This massive biographical dictionary presents a thorough study of a group of early American craftsmen. It contains biographies of 296 silversmiths and jewelers who worked in Mass. before the American Revolution, records more than 6,000 examples of their work, and illustrates 424 of their marks. There are brief biographical notes on 93 craftsmen in allied trades, including watchmakers, clockmakers, and engravers, and a section on persons previously misidentified as Mass. silversmiths, as well as essays on silversmiths and their tools, Boston silversmithing and jewelrymaking trades, and other Mass. silversmiths. A glossary of terms relating to tools and craft techniques, 193 additional illus., and an chronology of the craftsmen complete the book.

Winner of the Charles F. Montgomery Prize of the Decorative Arts Society: A groundbreaking reference on a colonial American craft.

The preeminent study of Connecticut’s silvercraft, back in print with a new introduction

The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.

These essays are the proceedings of a conference held on April 19-20, 1996 at the Museum of Fine Arts, Boston. The presenters were leading scholars in the field and their scholarship remains remarkably up-to-date.

International Association of Culinary Professionals (IACP) 2010 Award Finalists in the Culinary History category. Chocolate. We all love it, but how much do we really know about it? In addition to pleasing palates since ancient times, chocolate has played an integral role in culture, society, religion, medicine, and economic development across the Americas, Africa, Asia, and Europe. In 1998, the Chocolate History Group was formed by the University of California, Davis, and Mars, Incorporated to document the fascinating story and history of chocolate. This book features fifty-seven essays representing research activities and contributions from more than 100 members of the group. These contributors draw from their backgrounds in such diverse fields as anthropology, archaeology, biochemistry, culinary arts, gender studies, engineering, history, linguistics, nutrition, and paleography. The result is an unparalleled, scholarly examination of chocolate, beginning with ancient pre-Columbian civilizations and ending with twenty-first-century reports. Here is a sampling of some of the fascinating topics explored inside the book: Ancient gods and Christian celebrations: chocolate and religion Chocolate and the Boston smallpox epidemic of 1764 Chocolate pots: reflections of cultures, values, and times Pirates, prizes, and profits: cocoa and early American east coast trade Blood, conflict, and faith: chocolate in the southeast and southwest borderlands of North America Chocolate in France: evolution of a luxury product Development of concept maps and the chocolate research portal Not only does this book offer careful documentation, it also features new and previously unpublished information and interpretations of chocolate history. Moreover, it offers a wealth of unusual and interesting facts and folklore about one of the world's favorite foods.

Winterthur Museum is world renowned for its decorative arts collections and its exceptional educational programs. Adapted from the training materials developed at the museum, the revised and enhanced Early American Decorative Arts, 1620-1860: A Handbook for Interpreters is an indispensable guide for anyone involved with interpretation of decorative arts collections. Early American Decorative Arts, 1620-1860 elucidates the principles of public interpretation, explains how to analyze objects, and defines the concept of style. Eighteen chapters provide comprehensive descriptions of decorative arts including furniture, ceramics, textiles, paintings and prints, metalwork, glass, and other objects. Many museums and historic sites display such collections to thousands of visitors annually. Guides, interpreters, educators, and collection managers will find this book a helpful summary and a guide to further research. This enhanced edition includes now includes a CD featuring beautiful color images of the more than 170 black-and-white photographs in the book, bringing the Winterthur collections to life on your computer and in your classroom. Published in cooperation with Winterthur Museum, Garden & Library.

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Americans’ long and restless search for identity through family trees illuminates the story of America itself, according to François Weil, as preoccupation with social standing, racial purity, and national belonging gave way to an embrace of diversity in one’s forebears, pursued through Ancestry.com and advances in DNA testing.

Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.