C. Subramania Bharati (1882-1921) was one of the builders of modern India. An early nationalist thinker from South India, Bharati's literary genius ignited a Renaissance in the literature of his native language, Tamil. He is known as the Mahakavi (supreme poet) of the Tamils. Bharati can lay the claim to being one of India's foremost egalitarian writers, arguing for the supremacy of women and the irrelevance of caste. The popularity of his songs during the freedom movement, long after his death, led to the government of India 'giving' the copyright of his works to the people of India as a gift. The book is a collection of the entirety of Bharati's own, original writings in English, edited and annotated with an introduction. It includes a variety of short essays and poems, journalistic pieces and historical essays--offering uniquely Indian perspectives on local, national, and international events of the day--to intensely personal journal entries exploring his fear of death, and his fascination with personal mastery of the mind and self.

With nearly 200 poems, several of them never before published in book form, this is the essential volume of the Nobel Laureate's work.

This book was first published in 1933, Essentials of English Grammar is a valuable contribution to the field of English Language and Linguistics.

From its inaugural Black Plaque in honour of Witchfinder General director Michael Reeves, this unique collection follows a veridical trajectory to the frontiers of belief. Reeves' film becomes a conspiratorial cauldron drawing in a host of tragic players in the end game of the Sixties. The Cornwall of Du Maurier's The Birds is ploughed to reveal the hidden psychic codes of our Blitz spirit. In a powerfully relevant occult rendering of a bruised Island, the myth of Churchill is dissected and re-animalised. New maps of hell are drawn by colliding the forensic vision of JG Ballard and Lovecraftian magic. Actors, witches and psychopaths maraud across a nightmare terrain of murderous henges and abandoned military bases; conflating creative research into a surreal documentary, history as hallucination. Geography becomes an alchemical alembic, a vale of soul-making distilled by the lysergic psychobiology of Stanislav Grof, the alcoholic lyricism of Malcolm Lowry, and the convulsive travelogues of the Marquis de Sade. If history is revealed as paranoid ritual, how do we escape its time traps to wild new imaginative geographies? The English Heretic collection is a darkly comical, urgently lyrical, mental escape hatch from the hells of our own making.

Arun Kolatkar (1931-2004) was one of India's greatest modern poets. He wrote prolifically, in both Marathi and English, publishing in magazines and anthologies from 1955, but did not bring out a book of poems until he was 44. Jejuri (1976) won him the Commonwealth Poetry Prize, and was later published in the US in the NYRB Classics series (2005). His third Marathi publication, Bhijki Vahi, won a Sahitya Akademi Award in 2004. Always hesitant about publishing his work, Kolatkar waited until 2004, when he knew he was dying from cancer, before bringing out two further books, Kala Ghoda Poems and Sarpa Satra. A posthumous selection, The Boatride and Other Poems (2008), edited by Arvind Krishna Mehrotra, contained his previous uncollected English poems as well as translations of his Marathi poems; among the book's surprises were his translations of bhakti poetry, song lyrics, and a long love poem, the only one he wrote, cleverly disguised as light verse. This first Collected Poems in English brings together work from all those volumes. Jejuri offers a rich description of India while at the same time performing a complex act of devotion, discovering the divine trace in a degenerate world. Salman Rushdie called it 'sprightly, clear-sighted, deeply felt...;a modern classic'. For Arvind Krishna Mehrotra, it was 'among the finest single poems written in India in the last forty years...;it surprises by revealing the familiar, the hidden that is always before us'. Jeet Thayil attributed its popularity in India to 'the Kolatkarean voice: unhurried, lit with whimsy, unpretentious even when making learned literary or mythological allusions. And whatever the poet's eye alights on - particularly the odd, the misshapen, and the famished - receives the gift of close attention.'

In Morphology the first thing to be considered is the form, and second to that comes the use made of it, in Syntax the order is exactly the reverse, but it is essential that in both parts of the grammar form and use should be mentioned in every case. Volume 6 looks at English Morphology including subjects such as personal endings in verbs, tense formation in verbs, the naked word, compounds, change of vowels, suffixes, and the endings s, st and n, to name a few.

This book contains Book of Her Foundations and Minor Works. Includes general and biblical index. In 1573, while staying in Salamanca to assist her nuns in the task of establishing one of her seventeen monasteries, Teresa began composing the story of their foundation. The Book of Her Foundations comprises the major portion of Volume Three. This book not only tells the story of the establishment of her monasteries but, characteristic of Teresa, digresses into counsels on prayer, love, melancholy, virtuous living and dying, plus other teachings of the Mother Foundress. This book also has an excellent introduction, chronology, and map of Teresa's foundations and journeys. Five of her brief works, including her poetry, complete ICS Publications' third volume of her Collected Works. Includes general and biblical index.