This coffee-table book is comprised of beautiful feelings and poetry, expressing with every word what it is to truly love and care for someone. This book contains not only love but hopes and dreams of what this world is and can inspire you to be. This book is a visual representation of all the ways individuals can love one another. Love can be a couple celebrating their golden anniversary, to a man and woman who loved each other at first sight, a mother or father to their child, best friends, or strangers sharing a meal. The words are woven together to let you, the reader, know you are important and you matter. Perhaps you will be able to find within these pages words to powerfully express what you have always wanted to say to that special someone in your life.

This coffee-table book is comprised of beautiful feelings and poetry, expressing with every word what is it to truly love and care for someone. This book contains not only love but hopes and dreams of what this world is and can inspire you to be. This book is a visual representation of all the ways individuals can love one another. Love can be a couple celebrating their golden anniversary, to a man and woman who loved each other at first sight, a mother or father to their child, best friends, or strangers sharing a meal. The words are woven together to let you, the reader, know you are important and you matter. Perhaps you will be able to find within these pages words to powerfully express what you have always wanted to say to that special someone in your life.

Bleeding Light is a collection of poems in ghazal form that traces the steps of a woman's journey through night. She knows that in order to witness dawn, she has to travel through dusk first. Throughout her journey, she is caught between West and East, religion and heresy, love and anti-love, darkness and the knowledge of light. Each couplet is an independent thought and reflection, a pearl strung into a necklace. Bleeding Light is fraught with opposing, stark and often violent imagery heavily influenced by Sufi philosophy.

'If I lose the light of the sun, I will write by candlelight, moonlight, no light, If I lose paper and ink, I will write in blood on forgotten walls. I will write always. I will capture nights all over the world and bring them to you.' Henry Rollins, renowned spoken-word performer, musician, actor and author of several books, has a unique, hard-edged view of the world. This collection of writings from 1989 - 1991 is the classic Rollins book. From dramatic fiction shorts detailing stark, disturbing realities to gut-wrenching tour journals destroying all misconceptions of the glamour of fame and the music industry; from the challenging poetry to revealing dream sequences, Rollins' writing is unflinching in its honesty, uncompromising in its truth and irresistibly addictive.

This coffee-table book is comprised of beautiful feelings and poetry, expressing with every word what is it to truly love and care for someone. This book contains not only love but hopes and dreams of what this world is and can inspire you to be. This book is a visual representation of all the ways individuals can love one another. Love can be a couple celebrating their golden anniversary, to a man and woman who loved each other at first sight, a mother or father to their child, best friends, or strangers sharing a meal. The words are woven together to let you, the reader, know you are important and you matter. Perhaps you will be able to find within these pages words to powerfully express what you have always wanted to say to that special someone in your life.

The two great Yeats Family Sales of 2017 and the legacy of the Yeats family’s 80-year tradition of generosity to Ireland’s great cultural institutions provide the kaleidoscope through which these advanced research essays find their theme. Hannah Sullivan’s brilliant history of Yeats’s versecraft challenges Poundian definitions of Modernism; Denis Donoghue offers unique family memories of 1916 whilst tracing the political significance of the Easter Rising; Anita Feldman addresses Yeats’s responses to the Rising’s appropriation of his symbols and myths, the daring artistry of his ritual drama developed from Noh, his poetry of personal utterance, and his vision of art as a body reborn rather than a treasure preserved amid the testing of the illusions that hold civilizations together in ensuing wars. Warwick Gould looks at Yeats as founding Senator in the new Free State, and his valiant struggle against the literary censorship law of 1929 (with its present-day legacy of Irish anti-blasphemy law still presenting a constitutional challenge). Drawing on Gregory Estate documents, James Pethica looks at the evictions which preceded Yeats’s purchase of Thoor Ballylee in Galway; Lauren Arrington looks back at Yeats, Ezra Pound, and the Ghosts of The Winding Stair (1929) in Rapallo. Having co-edited both versions of A Vision, Catherine Paul offers some profound reflections on ‘Yeats and Belief’. Grevel Lindop provides a pioneering view of Yeats’s impact on English mystical verse and on Charles Williams who, while at Oxford University Press, helped publish the Oxford Book of Modern Verse. Stanley van der Ziel looks at the presence of Shakespeare in Yeats’s Purgatory. William H. O’Donnell examines the vexed textual legacy of his late work, On the Boiler while Gould considers the challenge Yeats’s intentionalism posed for once-fashionable post-structuralist editorial theory. John Kelly recovers a startling autobiographical short story by Maud Gonne. While nine works of current biographical, textual and literary scholarship are reviewed, Maud Gonne is the focus of debate for two reviewers, as are Eva Gore-Booth, Constance and Casimir Markievicz, Rudyard Kipling, David Jones, T. S. Eliot and his presence on the radio.

