Knitting: colour, structure and design takes a fresh approach to knitting, examining not just the look of a knitted pattern, but how the knitted fabric can be altered with different stitches to change its stretch, drape and thickness. Once understood, the design and application potential of this textile technique is thrilling and endless. Written by a revered craftsman, this beautifully illustrated book encourages and inspires both experienced knitters and those new to the technique to have the confidence to experiment and develop their own designs. Topics covered: basic stitches, including many different ways of casting on and off, both decorative and functional; new approaches to construct fabric in any direction (not necessarily starting at the bottom and finishing at the top) in order to make any shape without sewn seams; an in-depth section on colour giving design ideas and techniques for knitting with colour; advice on dyeing your own yarns, including decorative effects such as dip-dyeing and tie-dyeing yarn; knitting patterns to suit a range of body shapes, with directions for personalizing these to your own requirements; an in-depth look at the technique of hand knitting, what effects can be created from different stitches and the way knitting is constructed by knitting in different directions. Aimed at those new to knitting, as well as advanced experimental knitters, it examines the technique from scratch as if it were a completely new technique to encourage deeper understanding. Beautifully illustrated with 247 stunning photographs and diagrams.

What role does colour play in our built environment? How are our attitudes to colour changing? What potential do new technologies bring for the use of colour and light in architecture? Combining real examples from practice with colour theory, this book will help you to fully understand the role and impact of colour in our urban spaces. Contributions from leading architects Will Alsop, Legorreta and Legorreta, John Outram, Sauerbruch Hutton and Neuterlings Riedijk accompany those from artists Alain Bony and Yann Kersalé, and from colour researchers such as Kristina Enberg and Anders Hård, who developed the Natural Colour System. Topics include: how and why we see colour methodologies in the documentation of traditional colours the development of new urban palettes recent colour psychology research the effect of light levels on human behaviour dramatic colour effects achievable with light guidelines for future deployment of colour in the built environment. This is a sequel to the immensely influential Colour for Architecture, published in 1976. Much has changed in 30 years; new cutting edge technologies and materials have emerged allowing architects to experiment with colour and light in an energy efficient and sustainable way, paving the way for a more colourful and exciting built environment.

From products we use to clothes we wear, and spaces we inhabit, we rely on colour to provide visual appeal, data codes and meaning. Color and Design addresses how we understand and experience colour, and through specific examples explores how colour is used in a spectrum of design-based disciplines including apparel design, graphic design, interior design, and product design. Through highly engaging contributions from a wide range of international scholars and practitioners, the book explores colour as an individual and cultural phenomenon, as a pragmatic device for communication, and as a valuable marketing tool. Color and Design provides a comprehensive overview for scholars and an accessible text for students on a range of courses within design, fashion, cultural studies, anthropology, sociology and visual and material culture. Its exploration of colour in marketing as well as design makes this book an invaluable resource for professional designers. It will also allow practitioners to understand how and why colour is so extensively varied and offers such enormous potential to communicate.

Conditional design is the sequel to Operative Design. This book will further explore the operative in a more detailed, intentional, and perhaps functional manner. Spatially, the conditional is the result of the operative. It is not a blind result however. Both terms work together to satisfy a formal manipulation through a set of opportunities for elements such as connections and apertures.

Structures support load and are essential to define form and space. To design structures in synergy with form and space requires creativity and informed intuition of structural principles. The objective of Structure and Design is to introduce structural principles as the foundation of creative design and demonstrate successful application through many case studies. Using rich illustrations, Structure and Design clarifies complex concepts without calculus and provides greater insight for readers with mathematics background. It includes details in wood, steel, concrete, masonry, and fabric and contains graphs that streamline complex tasks, such as column buckling and design for wind and seismic forces. Structure and Design is a reference book for design studios, architects, civil engineers, and builders and an excellent text for courses relating to those fields. G G Schierle holds Ph.D. and master of architecture degrees from the University of California, Berkeley and a Dipl-Ing degree from Stuttgart University of Applied Sciences. He teaches structures and design at the University of Southern California and has also taught at University of California, Berkeley, University of California, Los Angeles, and Stanford University. He is a Fellow of the American Institute of Architects, recipient of the Creative Achievement Award of the Association of Collegiate Schools of Architecture, founding director of University of Southern California's master of building science program, and a professional architect. He has lectured and published extensively on design for earthquake safety and tensile structures, including lectures at American Institute of Architects national conventions. Professor Schierle has served on the California structure license committee, the Journal for Architectural Education editorial board, and the Fabric Architecture magazine advisory board and annual awards jury. His professional practice includes major projects in America, Asia, and Europe.

Evidence-based approach to color planning lets you discover the impact of color on people and space. You'll learn to systematically develop innovative, holistic color solutions in interior design with this book's evidence-based approach to color planning. The author sets forth a color planning framework that integrates multiple criteria, enabling you to fully consider the complex role that color plays in interior design. Color Planning for Interiors is based on the findings from a national study that the author conducted, which identified five categories of color criteria: Color as Composition Color Preferences Color as Communication Color Pragmatics Color for Engagement The author interviewed noted designers and colorists about the projects that best represented their approach to color. As a result, you'll discover how leaders in the field examine color from compositional, symbolic, behavioral, preferential, and pragmatic perspectives in order to arrive at a carefully considered solution. Moreover, you'll see how designers and architects apply this knowledge to a broad range of interior spaces, including workplaces, restaurants, retail settings, healthcare facilities, and private residences. Complementing theory and research, real-life examples are presented from interior design projects that consider color in relation to light, materiality, and interior architecture. In addition, full-color diagrams, photographs, and design renderings illustrate concepts throughout the book to help you understand how to select and work with color. From the fundamental principles of color theory to innovative applications, all aspects of designing interiors with color are examined, making this book ideal for all professionals and students in interior design who want to develop the full potential of their color palettes.

An investigation of thirty skyscrapers from around the world—both recently built and under construction—that explains the structural principles behind their creation

Structure As Architecture provides readers with an accessible insight into the relationship between structure and architecture, focusing on the design principles that relate to both fields. Over one hundred case studies of contemporary buildings from countries across the globe including the UK, the US, France, Germany, Spain, Hong Kong and Australia are interspersed throughout the book. The author has visited and photographed each of these examples and analyzed them to show how structure plays a significant architectural role, as well as bearing loads. This is a highly illustrated sourcebook, providing a new insight into the role of structure, and discussing the point where the technical and the aesthetic meet to create the discipline of ‘architecture’.

The core idea for this book is the use of operative verbs as tools for designing space. These operative verbs abstract the idea of spatial formation to its most basic terms, allowing for an objective approach to create the foundation for subjective spatial design. Examples of these verbs are expand, inflate, nest, wist, lift, embed, merge and many more. Together they form a visual dictionary decoding the syntax of spatial verbs. The verbs are illustrated with three-dimensional diagrams and pictures of designs which show the verbs 'in action'. This approach was devised, tested, and applied to architectural studio instruction by Anthony Di Mari and Nora Yoo while teaching at Harvard University's Career Discovery Program in Architecture in 2010. As instructors and as recent graduates, they saw a need for this kind of catalogue from both sides - as a reference manual applicable to design students in all stages of their studies, as well as a teaching tool for instructors to help students understand the strong spatial potential of abstract operations.