NAMED A BEST BOOK OF THE YEAR BY THE NEW YORKER AND NPR Through the scrim of fading memory, an elderly woman confronts a lifetime of secrets and betrayal, under the mysterious skies of her island home Off the coast of Georgia, near Savannah, generations have been tempted by strange blue lights in the sky near an island called Lyra. At the height of WWII, impressionable young Elle Ranier leaves New York City to forge a new life together on the island with her new husband, Simon. There they will live for decades, raising a family while waging a quixotic campaign to find the source of the mysterious blue offshore light—and the elusive minerals rumored to lurk beneath the surface. Fifty years later, Elle looks back at her life on the mysterious island—and at a secret she herself has guarded for decades. As her memory recedes into the mists of Alzheimer’s disease, her life seems a tangle of questions: How did her husband’s business, now shuttered, survive so long without ever finding the legendary Lyra stones? How did her own life crumble under treatment for depression? And what became of Gabriel—the handsome, raffish other man who came to the island with them and risked everything to follow the lights? Darkly romantic and deeply haunting, The Stars Are Not Yet Bells pulls us into a story of the tantalizing, faithless relationship between ourselves and the lives and souls we leave behind.

P is for Palestine is the world's first English-language ABC story book about Palestine, told in simple rhythmic rhyme with stunning illustrations to act as an educational, colorful, empowering reference for children, showcasing the geography, the beauty and strength of Palestinian culture. Anyone who has ever been to Palestine or who has Palestinian friends, colleagues, or neighbors knows that this proud nation is home to the sweetest oranges, most intricate embroideries, great dance moves (Dabkeh), fertile olive groves, and the sunniest people! This revised edition includes an appendix explaining some of the terms and Arabic words, written in their original language with simplified English pronunciation. Inspired by Palestinian people's own rich history in the literary and visual arts P is for Palestine is a book for children of all ages!

For seven days in April 1968, students occupied five buildings on the campus of Columbia University to protest a planned gymnasium in a nearby Harlem park, links between the university and the Vietnam War, and what they saw as the university’s unresponsive attitude toward their concerns. Exhilarating to some and deeply troubling to others, the student protests paralyzed the university, grabbed the world’s attention, and inspired other uprisings. Fifty years after the events, A Time to Stir captures the reflections of those who participated in and witnessed the Columbia rebellion. With more than sixty essays from members of the Columbia chapter of Students for a Democratic Society, the Students’ Afro-American Society, faculty, undergraduates who opposed the protests, “outside agitators,” and members of the New York Police Department, A Time to Stir sheds light on the politics, passions, and ideals of the 1960s. Moving beyond accounts from the student movement’s white leadership, this book presents the perspectives of black students, who were grappling with their uneasy integration into a supposedly liberal campus, as well as the views of women, who began to question their second-class status within the protest movement and society at large. A Time to Stir also speaks to the complicated legacy of the uprising. For many, the events at Columbia inspired a lifelong dedication to social causes, while for others they signaled the beginning of the chaos that would soon engulf the left. Taken together, these reflections present a nuanced and moving portrait that reflects the sense of possibility and excess that characterized the 1960s.

From the creator of the Pussyhat Project comes a manifesto for every woman to create her own distinct and original path to joy, success, and impact. On January 21, 2017, millions of protestors took part in the Women's March, and many of them created a "sea of pink" when they wore knitted pink "pussyhats" in record numbers. The pussyhat swiftly found its place on the cover of TIME and the New Yorker, and it ultimately came to symbolize resistance culture. Creator of the Pussyhat Project, Krista Suh, took an idea and built a worldwide movement and symbol in just two months. But like so many women, Krista spent years letting her fears stop her from learning to live by her own rules. Now in DIY Rules for a WTF World, Krista Suh shares the tools, tips, experiences, "rules," and knitting patterns she uses to get creative, get bold, and change the world. From learning how to use your own intuition to decide which rules are right for you to finding your inner-courage to speak up fearlessly; from finding what your passions are (this might surprise you!) to dealing with the squelchers out there, DIY Rules for a WTF World not only inspires you to demolish the patriarchy, but also enables you to create your own rules for living, and even a movement of your own, all with gusto, purpose, and joy. A Vogue "Book to Change Your Life in 2018" Pick A Bustle "Best Nonfiction Book of January 2018 to Get You Ready for the Year"

