Collusions of Fact and Fiction traces a generational shift in late twentieth-century African American cultural engagements with the history and legacies of transatlantic slavery. With a focus on works by playwright Suzan-Lori Parks and visual artist Kara Walker, the book explores how, in comparison to the first wave of neo-slave narratives of the 1970s and 1980s, artists of the 1990s and early 2000s tend to approach the past from the vantage point of a liberal entanglement of fact and fiction as well as a highly playful, often humorous, and sometimes irreverent signifying on entrenched motifs, iconographies, and historiographies. Saal argues that the attempt to reconstruct or recuperate the experience of African Americans under slavery is no longer at stake in the works of artists growing up in the post–Civil Rights era. Instead, they lay bare the discursive dimension of our contemporary understanding of the past and address the continued impact of its various verbal and visual signs upon contemporary identities. In this manner, Parks and Walker stake out new possibilities for engaging the past and inhabiting the present and future.

22 November 1963: Dallas, Texas. US President John F Kennedy is assassinated as his motorcade passes through the city's streets. The assassin is soon captured, and revealed to be disaffected Communist sympathizer Lee Harvey Oswald. Did Oswald act alone, or did he have help? Is the Bilderberg Group simply a group of international financiers concerned with promoting democracy throughout the world, or is there a more sinister power at work? And what really happened to Princess Diana's Mercedes one warm August nigh in a Paris underpass? Conspiracy looks at a range of the most interesting theories of this nature, from the risibly far-fetched, such as the belief that the world is run by the lizard people, to the only-too-true and tragic such as the overthrow and murder of Chilean President Salvador Allende.

A merciless assassin stalks Belfast and Detective Inspector Jack Lennon has been assigned to the case. As Lennon unravels a far-reaching conspiracy involving collusion among Loyalists, IRA members, and law enforcement, he discovers that his estranged former lover and their daughter are in the killer's cross-hairs. To catch the assassin and save the only family he has, Lennon blurs the line between friend and enemy by teaming up with an enigmatic killer named Fegan.

In this searing exposéformer Wall Street insider Nomi Prins shows how the 2007-2008 financial crisis turbo-boosted the influence of central bankers and triggered a massive shift in the world order. Central banks and international institutions like the IMF have overstepped their traditional mandates by directing the flow of epic sums of fabricated money without any checks or balances. Meanwhile, the open door between private and central banking has ensured endless opportunities for market manipulation and asset bubbles -- with government support. Through on-the-ground reporting, Prins reveals how five regions and their central banks reshaped economics and geopolitics. She discloses how Mexico navigated its relationship with the US while striving for independence and how Brazil led the BRICS countries to challenge the US dollar's hegemony. She explains how China's retaliation against the Fed's supremacy is aiding its ongoing ascent as a global superpower and how Japan is negotiating the power shift from the West to the East. And she illustrates how the European response to the financial crisis fueled instability that manifests itself in everything from rising populism to the shocking Brexit vote. Packed with tantalizing details about the elite players orchestrating the world economy -- from Janet Yellen and Mario Draghi to Ben Bernanke and Christine Lagarde -- Collusion takes the reader inside the most discreet conversations at exclusive retreats like Jackson Hole and Davos. A work of meticulous reporting and bracing analysis, Collusion will change the way we understand the new world of international finance.

#1 NEW YORK TIMES BESTSELLER An explosive exposé that lays out the story behind the Steele Dossier, including Russia’s decades-in-the-making political game to upend American democracy and the Trump administration’s ties to Moscow. “Harding…presents a powerful case for Russian interference, and Trump campaign collusion, by collecting years of reporting on Trump’s connections to Russia and putting it all together in a coherent narrative.” —The Nation December 2016. Luke Harding, the Guardian reporter and former Moscow bureau chief, quietly meets former MI6 officer Christopher Steele in a London pub to discuss President-elect Donald Trump’s Russia connections. A month later, Steele’s now-famous dossier sparks what may be the biggest scandal of the modern era. The names of the Americans involved are well-known—Paul Manafort, Michael Flynn, Jared Kushner, George Papadopoulos, Carter Page—but here Harding also shines a light on powerful Russian figures like Aras Agalarov, Natalia Veselnitskaya, and Sergey Kislyak, whose motivations and instructions may have been coming from the highest echelons of the Kremlin. Drawing on new material and his expert understanding of Moscow and its players, Harding takes the reader through every bizarre and disquieting detail of the “Trump-Russia” story—an event so huge it involves international espionage, off-shore banks, sketchy real estate deals, the Miss Universe pageant, mobsters, money laundering, poisoned dissidents, computer hacking, and the most shocking election in American history.

The real collusion in the 2016 election was not between the Trump campaign and the Kremlin. It was between the Clinton campaign and the Obama administration. The media–Democrat “collusion narrative,” which paints Donald Trump as cat’s paw of Russia, is a studiously crafted illusion. Despite Clinton’s commanding lead in the polls, hyper-partisan intelligence officials decided they needed an “insurance policy” against a Trump presidency. Thus was born the collusion narrative, built on an anonymously sourced “dossier,” secretly underwritten by the Clinton campaign and compiled by a former British spy. Though acknowledged to be “salacious and unverified” at the FBI’s highest level, the dossier was used to build a counterintelligence investigation against Trump’s campaign. Miraculously, Trump won anyway. But his political opponents refused to accept the voters’ decision. Their collusion narrative was now peddled relentlessly by political operatives, intelligence agents, Justice Department officials, and media ideologues—the vanguard of the “Trump Resistance.” Through secret surveillance, high-level intelligence leaking, and tireless news coverage, the public was led to believe that Trump conspired with Russia to steal the election. Not one to sit passively through an onslaught, President Trump fought back in his tumultuous way. Matters came to a head when he fired his FBI director, who had given explosive House testimony suggesting the president was a criminal suspect, despite privately assuring Trump otherwise. The resulting firestorm of partisan protest cowed the Justice Department to appoint a special counsel, whose seemingly limitless investigation bedeviled the administration for two years. Yet as months passed, concrete evidence of collusion failed to materialize. Was the collusion narrative an elaborate fraud? And if so, choreographed by whom? Against media–Democrat caterwauling, a doughty group of lawmakers forced a shift in the spotlight from Trump to his investigators and accusers. This has exposed the depth of politicization within American law-enforcement and intelligence agencies. It is now clear that the institutions on which our nation depends for objective policing and clear-eyed analysis injected themselves scandalously into the divisive politics of the 2016 election. They failed to forge a new Clinton administration. Will they succeed in bringing down President Trump?