Draws on the advice of happy mixed-race couples, challenging stereotypes to include recommendations for overcoming potential problems and making the most of online dating and social media.

This book delivers an admirably comprehensive and rigorous analysis of African oral literatures and performance. Gathering insights from distinguished scholars in the field, the book provides a range of contemporary interdisciplinary perspectives in the study of oral literature and its transformations in everyday life, fiction, poetry, popular culture, and postcolonial politics. Topics discussed include folklore and folklife; oral performance and masculinities; intermediated orality, modern transformations, and globalisation; orality and mass media; spoken word and imaginative writing. The book also addresses research methodologies and the thematic and theoretical trajectories of scholars of African oral literatures, looking back to the trailblazing legacies of Ruth Finnegan, Harold Scheub, and Isidore Okpewho. Ambitious in scope and incisive in its analysis, this book will be of interest to students and scholars of African literatures and oral performance as well as to general readers interested in the dynamics of cultural production.

Nyeusi (meaning "Black" in Swahili), a collection of Spoken Words in Poetry is by a writer who is part of the poetry movement that is spreading worldwide. These spoken words are influenced by modern culture with an understanding of the dynamics of the modern poetry culture intertwined with the teachings from the poets of the Harlem Renaissance. Poems such as Nyeusi, Lott's Crow, Caribbean Girl Collie Girl, Makeda, Mirror Mirror, Where You From, Who Dialed 911, White Girls have Bigger, Gots to Have a Job, Between the Chicken-head's Sheets and Blind Vision address social, economic, multi-racial and the hip hop culture of these times. These Spoken Words in Poetry give the readers a clear understanding of what the writer felt as those true-life circumstances were experienced or witnessed. Her words align with the universe and are not destructive to humanity and nature. These Spoken Words are meant to bring attention to our five senses and give us a paradigm for understanding our surroundings and urban culture.

Urban violence, poverty, and racial injustice are ongoing sources of traumatic stress that affect the physical, emotional and cognitive development and well-being of millions of children each year. Growing attention is therefore directed toward the study of child trauma and incorporation of trauma-sensitive practices within schools. Currently such practices focus on social and emotional learning for all children, with some in-school therapeutic approaches, and outside referrals for serious trauma. There is inadequate attention to racial injustice as an adverse childhood experience (ACE) confronting Black males among other youth of color. Although there are guidelines for trauma-sensitive approaches, few are culturally responsive. And it is now critical that educators consider the traumatic impacts of a dual pandemic (covid-19 and racism) on children and their education. This timely book thus serves to inform and inspire transformative healing and empowerment among traumatized children and youth in pandemic/post-pandemic school and after-school settings. The reader will learn about trauma through actual experiences. Researchers and practitioners present approaches to healing that can be adapted to local situations and settings. The book consists of four parts: Youth Voices on Traumatic Experience; Trauma-focused Research; Culturally Responsive and Trauma Sensitive Practices; and Where do we go from Here? Suggestions for Next Steps. Each part contains a set of themed chapters and closes with a youth- authored poetic expression. The book is especially designed for those working in urban education. However, anyone whose work is related to traumatized children and youth will find the book informative, especially in a post-pandemic educational environment.