"This volume gathers an international cast of scholars to examine the unprecedented range of colonial encounters during the First World War. More than four million men of color, and an even greater number of white Europeans and Americans, crisscrossed the globe. Others, in occupied areas, behind the warzone or in neutral countries, were nonetheless swept into the maelstrom. From local encounters in New Zealand, Britain and East Africa to army camps and hospitals in France and Mesopotamia, from cafes and clubs in Salonika and London, to anticolonial networks in Germany, the USA and the Dutch East Indies, this volume examines the actions and experiences of a varied company of soldiers, medics, writers, photographers, and revolutionaries to reconceptualize this conflict as a turning point in the history of global encounters. How did people interact across uneven intersections of nationality, race, gender, class, religion and language? How did encounters - direct and mediated, forced and unforced - shape issues from cross-racial intimacy and identity formation to anti-colonial networks, civil rights movements and visions of a post-war future? The twelve chapters delve into spaces and processes of encounter to explore how the conjoined realities of war, race and empire were experienced, recorded and instrumentalized"--

This volume gathers an international cast of scholars to examine the unprecedented range of colonial encounters during the First World War. More than four million men of color, and an even greater number of white Europeans and Americans, crisscrossed the globe. Others, in occupied areas, behind the warzone or in neutral countries, were nonetheless swept into the maelstrom. From local encounters in New Zealand, Britain and East Africa to army camps and hospitals in France and Mesopotamia, from cafes and clubs in Salonika and London, to anticolonial networks in Germany, the USA and the Dutch East Indies, this volume examines the actions and experiences of a varied company of soldiers, medics, writers, photographers, and revolutionaries to reconceptualize this conflict as a turning point in the history of global encounters. How did people interact across uneven intersections of nationality, race, gender, class, religion and language? How did encounters – direct and mediated, forced and unforced – shape issues from cross-racial intimacy and identity formation to anti-colonial networks, civil rights movements and visions of a post-war future? The twelve chapters delve into spaces and processes of encounter to explore how the conjoined realities of war, race and empire were experienced, recorded and instrumentalized.

This is the first in-depth and comparative study of the experience of colonial encounters for troops from the British Empire during the First World War. Drawing on a rich variety of textual and visual material, Anna Maguire explores new contact zones that materialised beyond the battlefield, on troopships, in ports, in military camps and hospitals, in cafes and city streets. She reveals how the colonial mobilisation of troops during the conflict prompted the emergence of spaces for interactions, fleeting moments or ongoing relationships. Through their personal experiences, she uncovers how men from New Zealand, South Africa and the West Indies viewed themselves and their identities during a time of global conflict, simultaneously asserting the strength of the existing colonial order and challenging its enactment, through contact, conflict and collaboration. In spaces away from the frontlines, Maguire uses these cultural encounters of colonial troops to offer a more intricate understanding of imperial power relations.

The Routledge Companion to Politics and Literature in English provides an interdisciplinary overview of the vibrant connections between literature, politics, and the political. Featuring contributions from 44 scholars across a variety of disciplines, the collection is divided into five parts: Connecting Literature and Politics; Constituting the Polis; Periods and Histories; Media, Genre, and Techne; and Spaces. Organized around familiar concepts—such as humans, animals, workers, empires, nations, and states—rather than theoretical schools, it will help readers to understand the ways in which literature affects our understanding of who is capable of political action, who has been included in and excluded from politics, and how different spaces are imagined to be political. It also offers a series of engagements with key moments in literary and political history from 1066 to the present in order to assess and reassess the utility of conventional modes of periodization. The book extends current discussions in the area, looking at cutting-edge developments in the discipline of literary studies, which will appeal to academics and researchers seeking to orient their own interventions within broader contexts.

This is the first in-depth and comparative study of the experience of colonial encounters for troops from the British Empire during the First World War. Drawing on a rich variety of textual and visual material, Anna Maguire explores new contact zones that materialised beyond the battlefield, on troopships, in ports, in military camps and hospitals, in cafes and city streets. She reveals how the colonial mobilisation of troops during the conflict prompted the emergence of spaces for interactions, fleeting moments or ongoing relationships. Through their personal experiences, she uncovers how men from New Zealand, South Africa and the West Indies viewed themselves and their identities during a time of global conflict, simultaneously asserting the strength of the existing colonial order and challenging its enactment, through contact, conflict and collaboration. In spaces away from the frontlines, Maguire uses these cultural encounters of colonial troops to offer a more intricate understanding of imperial power relations.

This is a military-political history with a vital and all-pervading cultural and social theme which shapes the narrative - race, color and prejudice. But despite this, there is an extraordinary underlying theme of empire loyalty among serving soldiers - NCOs and private soldiers - and a growing grasp of political ideas and liberal democracy. And the loyalty to the British crown as an agent of the ending of slavery will be amazing to some readers. War experience was a powerful catalyst and contributed to a 'West Indianess' and desire for political advance. But even here the desire was for independence within the empire - a 'West Indian Dominion' as with 'elder sisters' of empire, the Dominions of Australia, Canada, New Zealand and South Africa. The political and economic status of the islands was a potent reason for the 'colored contingents' enlisting - work was scarce - but a major impetus was the cultural concept of 'manliness' and empire-status - shared by George V, who insisted, against government pressure, on allowing West Indians to serve with white British soldiers. But all were volunteers and not enlisted men. The West Indies Regiment was small and its contribution in action limited, and restricted largely to Egypt and Mesopotamia, and with limited service on the Western Front. But it shows vividly the ingrained racialism and color prejudice of British society and the British Army and above all, in the insensitive omission of the West Indies Regiment at the Victory Parade in 1919.

In 1940s India, revolutionary and nationalistic feeling surged against colonial subjecthood and imperial war. Two-and-a-half million men from undivided India served the British during the Second World War, while 3 million civilians were killed by the war-induced Bengal Famine, and Indian National Army soldiers fought against the British for Indian independence. This captivating new history shines a spotlight on emotions as a way of unearthing these troubled and contested experiences, exposing the personal as political. Diya Gupta draws upon photographs, letters, memoirs, novels, poetry and philosophical essays, in both English and Bengali languages, to weave a compelling tapestry of emotions felt by Indians in service and at home during the war. She brings to life an unknown sepoy in the Middle East yearning for home, and anti-fascist activist Tara Ali Baig; a disillusioned doctor on the Burma frontline, and Sukanta Bhattacharya’s modernist poetry of hunger; Mulk Raj Anand’s revolutionary home front, and Rabindranath Tagore’s critique of civilisation. This vivid book recovers a truly global history of the Second World War, revealing the crucial importance of cultural approaches in challenging a traditional focus on the wartime experiences of European populations. Seen through Indian eyes, this conflict is no longer the ‘good’ war.

In The Last Treaty, Michelle Tusan profoundly reshapes the story of how the First World War ended in the Middle East. Tracing Europe's war with the Ottoman Empire through to the signing of Lausanne, which finally ended the war in 1923, she places the decisive Allied victory over Germany in 1918 in sharp relief against the unrelenting war in the East and reassesses the military operations, humanitarian activities and diplomatic dealings that continued after the signing of Versailles in 1919. She shows how, on the Middle Eastern Front, Britain and France directed Allied war strategy against a resurgent Ottoman Empire to sustain an imperial system that favored Europe's dominance within the nascent international system. The protracted nature of the conflict and ongoing humanitarian crisis proved devastating for the civilian populations caught in its wake and increasingly questioned old certainties about a European-led imperial order and humanitarian intervention. Its consequences would transform the postwar world.