First performed in 1932. Smashed box office records in Melbourne in 1933, with Gladys Moncrieff and George Wallace Snr.

Collits' Inn sits at the foot of Mount York, in Hartley Vale, just on the other side of the Blue Mountains. The Inn was built by Pierce Collits, an ex-convict, in 1823. This book is our personal story of restoring one of Australia's earliest Inns. All travellers crossing the Blue Mountains in 1823 had to come down the notoriously dangerous Cox's Pass past the Inn on their way to the settlement of Bathurst and other lands to the west. There were many surprises: The Collits' Inn Operetta, the early nearby Cemetery, the story of a murder, the many beautiful linoleums, two strange mediaeval customs, and more. When we acquired the Inn in 1998 it was very derelict. By 2002, several awards had been received both for the restoration and for the restaurant. The project was often challenging, sometimes frustrating, but ultimately rewarding, and so has been the process of putting this story together. Many people have encouraged and assisted me with the telling of our story and I am most grateful for their help.

They shared a name, of course, and their physical resemblance was startling. And both Frank Thrings were huge figures in the landscape of twentieth-century Australian theatre and film. But in many ways they could hardly have been more different. Frank Thring the father (1882–1936) began his career as a sideshow conjuror, and he wheeled, dealed and occasionally married his way into becoming the legendary ‘F.T.’ — impresario, speculator and owner of Efftee Films, Australia’s first ‘talkies’ studio. He built for himself an image of grand patriarchal respectability, a sizeable fortune, and all the makings of a dynasty. Frank Thring the son (1926–1994) squandered the fortune and derailed the dynasty in the course of creating his own persona — a unique presence that could make most stages and foyers seem small. He won fame playing tyrants in togas in Hollywood blockbusters, then, suddenly, came home to Melbourne to play perhaps his finest role — that of Frank Thring, actor and personality extraordinaire. Central to this role was that Frank the son was unapologetically and outrageously gay. Peter Fitzpatrick’s compelling dual biography tells the story of two remarkable characters. It’s a kind of detective story, following the tracks of two men who did all they could to cover their tracks, and to conceal ‘the self’: Frank the father used secrecy and sleight-of-hand as strategies for self-protection; Frank the son masked a thoroughly reclusive personality with flamboyant self-parody. It’s also the tale of a lost relationship — and of the power a father may have had, even over a son who hardly knew him.

This collection of original essays brings international and multidisciplinary perspectives to the problem of how to understand and practice editorial mediation: How does editing alter what it seeks to represent? How does it condition the relationship between texts and readers? The different concerns shared by editors of a variety of genres, literary and otherwise, emerge here as constructive new approaches to the theory and practice of editing are explored. The essays make a concerted attempt to assess the implications of postmodern thought on one of the oldest and most fundamental cultural activities, editing The section on theory covers such important subjects as editorial responsibility, the death of the author, and the nature of the authorial voice. The practice section covers actual editing situations in various literary areas and in musicology, recorded music, and the preservation of oral literature. The multidisciplinary volume will find its readers among students of textual criticism, literature, music, and folklore as well as any readers of postmodern criticism.

On Tap delves into the annals of pub-lore to discover funny, sad, illuminating and intriguing episodes and incidents in the life of this great Australian institution. The author has collected anecdotes, serious history, folklore tall stories and urban myths about Australians and pubs.

The discerning guide to beautiful places to stay in New South Wales and the ACT including B&B?s, small hotels, beach houses, cottages, eco retreats and apartments. First Edition 2004

The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).

Includes the Society's Annual report and statement of accounts.

Kate Kelly has always been overshadowed by her famous brother Ned, but the talented young woman was a popular public figure in her own right. This moving biography tells her astonishing story in full for the first time. Kate Kelly, the daring sister of legendary bushranger Ned Kelly, was mysteriously found dead in a lagoon outside the NSW town of Forbes in 1898. At the inquest, Kate's husband Bricky Foster claimed that she was addicted to drink and frequently spoke of suicide. However, a neighbour testified that she had only known Kate to drink since the recent birth of her baby and that she never spoke of suicide. Was it suicide, accident or murder, and why had she changed her name to Ada? While only a teenager, Kate rode as a messenger and decoy for the Kelly Gang, and was present at the gruesome Glenrowan siege. After Ned's execution, she appeared at public gatherings around Australia. Huge crowds came to see her talk and ride, and she helped to popularise the Ned Kelly story as a celebrity in her own right. Then she disappeared from the public eye. Rebecca Wilson is the first to uncover the full story of Kate Kelly's tumultuous life. It will surprise anyone who thought they already knew the story of Australia's most famous outlaw. 'Rarely told in full, this is the fascinating life of one of the great characters in one of our greatest stories.' - Paul Terry, author of The True Story of Ned Kelly's Last Stand 'Thoroughly recommended not only to those who have an interest in bushranging and the Kelly dynasty but anyone who enjoys a well-written and riveting yarn, based on fact.' - Rob Willis OAM, National Library of Australia Oral History and Folklore Collections