"During one of the most tumultuous times for the North American continent (pre and post Civil War) three generations of women of both Native American and African American heritage, struggle to be free."--Book jacket flap.

Caidy Bowman had been the apple of her family's eye--until a devastating tragedy forced her to hide from the world. She was used to devoting her time to the animals on her family's ranch. Then widower Ben Caldwell and his two adorable children arrived in Pine Gulch, and suddenly, Caidy wanted more than a life in the shadows.... As the town's new vet, Ben needed a place to stay for the holidays--and for his family to heal from their own loss. He absolutely wasn't looking for love again But Caidy Bowman's sparkling green eyes and sweet smile touched Ben's broken heart, giving him hope for a new future. Their future--if he could convince the beautiful cowgirl that Christmas was a time for new beginnings....

A cowboy, a baby and the woman who could save them both… She''d often dreamed about him coming back, with a baby in his arms. And now, Cisco del Norte is home. But the baby he carried can''t possibly be theirs. Still, Easton Springhill got part of her wish. The man she never stopped loving is back, even for just a little while—with a serious injury, a beautiful baby girl and an explanation about them both that’s as flimsy as his excuse for leaving years before. And after five long years of trying to forget him, Easton is faced with a choice: love him—and that little girl—while she has them, or save herself and get away while the getting is good. Because there’s no way she''ll be able to escape with her heart a second time… Originally published in 2010

New York Times bestselling author RaeAnne Thayne brings readers back to the ranch for an emotional holiday visit with The Cowboys of Cold Creek Hardened rancher Ridge Bowman has long told himself he has no need for love--just work and his little girl are enough to get him through. But when his "cleaning lady," Sarah Whitmore, gets injured on his staircase, well, of course he has to invite her to spend the holidays with him. It's only the responsible thing to do. Only, Sarah isn't really there to work on his house. She came bearing precious artwork belonging to Ridge's late mother, and possibly a secret that could devastate them both. But as Christmas draws closer, so does Ridge--and Sarah convinces herself that she will tell him what she knows as soon as the holiday is over. She might be the key to his past--if only he could be a part of her future....

After her brother Lamont Blackburn dies of complications associated with AIDS, Odessa Lacey's quest to fulfill Lamon't wish for a connection with their siblings finds her navigating through a family history filled with incest, homophobia, and abuse.

From 1810, when a newspaper published the first account of “Colter’s Run,” to 2012, when one hundred and fourscore participants in Montana’s annual John Colter Run charged up and down rugged trails—even across the waist-deep Gallatin River—interest in Colter, the alleged discoverer of Yellowstone Park, has never waned. Drawing on this endless fascination with an individual often called the first American mountain man, this book offers an innovative, comprehensive study of a unique figure in American history. Despite his prominent role in the Lewis and Clark Expedition and the early exploration of the West, Colter is distinctly different from Daniel Boone, Davy Crockett, Kit Carson, and the other legends of the era because they all left documents behind that allow access to the men themselves. Colter, by contrast, left nothing, not a single letter, diary, or reminiscence, so that second-, third-, or fourth-hand accounts of his adventures are all we have. Guiding readers through this labyrinth of hearsay, rumor, and myth, this is the first book to tell the whole story of Colter and his legend, examining everything that is known—or supposedly known—about Colter and showing how historians and history buffs alike have tried in vain to get back to Colter the man, know what he said and feel what he felt, but have ended up never seeing him clearly, finding instead an enigma they cannot unravel.

From the first account of “Colter’s Run,” published in 1810, fascination with John Colter, one of America’s most famous and yet least known frontiersmen and discoverer of Yellowstone Park, has never waned. Unlike other legends of the era like Daniel Boone, Davy Crockett, and Kit Carson, Colter has remained elusive because he left not a single letter, diary, or reminiscence. Gathering the available evidence and guiding readers through a labyrinth of hearsay, rumor, and myth, two Colter experts for the first time tell the whole story of Colter and his legend.

During the Standing Rock Sioux protest against the Dakota Access Pipeline, an activist observed, “Forced removal isn’t just in the history books.” Sabine N. Meyer concurs, noting the prominence of Indian Removal, the nineteenth-century policy of expelling Native peoples from their land, in Native American aesthetic and political praxis across the centuries. Removal has functioned both as a specific set of historical events and a synecdoche for settler colonial dispossession of Indigenous communities across hemispheres and generations. It has generated a plethora of Native American writings that negotiate forms of belonging—the identities of Native collectives, their proprietary relationships, and their most intimate relations among one another. By analyzing these writings in light of domestic settler colonial, international, and tribal law, Meyer reveals their coherence as a distinct genre of Native literature that has played a significant role in negotiating Indigenous identity. Critically engaging with Native Removal writings across the centuries, Meyer’s work shows how these texts need to be viewed as articulations of Native identity that respond to immediate political concerns and that take up the question of how Native peoples can define and assert their own social, cultural, and legal-political forms of living, being, and belonging within the settler colonial order. Placing novels in conversation with nonfiction writings, Native Removal Writing ranges from texts produced in response to the legal and political struggle over Cherokee Removal in the late 1820s and 1830s, to works written by African-Native writers dealing with the freedmen disenrollment crisis, to contemporary speculative fiction that links the appropriation of Native intangible property (culture) with the earlier dispossession of their real property (land). In close, contextualized readings of John Rollin Ridge, John Milton Oskison, Robert J. Conley, Diane Glancy, Sharon Ewell Foster, Zelda Lockhart, and Gerald Vizenor, as well as politicians and scholars such as John Ross, Elias Boudinot, and Rachel Caroline Eaton, Meyer identifies the links these writers create between historical past, narrated present, and political future. Native Removal Writing thus testifies to both the ongoing power of Native Removal writing and its significance as a critical practice of resistance.

Upper Dublin and Fort Washington, located to the northwest of Philadelphia, were part of William Penn's original land grant of 1681. The villages of Fitzwatertown, Jarrettown, Three Tuns, and Dreshertown developed to serve early settlers who worked as farmers and lime burners. Through vintage photographs collected by the Historical Society of Fort Washington from local sources, Fort Washington and Upper Dublin illustrates the area's transformation as new roads and railroads brought industry, grand country homes, and vacation retreats. Included are photographs of Dr. Richard Mattison's grand Lindenwold estate, homes built for his employees, and the water-tower house with its five twenty-thousand-gallon tanks perched above four apartments. The collection also includes photographs of several country inns and the now vanished community of Hoopeston.