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A strange carnival brings terror to the population of a small midwestern town

From bestselling author Lori Copeland, When Love Comes My Way is a love story about redemption, forgiveness, and renewed spiritual awakenings set against the backdrop of scenic Upper Peninsula, Michigan, in the days when pine was king. Michigan, 1873—As Tess Wakefield wakes from a frightening wagon accident, she discovers she has lost her memories. In her recovery, she loses her heart as well to handsome lumberjack Jake Lannigan. It’s not a two-way street, though. Jake thinks he knows exactly who she is—the spoiled Wakefield Timber heir—but he believes the accident provides the means to show her that she has a responsibility to replant the trees and not to merely invest her inheritance opening another of her silly millinery shops. Then he slowly he begins to fall in love with her. Jake wants to tell Tess the truth, but before he can her true identity is uncovered, and then both of them find the emotional stakes too high. Will God intervene and show this headstrong couple that only He in His wisdom could have paired them together?

Something Wicked This Way Comes is Ray Bradbury's incomparable work of dark fantasy, and the gifted illustrator Ron Wimberly has stunningly captured its sinister magic in gorgeously realized black-and-white art. Cooger and Dark's Pandemonium Shadow Show howls into Green Town, Illinois, at three in the morning a week before Halloween. Under its carnival tents is a mirror maze that steals wishes; a carousel that promises eternal life, in exchange for your soul; the Dust Witch, who unerringly foresees your death; and Mr. Dark, the Illustrated Man, who has lived for centuries off the misery of others. Only two boys, Will Halloway and Jim Nightshade, recognize the dark magic at work and have a plan to stop this ancient evil—that is, if it doesn't kill them first. Complete with an original introduction by Bradbury, Ray Bradbury's Something Wicked This Way Comes: The Authorized Adaptation reintroduces this thrilling classic.

Presents a collection of short stories about mysterious events that might be the result of magic or the supernatural world.

It is a rare cartoonist who can introduce new characters into a successful strip without upsetting readers. But since Wiley introduced Lucy, the lovable Pygmy-Clydesdale-with-an-attitude as the companion to Danae, Non Sequitur's cynical anti-heroine, fans have been clamoring for more of the pair. Now readers can enjoy the adventures of Lucy and Danae in the Non Sequitur collection dedicated to their exploits, Lucy and Danae: Something Silly This Way Comes. Lucy's lovable equine goofiness tempers Danae's overdeveloped cynicism as Danae struggles with school, her father, and her sunny little sister, Kate. World-weary beyond her years, Danae sports a skull-in-heart T-shirt and perpetual scowl, while Lucy embodies unbridled optimism with her horsey grin. From their first meeting at summer camp, to Danae's "sneaky yet noble" plot to train Lucy as a guide horse for the blind (they do exist!), to an unplanned expedition to Santa's Workshop (in Maine, not the North Pole), Danae and Lucy turn the cliche of a sentimental girl and her horse upside down and inside out. With Lucy and Danae, Wiley Miller has found a winning combination that readers can't resist.

The porcine wonder is off to the drive in--and driven to follow that buttery smell.

Selected by Choice magazine as an Outstanding Academic Title Gertrude Stein wrote almost one hundred plays, many of which were published and performed during her lifetime. In "They Watch Me as They Watch This," the first full-length study of Stein's plays, Jane Palatini Bowers focuses on the author's contributions to the genre and offers individual and clarifying readings of these often difficult texts. In writing about Stein's plays, Bowers employs both semiotic and structuralist concepts but avoids the excessively abstract language and "scientific" approach often associated with this kind of criticism. When compared with conventional drama, Stein's plays may appear so strange as to hardly seem like plays at all. Their extreme unconventionality arises from the role language takes in them. Conventional plays allow us to look through the language at the dramatic world created by it; Stein's plays force us to concentrate on the drama inherent in language and language-making. They record and reenact the poet's experiments with language and with theatrical conventions; they also preserve the improvisational writing process in the printed and enacted product. Futhermore, Stein's plays embody her critique of and her ideas about the conventional forms of drama. Thus, the plays are metadramatic: dramas about drama. Stein's belief in the theatricality and performability of language, her metatextual explorations of the interplay between poiesis, textuality, and performance, and her violations of the boundaries between literary criticism and practice have influenced postmodernist playwrights and poets such as David Antin, Richard Foreman, Dick Higgins, Jackson MacLow, and Jerome Rothenberg. They Watch Me as They Watch This provides critical analyses of key plays which illuminate the process of Stein's experimentation during her lifetime of playwriting. Stein's recent critics have eschewed a generic approach to her writing; they overlook her intense interest in genre, and therefore they do not consider the ways in which her texts oppose, subvert, and disrupt generic conventions. Bowers's approach to Stein's work yields rich insights into her writing and into the genre she used. It will be an important contribution to Stein scholarship and to drama criticism as well.

Snappsy the alligator is having a normal day when a pesky narrator steps in to spice up the story. Is Snappsy reading a book ... or is he making CRAFTY plans? Is Snappsy on his way to the grocery store ... or is he PROWLING the forest for defenseless birds and fuzzy bunnies? Is Snappsy innocently shopping for a party ... or is he OBSESSED with snack foods that start with the letter P? What's the truth? Snappsy the Alligator (Did Not Ask to Be in This Book) is an irreverent look at storytelling, friendship, and creative differences, perfect for fans of Mo Willems.

The magic and wonder of winter’s first snowfall is perfectly captured in Ezra Jack Keat’s Caldecott Medal-winning picture book. Young readers can enjoy this celebrated classic as a full-sized board book, perfect for read-alouds of all kinds and a great gift for the holiday season. In 1962, a little boy named Peter put on his snowsuit and stepped out of his house and into the hearts of millions of readers. Universal in its appeal, this story beautifully depicts a child's wonder at a new world, and the hope of capturing and keeping that wonder forever. This big, sturdy edition will bring even more young readers to the story of Peter and his adventures in the snow. Ezra Jack Keats was also the creator of such classics as Goggles, A Letter to Amy, Pet Show!, Peter’s Chair, and A Whistle for Willie. (This book is also available in Spanish, as Un dia de nieve.) Praise for The Snowy Day: “Keats made Peter’s world so inviting that it beckons us. Perhaps the busyness of daily life in the 21st century makes us appreciate Peter even more—a kid who has the luxury of a whole day to just be outside, surrounded by snow that’s begging to be enjoyed.” —The Atlantic "Ezra Jack Keats's classic The Snowy Day, winner of the 1963 Caldecott Medal, pays homage to the wonder and pure pleasure a child experiences when the world is blanketed in snow."—Publisher's Weekly