The HarperCollins Dictionary of Art Terms and Techniques, 2nd edition, contains over 3,200 clear definitions of terns encountered in the study and practice of the visual arts and in their literature. It covers all forms of easel and mural paintings, drawing, sculpture, the graphic arts, photography, ceramics, and mosaic. There are entries on schools, styles, and periods, but the chief emphasis of the book is on the materials and methods of the artist. Materials are defined in terms of compositions, source, use, and characteristic properties; processes and techniques are defined in terms of their practical application and results. Tools and equipment are concisely described and illustrated with copious line drawings.

What exactly is Neo-Expressionism? The part of a city known as the acropolis? Or the painting technique called gouache? In this authoritative and concise dictionary, more than 2000 entries and 375 illustrations embrace the vast vocabulary of painting and sculpture, architecture and photography, the decorative, applied and graphic arts. The geographical spread is global; the chronological range takes in both Helladic art from Bronze Age Greece and holography, one of the newest means of expression provided by modern technology. 375 illus.

An invaluable handbook, How to Write Art History enables students to get the most from their art history course. In a clear and engaging style, Anne D'Alleva empowers readers to approach their coursework with confidence and energy. The book introduces two basic art historical methods - formal analysis and contextual analysis - revealing how to use these methods in writing papers and in class discussion. The common strengths and weaknesses of an art history essay are highlighted by using real examples of written work, and at each stage of the writing process D'Alleva offers valuable advice on developing an argument convincingly. In addition, she explains the most effective methods of note-taking and outlines strategies for reviewing images - essential tools when preparing for an exam. Providing a fascinating view of the study of art history within its historical context, this book will be particularly helpful for those considering a career in this rewarding discipline.

In this masterful, stylish, and authoritative book, Michael Burleigh gives us an epic history of the battles over religion in modern Europe, examining the complex and often lethal ways in which politics and religion have interacted and influenced each other over the last two centuries. From the French Revolution to the totalitarian movements of the twentieth century, Earthly Powers is a uniquely powerful portrait of one of the great tensions of modern history—one that continues to be played out on the world stage today.

This invaluable guide enables students to get the most from their art history course. Written in an accessible style, the book introduces two basic art historical methods - formal analysis and contextual analysis. In this new edition revising author Michael Cothren has extended the discussion on iconography and iconology, as well as adding discussions on the effects of the market and museums on art. Greater emphasis is placed on the global and multicultural aspects of art creation and analysis with new images and more case studies. There is more step-by-step guidance on how to use these methods to prepare for exams and write papers.

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

This volume, without negating Williams' strong ties with modernism, intends to dislodge this deeply ingrained critical positioning by presenting him as an overlooked figure in the emerging tradition of postmodernism. The study advances the claim that Williams clearly recognized this nascent discourse and, rather than pursuing his earlier mode of writing, consciously sought a new language for a rapidly changing cultural context. Drawing on wide-ranging, multidisciplinary critical texts, this book will be of interest not only to Williams scholars but to all those who continue to be intrigued by the elusive boundaries between word and image as well as modernism and postmodernism.

Pater's first major work, a study of kindred spirits in love of beauty. Criticized as a "demoralizing moralizer".--Jim Kepner ; Oscar Wilde's favorite book by Pater (Greif, p. 157) ; Includes essays on Pico della Mirandola, Michelangelo, da Vinci and Winckelmann.

Equip your students to be creative and reflective artists with our brand new course book, the only resource fully matched to the Cambridge International AS and A Level Art & Design syllabus. The book promotes understanding of the key concepts, encourages critical practice, and builds confidence in practical skills and independent expression.