Ten years ago, Dr. Gerd Heuschmann rocked the equestrian world with his international bestseller Tug of war, a searing indictment of modern training and riding techniques that are sometimes used to the detriment of the horse. Now Dr. Heuschmann returns with this new book: a critical examination of two conceptsflexion and bendthat are necessary to understand in absolute terms when the goal is to achieve collection on horseback. Citing the many masters of classical dressage who wrote essays and even entire books about flexion at the horse's poll and longitudinal bend of the horse's body, Dr. Heuschmann strives to conflate the often complex classic literature with the results of his own studies as an expert in equine anatomy and biomechanics, supporting his explanations with precise illustrations and numerous photographs. The outcome is a book that finally makes the concepts of flexion and bendand ultimately, collectioneasy to understand, promising more correct, conscientious riding, better results in training and competition, and happier, healthier horses in the long run.

Ten years ago, Dr. Gerd Heuschmann rocked the equestrian world with his international bestseller Tug of War, a searing indictment of modern training and riding techniques that are sometimes used to the detriment of the horse. Now Dr. Heuschmann returns with this follow-up book: a critical examination of two concepts—flexion and bend—that are necessary to understand in absolute terms when the goal is to achieve collection on horseback. Citing the many masters of classical dressage who wrote essays and even entire books about flexion at the horse’s poll and longitudinal bend of the horse’s body, Dr. Heuschmann strives to conflate the often complex classic literature with the results of his own studies as an expert in equine anatomy and biomechanics. He meticulously describes various movements used, their desired effects, and the truth behind the rider’s role in each. In addition, he unveils his recommendations for dealing with the horse’s “natural crookedness” and “false bend,” providing basic guidelines for schooling that ensure correct gymnasticization with the end-goal of a more athletic, collected horse in mind, and happier, healthier horses in the long run.

The essays collected in Tattooed Bodies draw on a range of theoretical paradigms and empirical knowledge to investigate tattoos, tattooing, and our complex relations with marks on skin. Engaging with diverse disciplinary perspectives in art history, continental philosophy, media studies, psychoanalysis, critical theory, literary studies, biopolitics, and cultural anthropology, the volume reflects the sheer diversity of meanings attributed to tattoos throughout history and across cultures. Essays explore conceptualizations of tattoos and tattooing in Derrida, Deleuze and Guattari, Lacan, Agamben, and Jean-Luc Nancy, while utilizing theoretical perspectives to interpret tattoos in literary works by Melville, Beckett, Kafka, Genet, and Jeff VanderMeer, among others. Tattooed Bodies prompts readers to explore a few significant questions: Are tattoos unique phenomena or an art medium in need of special theoretical exploration? If so, what conceptual paradigms and theories might best shape our understanding of tattoos and their complex ubiquity in world cultures and histories?

Grounded in the strengths of its first edition, this book has been restructured to include new papers and recent articles, and presents front-running theory and practice as it addresses the relationships of museums and galleries to their audiences.

A typical bystander might view Katy McVeigh’s life as average. Yet the truth is that she has experienced physical and emotional trauma, alienation, a power she cannot explain, and a life-threatening ordeal—all unique challenges that have provided her an opportunity to change her perspective regarding the purpose of those events. Within a collection of extraordinary stories gleaned from her life experiences and work with her clients, McVeigh shares how she learned to use intuitive and psychic abilities to help herself and then others discover personal strengths and understand how our most challenging experiences—whether physical, spiritual, mental, emotional, or supernatural—have the power to teach us our greatest lessons and ultimately transform our perspective on life and our true purpose. Through her stories and experiential examples of dreams, visions, shamanic journeys, and psychic gifts through lineage, others will learn how to dance with their fears, recognize divine intervention, see the truth in every situation, and heal from past trauma. It’s All about Perspective shares personal stories and real examples to encourage others to embrace new ways to understand life events and view challenges with a fresh perspective.

How did epidemics, zoos, German exiles, methamphetamine, disgruntled technicians, modern bureaucracy, museums, and whipping cream shape the emergence of modern neuroscience?

Hands-on text for a first course aimed at end-users, focusing on concepts, practical issues and problem solving.

Nominee for the 2021 NAACP Image Award in Poetry An elegiac and moving meditation on the ways in which we witness "bodies" of grief and healing. Poems and photographs collide in this intimate collection, challenging the invisible, indefinable ways mourning takes up residence in a body, both before and after life-altering loss. In radiant poems—set against the evocative and desperate backdrop of contemporary events, pop culture, and politics—Rachel Eliza Griffiths reckons with her mother’s death, aging, authority, art, black womanhood, memory, and the American imagination. The poems take shape in the space where public and private mourning converge, finding there magic and music alongside brutality and trauma. Griffiths braids a moving narrative of identity and its possibilities for rebirth through image and through loss. A photographer as well as a poet, Griffiths accompanies the fierce rhythm of her verses with a series of ghostly, imaginative self-portraits, blurring the body’s internal wilderness with landscapes alive with beauty and terror. The collision of text and imagery offers an associative autobiography, in which narratives of language, absence, and presence are at once saved, revised, and often erased. Seeing the Body dismantles personal and public masks of silence and self-destruction to visualize and celebrate the imperfect freedom of radical self-love.

The Anthropology of Real Life is about how events push and pull, oppress and liberate, enhance and destroy people's lives. While people are shaped by their cultures and their position in society, events--whether authored by natural forces, by other people, or by people themselves--take on a life of their own, and become independent forces determining human destinies. An anthropology of events shows the way in which the substance and texture of life change over time, as one major event fades and another arises, itself only to fade and be replaced by yet a new event.

In today's society, is it indeed possible for riders in any horse sport to put the good of the horse first and foremost?