Cogitations, the last of the posthumous publications, is a collection of occasional writings representing Bion's attempts to clarify and evaluate both his own ideas and those of others by casting them in written form and frequently addressing them to an imaginary audience. Covering a period between February 1958 and April 1979, Cogitations delves into a wide range of material - psychoanalysis and science, mathematics and logic, literature and semantics. Some form a background to Bion's theoretical development, showing the doubts and arguments leading to the ideas expressed in his books, others highlighting and detailing some of the more abstract points in them, and some exploring topics destined for books that were to remain unwritten.

This book offers an alternate approach to aesthetic anthropology through an inquiry into the work of 5 contemporary artists. The author shifts traditional ideas of aesthetic experience and the creative act away from the faculty of the imagination towards the faculty of cogitation, suggesting a new "anthropology of cogitation" that is underwritten by a general, artistic intelligence.The book draws from three interconnected resources: the vital "ecology of mind," theorized by anthropologist Gregory Bateson; the salutary play in intermediary "potential spaces," advocated by British psychoanalyst Donald Winnicott; and the virtus cogitativa found in the oeuvre of Ibn Rushd (Latin Averroes), the 12th century rationalist thinker known for innovating Aristotelian psychology and science of the soul.By opening a new dialogue between anthropology, art history, and philosophy, Tarek Elhaik examines image-work, ethical demands, and aesthetic struggles of his interlocutors, the artists Adrian Piper, Anna Maria Maiolino, Mathias Goeritz, Mounir Fatmi, and Silvia Gruner.

When we go to a baseball stadium and cheer a person like Babe Ruth for hitting the ball harder, higher, further and more often than the other players, we are cheering him as our representative. We cheer people of exceptional accomplishment whose achievements are so highly visible and so obviously measurable because we, too, are faced with the complexity of the lives that we live and are challenged to perform feats of heroic proportions just to be able to say that we have lived our lives well when we come to the end. In the novel, Babe Ruth says, "There ain't nothin' like a game of baseball. There ain't nothin' like a beautiful summer day, with the clouds light and fluffy and the sun on the back of your shoulders and a nice liftin' breeze comin' down onto the field from out of the stands." The man who feels this way about the game he loves is a man who faces enormous challenges, digs deep down inside himself and finds whatever is needed in order to triumph in the game of life. This makes him a fitting representative for us all; we all hit spectacular home runs in out own quiet ways.

These provocative essays take a modern look at the 17th-century thinker's dream, examining the influences of mathematics on society, particularly in light of technological advances. They survey the conditions that elicit the application of mathematic principles; the applications' effectiveness; and how applied mathematics transform perceptions of reality. 1987 edition.

Drawing from hundreds of interviews with devout believers, resolute skeptics, and everyone in between, The Twentysomething Soul tells an optimistic story about the lives of today's young adults.

A comprehensive proposal for a conceptual framework for describing conscious experience in dreams, integrating philosophy of mind, sleep and dream research, and interdisciplinary consciousness studies. Dreams, conceived as conscious experience or phenomenal states during sleep, offer an important contrast condition for theories of consciousness and the self. Yet, although there is a wealth of empirical research on sleep and dreaming, its potential contribution to consciousness research and philosophy of mind is largely overlooked. This might be due, in part, to a lack of conceptual clarity and an underlying disagreement about the nature of the phenomenon of dreaming itself. In Dreaming, Jennifer Windt lays the groundwork for solving this problem. She develops a conceptual framework describing not only what it means to say that dreams are conscious experiences but also how to locate dreams relative to such concepts as perception, hallucination, and imagination, as well as thinking, knowledge, belief, deception, and self-consciousness. Arguing that a conceptual framework must be not only conceptually sound but also phenomenologically plausible and carefully informed by neuroscientific research, Windt integrates her review of philosophical work on dreaming, both historical and contemporary, with a survey of the most important empirical findings. This allows her to work toward a systematic and comprehensive new theoretical understanding of dreaming informed by a critical reading of contemporary research findings. Windt's account demonstrates that a philosophical analysis of the concept of dreaming can provide an important enrichment and extension to the conceptual repertoire of discussions of consciousness and the self and raises new questions for future research.

Ayesha Ramachandran reconstructs the imaginative struggles of early modern artists, philosophers, and writers to make sense of something that we take for granted: the world, imagined as a whole. 'The Worldmakers' moves beyond histories of globalisation to explore how 'the world' itself - variously understood as an object of inquiry, a comprehensive category, and a system of order - was self-consciously shaped by human agents.

A new American journey.

From the author of The Friend, winner of the 2018 National Book Award. "The masterpiece of the ‘I knew Susan’ minigenre" – A.O. Scott, The New York Times A poignant, intimate memoir of one of America’s most esteemed and fascinating cultural figures, and a deeply felt tribute. Sigrid Nunez was an aspiring writer when she first met Susan Sontag, already a legendary figure known for her polemical essays, blinding intelligence, and edgy personal style. Sontag introduced Nunez to her son, the writer David Rieff, and the two began dating. Soon Nunez moved into the apartment that Rieff and Sontag shared. As Sontag told Nunez, “Who says we have to live like everyone else?” Sontag’s influence on Nunez, who went on to become a successful novelist, would be profound. Described by Nunez as “a natural mentor” who saw educating others as both a moral obligation and a source of endless pleasure, Sontag inevitably infected those around her with her many cultural and intellectual passions. In this poignant, intimate memoir, Nunez speaks of her gratitude for having had, as an early model, “someone who held such an exalted, unironic view of the writer’s vocation.” Published more than six years after Sontag’s death, Sempre Susan is a startlingly truthful portrait of this outsized personality, who made being an intellectual a glamorous occupation.