For the first time, the full, explosive record of the unthinkable: how a US president compromised American foreign policy in exchange for the promise of future business and covert election assistance. Looking back at this moment in history, historians will ask if Americans knew they were living through the first case of criminal conspiracy between an American presidential candidate turned commander in chief and a geopolitical enemy. The answer might be: it was hard to see the whole picture. The stories coming in from around the globe have often seemed fantastical: clandestine meetings in foreign capitals, secret recordings in a Moscow hotel, Kremlin agents infiltrating the Trump inner circle... Seth Abramson has tracked every one of these far-flung reports and now in, Proof of Collusion, he finally gives us a record of the unthinkable—a president compromising American foreign policy in exchange for the promise of future business and covert election assistance. The attorney, professor, and former criminal investigator has used his exacting legal mind and forensic acumen to compile, organize, and analyze every piece of the Trump-Russia story. His conclusion is clear: the case for collusion is staring us in the face. Drawing from American and European news outlets, he takes readers through the Trump-Russia scandal chronologically, putting the developments in context and showing how they connect. His extraordinary march through all the public evidence includes: —How Trump worked for thirty years to expand his real estate empire into Russia even as he was rescued from bankruptcy by Putin’s oligarchs and Kremlin agents. —How Russian intelligence gathered compromising material on him over multiple trips. —How Trump recruited Russian allies and business partners while running for president. —How he surrounded himself with advisers who engaged in clandestine negotiations with Russia. —How Trump aides and family members held secret meetings with foreign agents and lied about them. By pulling every last thread of this complicated story together, Abramson argues that—even in the absence of a Congressional investigation or a report from Special Counsel Mueller—the public record already indicates a quid pro quo between Trump and the Kremlin. The most extraordinary part of the case for collusion is that so much of it unfolded in plain sight.

World War II in Contemporary German and Dutch Fiction: The Generation of Meta-Memory offers a comparative study of the construction of World War II memory in contemporary German, Flemish, and Dutch literature. More specifically, it investigates in what ways the large temporal distance to the historical events has impacted how literary writers from these three literatures have negotiated its meaning and form during the last decades. To that end, this book offers analyses of nine novels that demonstrate a pronounced reflexivity on the conditions of contemporary remembering. Rather than a dig for historical truth or a struggle with historical trauma, these novels reflect on the transmission, the narrative shapes, the formation processes, and the functions of World War II memory today, while asserting a self-conscious and often irreverent approach toward established mnemonic routines, practices, and rules. As the analyses show, this approach is equally articulated through the novels’ poetics, which are marked by a large formal diversity and a playfulness that highlights mnemonic agency, a posttraumatic positioning, and the ascendency of the literary over the historiographical. Based on these findings, this book proposes the emergence of a new paradigm within the postwar cultural assessment of World War II: the generation of meta-memory.

This book is the story of how four busy executives, from different backgrounds and different perspectives, were surprised to find themselves converging on the idea of narrative as an extraordinarily valuable lens for understanding and managing organizations in the twenty-first century. The idea that narrative and storytelling could be so powerful a tool in the world of organizations was initially counter-intuitive. But in their own words, John Seely Brown, Steve Denning, Katalina Groh, and Larry Prusak describe how they came to see the power of narrative and storytelling in their own experience working on knowledge management, change management, and innovation strategies in organizations such as Xerox, the World Bank, and IBM. Storytelling in Organizations lays out for the first time why narrative and storytelling should be part of the mainstream of organizational and management thinking. This case has not been made before. The tone of the book is also unique. The engagingly personal and idiosyncratic tone comes from a set of presentations made at a Smithsonian symposium on storytelling in April 2001. Reading it is as stimulating as spending an evening with Larry Prusak or John Seely Brown. The prose is probing, playful, provocative, insightful and sometime profound. It combines the liveliness and freshness of spoken English with the legibility of a ready-friendly text. Interviews will all the authors done in 2004 add a new dimension to the material, allowing the authors to reflect on their ideas and clarify points or highlight ideas that may have changed or deepened over time.

In D.C.’s cutthroat political arena, revenge is the ultimate nuclear option . . . Framed for a high-profile murder, Abrianna Parker finds herself hurtling down a conspiracy rabbit hole in a desperate attempt to clear her name. Her only way out is to go after the most powerful man in the country. But the powers that be play dirty—and expose her billionaire adoptive father, Cargill Parker, and his criminal activity. With charges of collusion swirling on Capitol Hill, police and Federal agencies force Abrianna off the grid. But she’s not alone. By her side is ex-con turned private investigator Kadir Kahlifa, a man as seductive as he is dangerous. While battling a fiery passion, they team up with their band of street rebels and digital revolutionaries to burn through deception and spin to uncover the truth before it costs more innocent lives—mainly their own.