This updated version of Color by Design shows you how to dye cottons and silks in an incredible range of colors and patterns--without changing the feel of your fabric. Using every tool imaginable--from brushes, sponges, stamps, and blocks to rollers, sprays, silk screens and more--you will discover an endless array of techniques. Right away you will be able to create your own distinctive marks and colors, and with practice you will create intricate designs with confidence and spontaneity. New chapters on mixing and dyeing blacks and how to use corn and potato dextrin for water-soluble resists.

Color by Accident: Low-Water Immersion Dyeing is designed to be used as a workbook and as a reference manual for the adventuresome. Beginning and experienced dyers will find it to be an inspiring guide for creating one-of-a-kind fabrics not available commercially. It includes Five Variations on a versatile method and 54 tested recipes. NOT required are expensive equipment, dangerous chemicals or specialized studio space. Other books teach how to repeat a method and reproduce colors. This book points the way to exploring new color combinations and to achieving fabric that will be unique and visually complex. Color by Accident is different from other dye books:¿The approach is spontaneous.¿The small amount of water used makes dyeing easy.¿The recipes can be adapted to fit any schedule.¿No salt is required.¿The results are one-of-a-kind. This book¿s continued popularity has made it a classic for textile artists.

"Printing your own fabric opens up an entire new world of design, especially for quilters, sewists, and other textile artists. Until now, the process of printing with dyes could seem difficult to learn and even harder to implement. But Carol Soderlund and Melanie Testa have taken all the stumbling blocks out of the way of would-be fabric dyers and printers. With step by step advice, instruction, and photographs, this book is a master class in using dyes and low-tech equipment to print your own fabric, and it begins at the beginning. If you've never handled dyes before, never designed your own print motifs, aren't even sure what supplies or space you might need, everything you want to know is here. More advanced students will value the in-depth presentation of techniques, tools, and insights into approaching fabric printing as an art and taking your work to the next level. The opportunities for fun creative expression and producing your most original and exciting fabric work ever are unlimited with Carol and Melanie's friendly help. It's time to try playful fabric printing!" -- Provided by publisher

Chronicles the history of dyes and pigments and their related industries, discussing colors in the Middle Ages; the explosion of supply and demand in the sixteenth, seventeenth, and eighteenth centuries; and advances in industrial chemistry.

The Bee-all and End-all: The complete quilter's companion and essential resource, jam-packed with information, supplies, expert interviews, techniques, community, and inspiration. All the tools of the trade: rotary cutters, sewing machines, longarms, anddesign software; fabulous fabrics and where to find them; and if you're just starting out, everything that belongs in a quilting basket. The online world made manageable with a guide to the most useful blogs, websites, e-mail lists, free patterns, and podcasts. National and regional shows, guilds, and the best retreats and quilt museums. Batting parties, tutorials on fabric dying, and a breezy history of the quilt boom. Profiles of twenty top teachers-including television's Ricky Tims and Alex Anderson, Esterita Austin and her award-winning landscape quilts, and Ruth B. McDowell, known for her bravura technique. This is a book to help every quilter deepen and grow-keep it as close by as your stash of fat quarters -Cover.

Citing a high number of pollutants in today's indoor environments, a comprehensive guide to making organic, all-natural paint and finish alternatives offers step-by-step instructions on how to convert readily available ingredients. Original. 15,000 first printing.

“The pigments he concocts from these humble beginnings are as fun to make as they are eye-opening to work with . . . the world never quite looks the same.” —MarthaStewart.com A 2018 Best Book of the Year—The Guardian The Toronto Ink Company was founded in 2014 by designer and artist Jason Logan as a citizen science experiment to make eco-friendly, urban ink from street-harvested pigments. In Make Ink, Logan delves into the history of inkmaking and the science of distilling pigment from the natural world. Readers will learn how to forage for materials such as soot, rust, cigarette butts, peach pits, and black walnut, then how to mix, test, and transform these ingredients into rich, vibrant inks that are sensitive to both place and environment. Organized by color, and featuring lovely minimalist photography throughout, Make Ink combines science, art, and craft to instill the basics of ink making and demonstrate the beauty and necessity of engaging with one of mankind’s oldest tools of communication. “Logan demystifies the process, encouraging experimentation and taking a fresh look at urban environments.” —NPR “The book is full of inspiration and takes a lot of the mystery out of ink making, at least at its simplest level. And it also reminds me why I love ink—any ink or liquid color as much as I do.” —The Well-Appointed Desk “Quite a few recipes . . . that use color from the kitchen: carrots, black beans, blueberries, turmeric, and onion skins all make beautiful ink colors.” —Design Observer “Make Ink opens up about methods, providing an open source guide to DIY ink.” —CityLab

This updated 2nd edition features a revised chapter. True Colors is about artists who create color from natural materials and about the historical importance and environmental sustainability of this practice. Deep conversations with 26 artisans from every part of the globe reveal their wisdom, traditions, and know-how—and suggest that we ignore what they know at our peril. Traditional approaches to making color offer sustainable options to a fashion system badly in need of them and memorable cultural narratives to a world hungry for beauty and spirituality. True Colors provides an immersive visual experience and an inspiring travelogue of personal stories and practical information from artists who are leaving their mark on the world.

This book provides an up-to-date insight into the chemistry behind the colour of the dyes and pigments that make our world so colourful. The impressive breadth of coverage starts with a dip into the history of colour science. Colour Chemistry then goes on to look at the structure and synthesis of the various dyes and pigments, along with their applications in the traditional areas of textiles, coatings and plastics, and also the ever-expanding range of "high-tech" applications. Also discussed are some of the environmental issues associated with the manufacture and use of colour. The broad and balanced coverage presented in this book makes it ideal for students and graduates. In addition, many specialists in industry or academia will also benefit from the overview of the subject that is provided.

This book directly addresses a long-felt, unsatisfied need of modern color science - an appreciative and technically sound presentation of the principles and main offerings of colorimetry to artists and designers, written by one of them. With his unique blend of training and experience in engineering, with his lifelong interest and, latterly, career in art and art education, Dr. Agoston is unusually well prepared to convey the message of color science to art and design. His book fulfills the hopes I had when I first heard about him and his book. I foresee important and long-lasting impacts of this book, analogous to those of the epoch-making writings by earlier artist-scientists, such as Leonardo, Chevreul, Munsell, and Pope. Nearly all persons who have contributed to color science, recently as well as formerly, were attracted to the study of color by color in art. Use of objective or scientific methods did not result from any cold, detached attitude, but from the inherent difficulties of the problems concerning color and its use, by which they were intrigued. Modern education and experience has taught many people how to tackle difficult problems by use of scientific methods. Therefore - color science.