience to helpless laughter just by talking about a fan dancer and her fan? Why do club audiences howl with glee at Bernard Manning's violent jokes about Pakistanis? What made audiences break out into fights at Alexei Sayle's early gigs? How did stand-up comedy begin and why has it exploded into such a huge industry now encompassing a criss-crossing network of clubs, concerts, television and radio? And what happens to a comedian when he or she steps out onto a stage and begins performing in front of an audience? Stand-Up! is the first book to both analyse the background of stand-up and take us inside the world of being a solo comedian. Oliver Double writes a lively history of the traditions of British stand-up comedy - from its roots in music hall and variety to today's club and alternative comedy scene - and also a serious exploration of what it is like to be a comedian on-stage in front of a sometimes adoring and sometimes hostile audience. He looks critically at the work of such stand-up stars as Frankie Howerd, Les Dawson, Billy Connolly, Victoria Wood, Ben Elton and Eddie Izzard. And he looks at himself as a performer.

In this 1980s-trash-culture homage, only one man can save strippers from a serial murderer; this volume collects the cult comic book series with its unpublished-until-now conclusion. Can Johnny Timothy mete out his vengeance before more innocent victims have to die? Night Business is Marra’s longest graphic novel to date: a nasty brew of power, passion, vigilantes, and dangerous men raining street justice down upon their enemies.