In his previous books Allen Guttmann has provided incisive perspectives on Avery Brundage's role in the Olympic movement and on the nature of modern sports. Now, in his latest book, the accomplished historian of sport turns his attention from the playing field to the grandstand. Sports Spectators, the first historical study of the subject from antiquity to today, is at once erudite and entertaining; comprehensive and succint. Guttmann first examines the history of sports spectators, starting with Ancient Greece and Rome. He then moves on to the Renaissance and traces three early sports -the tournament, archery, and early versions of football. The author then focuses on the emergenece of sports in post-Renaissance England, and discusses the curious spectacle of animal sports (bear- and bull-baiting and cockfighting), as well as the first appearance of combat sports such as sword fighting, stick fighting, and boxing. The book concludes its historical view by exploring contemporary baseball, football, rowing, tennis, and golf. From his chronological narrative, Guttmann shifts to detailed analysis of the economic, sociological, and psychological aspects of sports spectatorship. Who were, and are, sports spectators? What is their gender and social class? Have they normally been participants as well as fans? What are the political functions of sports-watching? What are the social dynamics of spectatorship? Guttmann provides fresh insights which will be useful to scholars and fascinating to everyone. Sports Spectators also looks at the dramatic transformations radio and television have made, and offers an incisive critique of today's sports-related violence, including the increasingly frequent incidences of spectator hooliganism. How violent (or peaceful) have spectators traditionally been? Has spectator violence increased or decreased? You needn't be a season ticket-holder to enjoy Sports Spectators. Allen Guttmann makes the history of fandom come alive for any reader interested in Western culture and what forms of entertainment reveal about us, as well as those concerned with the recent growth of spectator violence.

Projecting Race presents a history of educational documentary filmmaking in the postwar era in light of race relations and the fight for civil rights. Drawing on extensive archival research and textual analyses, the volume tracks the evolution of race-based, nontheatrical cinema from its neorealist roots to its incorporation of new documentary techniques intent on recording reality in real time. The films featured include classic documentaries, such as Sidney Meyers's The Quiet One (1948), and a range of familiar and less familiar state-sponsored educational documentaries from George Stoney (Palmour Street, 1950; All My Babies, 1953; and The Man in the Middle, 1966) and the Drew Associates (Another Way, 1967). Final chapters highlight community-development films jointly produced by the National Film Board of Canada and the Office of Economic Opportunity (The Farmersville Project, 1968; The Hartford Project, 1969) in rural and industrial settings. Featuring testimonies from farm workers, activists, and government officials, the films reflect communities in crisis, where organized and politically active racial minorities upended the status quo. Ultimately, this work traces the postwar contours of a liberal racial outlook as government agencies came to grips with profound and inescapable social change.

“Reveals a political trend that threatens both our form of government and our species.” - Timothy Snyder, author of ON TYRANNY "Riveting.... Want to understand how so many Americans turned against truth? Read this book." Nancy Maclean, author of DEMOCRACY IN CHAINS In 1981, emboldened by Ronald Reagan's election, a group of some fifty Republican operatives, evangelicals, oil barons, and gun lobbyists met in a Washington suburb to coordinate their attack on civil liberties and the social safety net. These men and women called their coalition the Council for National Policy. Over four decades, this elite club has become a strategic nerve center for channeling money and mobilizing votes behind the scenes. Its secretive membership rolls represent a high-powered roster of fundamentalists, oligarchs, and their allies, from Oliver North, Ed Meese, and Tim LaHaye in the Council's early days to Kellyanne Conway, Ralph Reed, Tony Perkins, and the DeVos and Mercer families today. In Shadow Network, award-winning author and media analyst Anne Nelson chronicles this astonishing history and illuminates the coalition's key figures and their tactics. She traces how the collapse of American local journalism laid the foundation for the Council for National Policy's information war and listens in on the hardline broadcasting its members control. And she reveals how the group has collaborated with the Koch brothers to outfit Radical Right organizations with state-of-the-art apps and a shared pool of captured voter data - outmaneuvering the Democratic Party in a digital arms race whose result has yet to be decided. In a time of stark and growing threats to our most valued institutions and democratic freedoms, Shadow Network is essential reading.

Discover the enthralling world of Ralph J. Gleason, a pioneering music journalist who expanded the possibilities of the newspaper music column, sparked the San Francisco jazz and rock scenes, and co-founded Rolling Stone magazine. Gleason not only reported on but influenced the trajectory of popular music. He alone chronicled the unparalleled evolution of popular music from the 1930s into the 1970s, and while doing so, interviewed and befriended many trailblazers such as Miles Davis, Dizzy Gillespie, Bob Dylan, and the Beatles. A true iconoclast, he dismantled the barriers between popular and highbrow music, and barriers separating the musical genres. He played a crucial role in shaping postwar music criticism by covering all genres and analyzing music's social, political, and historical meanings. This book uncovers never-before-seen letters, anecdotes, family accounts, and exclusive interviews to reveal one of the most intriguing personalities of the 20th century.