"Collared: The Story of a Sir and Her Priest" is the true story of a real-life Master/slave relationship between Melissa, a dominant woman, and Joseph, a submissive man ... who happens to be a Roman Catholic Priest. It's the story of their forbidden love and the emotional depths they explore, all the while having to keep their relationship a complete secret. But as their love deepens and her ownership of him grows more real, Joseph is faced with the choice between honoring his commitment to God and leaving the priesthood for a chance at the freedom to love.

Rudyard Kipling and Sir Henry Rider Haggard--close friends--wrote about adventure and the exotic in very different ways. Examined together, their works illuminate each other. The writings of both have been adapted to the screen, stage, television, and radio numerous times (with varying degrees of fidelity) and this is a complete guide to those adaptations. In the main section of the book each original literary work is summarized, followed by a complete filmography and an analysis of each film based on that story or poem. Additional sections provide information on adaptations for radio, stage, and television. Photographs are included from films ranging from The Jungle Book (Kipling) to King Solomon's Mines (Haggard).

Documents the killing of elderly nun, Sister Margaret Ann Pahl by Father Gerald Robinson, a popular priest who was not convicted of her murder-- which had overtones of a Satanic ritual-- until twenty-five years later.

V. 12 contains: The Archer...Christmas, 1877.

A well-to-do, upper-class young woman, intelligent, fashionable, educated, strikingly beautiful, exploitative, selfish, and haughty, a despiser of men as she knows them, taking them all as manipulable weaklings, meets a mysterious, unsettlingly attractive male at a cocktail party, one who is not only distant and seemingly immune to her brandished charms, but who seems to hold her, to her disgruntlement and indignation, in a subtle contempt. Later her life undergoes an unexpected, dramatic, and radical change. Seized and shipped with others as cargo, as human cattle, to the beautiful, green, fresh, perilous world of Gor, she finds she is now only an object and beast, a slave. She is collared and branded. Her clothing, if any, and her food, as it might be, are now at the whim of others. She learns to kneel, to address the free as “Master” or “Mistress,” to strive to be pleasing, to obey immediately, beautifully, and without demur, in all things and in any respect, and to kiss a whip and hope that it will not be used on her. Later she meets again, on Gor, the mysterious man she met long ago at the cocktail party, only now she is before him, collared and branded, in a rag, on her knees, a lowly slave.

In this conclusion to the Psammead Trilogy, Cyril, Anthea, Robert, and Jane are reunited with the cantankerous Sand-fairy. While the old creature can’t grant them wishes anymore, it points them towards an old Egyptian amulet that can grant their hearts’ desire—in this case the return of their parents and baby brother. While their amulet is only half of a whole, it still acts as a time portal which they use to visit locales like Ancient Egypt, Babylon, Atlantis, and even a utopian future in search of the missing other half. Perhaps one of E. Nesbit’s most personal works, The Story of the Amulet benefited from her interest in the ancient world, particularly Egypt. With the help of A. E. Wallis Budge, to whom the book is dedicated—then Head of the Assyrian Departments of the British Museum and translator of the Egyptian Book of the Dead—she conducted extensive research on the topic and is thus able to bring an exquisite attention to detail. For example, the titular amulet is shaped after the tyet, an Egyptian symbol also known as the “knot of Isis.” Likewise, the inscription at the back of the amulet is written in authentic Egyptian hieroglyphs. A staunch supporter of democratic socialism and a founding member of the Fabian Society, E. Nesbit cultivated friendships with other like-minded writers, such as George Bernard Shaw and H. G. Wells, whose influence on this book is easy to notice. She practiced what she preached, so much so that despite her literary successes, her acts of charity brought her close to bankruptcy. These political beliefs are prominently displayed in the book. The children encounter memorable characters during their adventures, chief among them the Queen of Babylon, who causes quite a stir when she later pays them a call in their contemporary London. When the visiting Queen witnesses the squalid living conditions of the London working class, she’s amazed at how poorly they’re treated compared to the slaves of her own Babylon. Likewise, the utopian future—which features a wink to her friend H. G. Wells, the “great reformer”—is a striking contrast in terms of the happiness, care, and education of the general populace. The book’s legacy can be found in the works of other writers. Most notably, C. S. Lewis incorporated several elements in his Chronicles of Narnia: the Calormene civilization of The Horse and His Boy draws heavily from The Amulet’s Babylon, and the episode in The Magician’s Nephew where Jadis, the White Witch, causes chaos during her short stay in London is also a direct homage to the aforementioned visit from the Queen. The format of these stories, where a group of people take their audience on adventures through time and space to learn about distant cultures, is an uncanny precursor to the popular British TV series Doctor Who. This book is part of the Standard Ebooks project, which produces free public domain ebooks.