For many decades a country shunned by the free world and divided against itself, is irresistibly nonchalant about discovering that it is next destination in decor and design.

- For the first time African headrests are brought to life with detailed information on their carvers, and the stories of their creation, ownership, and use This book presents the fascinating subject of southern African headrests in a new light. With unique historical and personal information collected from many of the headrest's original owners and carvers, and often accompanied by in situ photographs, the book tells the illustrated story of the headrests, as well as of the people behind them. For the first time African headrests are brought to life with detailed information on their carvers, and the stories of their creation, ownership, and use. The 425 headrests from the collections of Bruce Goodall from Cape Town and Frédéric Zimer from Paris will be presented according to the 3 geographical areas: KwaZulu-Natal, north of the Tugela River (in what was previously known as Zululand) and the headrests from the Swazi.

South African Essays on ’Universal’ Shakespeare collects new scholarship and extant (but previously unpublished) material, reflecting the changing nature of Shakespeare studies across various ’generation gaps’. Each essay, in exploring the nuances of Shakespearean production and reception across time and space, is inflected by a South African connection. In some cases, this is simply because of the author’s nationality or institutional affiliation; in others, there is a direct engagement with what Shakespeare means, or has meant, in South Africa. By investigating the universality of Shakespeare from both implicitly and explicitly ’southern’ perspectives, the book presents new possibilities for considering (and reassessing) shifting manifestations of Shakespeare’s work in major Shakespearean ’centres’ such as Britain and the United States, as well as across the global North and South.

This comprehensive and detailed exploration of the African past, from prehistory to approximately 1870, is intended to provide a fully up-to-date complement to the Cambridge History of Africa. Reflecting several emphases in recent scholarship, it focusses on the changing modes of production, on gender relations and on ecology, laying particular stress on viewing 'history from below'. A distinctive theme is to be found in its analyses of cognitive history. The work falls into three sections. The first comprises a historiographic analysis, and covers the period from the dawn of prehistory to the end of the Early Iron Age. The second and third sections are, for the most part, organised on regional lines; the second section ends in the sixteenth century; the third carries the story on to 1870. A second volume, now in preparation, will cover the period from 1870 to 1995. This book attempts a more rounded view of African history than most of the other textbooks on the subject addressed to a (largely) undergraduate level student. Earlier histories have tended to ignore some of the current foci in the scholarly literature on Africa, generally not reflected in the textbooks: these include discussions of topical issues like ecology and gender. Isichei's book is also more radical.

Provides a critical survey of the theories, concepts, intellectual debates, substantive domains and traditions of study characterizing the analysis of things. This handbook charts an interdisciplinary field of studies that makes a fundamental contribution to an understanding of what it means to be human.

After the end of the apartheid regime in the 1990s, South Africa experienced a boom in new heritage and commemorative projects. These ranged from huge new museums and monuments to small community museums and grassroots memory work. At the same time, South African cities have continued to grapple with the difficulties of overcoming entrenched inequalities and divisions. Urban spaces are deep repositories of memory, and also sites in need of radical transformation. Remaking the Urban examines the intersections between post-apartheid urban transformation and the politics of heritage-making in divided cities, using the Nelson Mandela Bay Metro in South Africa’s Eastern Cape as a case study. Roux unpacks the processes by which some narratives and histories become officially inscribed in public space, while others are visible only through alternative, ephemeral or subversive means. Including discussions of the history of the Red Location Museum of Struggle; memorialisation of urban forced removals; the heritage politics and transformative potential of public art; and strategies for making visible memories and histories of former anti-apartheid youth activist groups in the city’s townships, Roux examines how these twin processes of memory-making and change have played out in Nelson Mandela Bay.