This poetry collection, selected by the poet himself, includes works from "The Broken Ground," "Findings," "Openings," "Farming: A Handbook," "The Country Marriage," "Clearing," "A Part," and "The Wheel"

All the poems of a great 20th-century poet.

Now available. Here are the early poems which first brought Denise Levertov's work to prominence -- from early uncollected poems, selections from The Double Image (London, 1946), and her three books Here and Now (1957), Overland to the Islands (1958) and With Eyes at the Back of Our Heads (1960), which established her as one of the more lyrical and most influential poets of the New American poetry.

This rich volume reflects the development of Berry's poetic sensibility. ''the Selected Poems of Wendell Berry makes available cartloads and heaps of clear and fluent work from Berry's fourteen books of poetry and four decades of writing, closely documenting the inner and the visible lives Berry sees and feels in agriculture and in nature.''

At a time when the idea of wilderness is being challenged by both politicians and intellectuals, Imagining Wild America examines writing about wilderness and wildness and makes a case for its continuing value. The book focuses on works by John James Audubon, Henry David Thoreau, John Muir, Edward Abbey, Wendell Berry, and Mary Oliver, as each writer illustrates different stages and dimensions of the American fascination with wild nature. John Knott traces the emergence of a visionary tradition that embraces values consciously understood to be ahistorical, showing that these writers, while recognizing the claims of history and the interdependence of nature and culture, also understand and attempt to represent wild nature as something different, other. A contribution to the growing literature of eco-criticism, the book is a response to and critique of recent arguments about the constructed nature of wilderness. Imagining Wild America demonstrates the richness and continuing importance of the idea of wilderness, and its attraction for American writers. John R. Knott is Professor of English, University of Michigan. His previous books include The Huron River: Voices from the Watershed, coedited with Keith Taylor.

Many of us are fast approaching the "golden years" of retirement, wondering with fear — and hope — what the future holds for us. And you won't find a better companion for the journey of aging than Jane Sigloh. She's witty, perceptive, and wise. A retired Episcopal priest, she is possessed of both reverent awe and irreverent honesty about the facts and fantasies of growing old. She interweaves the insights of Scripture, poetry, fiction, and philosophy into her memories and reflections on the challenges and opportunities that maturity brings. Dip into any of these chapters and find a refreshing perspective, a humorous anecdote, or an intimate confession that will ring true to your own experience.

Embrace time as a gift--not an obstacle Receiving the Day invites us to open the gift of time, to dwell in the freedom to rest and worship that God intends for us and for all creatures. In this book, Dorothy C. Bass shows how Christian practices for rest and worship continually welcome us into a way of life attuned to the love of God, neighbor, earth, and self. Bass does not aim to provide clear instructions for creating a schedule that solves all our puzzles about how to live in time. Rather, convinced that Christian faith bears great wisdom about time, Bass offers an account of the weekly practice of keeping sabbath, along with other practices by which Christians have sought to live faithfully in time. These practices have been lived by diverse communities of faith across centuries and cultures. Through them, we can learn to dwell more graciously, attentively, and faithfully within the hours and days we have. We can also learn to share the gift of time gladly and gratefully with others, in and for this world God loves.

Focusing on the work of A.R. Ammons, Wendell Berry, W.S. Merwin, and Gary Snyder, author Leonard Scigaj shows that just as a sustainable society does not depreciate its resource base, so a sustainable poetry does not restrict interest to language. Over the past thirty years many poets have shown an increasing sensitivity to ecological thinking. But critics trained in poststructuralist language theory often fail to explore the substance of ecopoetry. Scigaj is the first to define ecopoetry as separate and distinct from nature or environmental poetry, marked by its concern with balancing the interests of human beings with the needs of nature. Just as science learned that the earth was not the center of the universe, ecopoetry insists on the recognition that humans are not at the center of the natural world.