Coding, Shaping, Making combines inspiration from architecture, mathematics, biology, chemistry, physics and computation to look towards the future of architecture, design and art. It presents ongoing experiments in the search for fundamental principles of form and form-making in nature so that we can better inform our own built environment. In the coming decades, matter will become encoded with shape information so that it shapes itself, as happens in biology. Physical objects, shaped by forces as well, will begin to design themselves based on information encoded in matter they are made of. This knowledge will be scaled and trickled up to architecture. Consequently, architecture will begin to design itself and the role of the architect will need redefining. This heavily illustrated book highlights Haresh Lalvani’s efforts towards this speculative future through experiments in form and form-making, including his work in developing a new approach to shape‐coding, exploring higher‐dimensional geometry for designing physical structures and organizing form in higher-dimensional diagrams. Taking an in-depth look at Lalvani’s pioneering experiments of mass customization in industrial products in architecture, combined with his idea of a form continuum, this book argues for the need for integration of coding, shaping and making in future technologies into one seamless process. Drawing together decades of research, this book will be a thought-provoking read for architecture professionals and students, especially those interested in the future of the discipline as it relates to mathematics, science, technology and art. It will also interest those in the latter fields for its broader implications.

The first comprehensive introduction to the origins, aspirations, and evolution of live coding. Performative, improvised, on the fly: live coding is about how people interact with the world and each other via code. In the last few decades, live coding has emerged as a dynamic creative practice gaining attention across cultural and technical fields—from music and the visual arts through to computer science. Live Coding: A User’s Manual is the first comprehensive introduction to the practice, and a broader cultural commentary on the potential for live coding to open up deeper questions about contemporary cultural production and computational culture. This multi-authored book—by artists and musicians, software designers, and researchers—provides a practice-focused account of the origins, aspirations, and evolution of live coding, including expositions from a wide range of live coding practitioners. In a more conceptual register, the authors consider liveness, temporality, and knowledge in relation to live coding, alongside speculating on the practice’s future forms.

Offers a comprehensive introduction to the fundamental structures and applications of a wide range of contemporary coding operations This book offers a comprehensive introduction to the fundamental structures and applications of a wide range of contemporary coding operations. This text focuses on the ways to structure information so that its transmission will be in the safest, quickest, and most efficient and error-free manner possible. All coding operations are covered in a single framework, with initial chapters addressing early mathematical models and algorithmic developments which led to the structure of code. After discussing the general foundations of code, chapters proceed to cover individual topics such as notions of compression, cryptography, detection, and correction codes. Both classical coding theories and the most cutting-edge models are addressed, along with helpful exercises of varying complexities to enhance comprehension. Explains how to structure coding information so that its transmission is safe, error-free, efficient, and fast Includes a pseudo-code that readers may implement in their preferential programming language Features descriptive diagrams and illustrations, and almost 150 exercises, with corrections, of varying complexity to enhance comprehension Foundations of Coding: Compression, Encryption, Error-Correction is an invaluable resource for understanding the various ways information is structured for its secure and reliable transmission in the 21st-century world.

Houston, we have a problem! Spaceship Earth is in trouble, but most of those traveling first class dont believe there is a problem. And the other passengers are either oblivious, confused, or at odds with one another about what the problem actually is and what, if anything, can be done about it. The dominant species on planet Earth, Homo sapiens, continues to eliminate other species and to gravely, perhaps irreversibly, damage the natural environment. There are also too many humans who prey on others of their own species. There are many concerned individuals and institutions, such as Thomas Piketty, Chrystia Freeland, and Oxfam, who have written about the problem from different perspectives and providing different views, contributing to my observations and insights. What has been conspicuous in its absence is a feasible and desirable solution to the apparently intractable predicament in which the global community finds itself. That is my unique contribution with this book. My solution is comprehensive, conceived for the new millennium, redefining money in a fundamentally new financial system, fostering a collaborative economic doctrine that optimises the production of utility and a truly democratic political system that will provide good governance in the best interest of the peopleat last. I also provide a peaceful, civilised road map for getting there within the laws of the day. My aim is to prevent the destructive revolution that may have already begun. My suggestion is that we begin in the USA. The war on poverty will unite the United States as never before, across all the lines and labels that currently divides it. This war to end all wars will soon extend globally. America will again lead the world, but this time without moral ambiguity, with total moral clarity.

The Saturn Expedition left a massive rift and moon dust in its wake. The Voth Moon rings are named after the valiant Captain of the UEV (Unified Earth Vessel) Petra Gowanofski. Captain Courtney Viola Voth kept her spacecraft from slamming into the moon as her crew fought off unknown assailants trying to take over the ship. The U.E.V. Petra Gowanofski scraped by the moon's surface with barely a few meters to spare! With every available thruster at full blast, the ship gouged out a rift kilometers long. The gouge made by the spacecraft across the moon’s face can be seen clearly from Earth. After the Saturn Expedition ended, it was officially named Petra's Rift. They, say this is how it happened.

This book gives students and experienced programmers a way to see coding as an art and themselves as artists whose personal views, experiences, and ways of thinking can make their programs better for themselves and their users. This book shows in a good-humored and sympathetic way how the artistic and practical sides of programming are the same, delving into the methods of coding, the history of art, and the ways in which artists and audiences interact and benefit each other. Not confined to a single language or style of coding, this book provides a widely applicable framework for people to learn what languages and styles work best for them at present and as the field evolves. It can be used as a classroom text or for personal study and enrichment.

Requirements Modeling and Coding attempts to bridge the gap between modeling and coding and serves the growing trend of agile development better than existing textbooks in the area. Instead of using toy tools to create modeling and coding examples, the author teaches IBM Rational Rhapsody as a modeling tool and Microsoft Visual C# as a programming tool. C# is the purest object-oriented programming language and the best tool for developing graphical user interfaces, while Rhapsody is a visual development environment that real software developers use to create real-time or embedded systems.This book serves as a text for a capstone course on Systems Analysis and Design in Information Systems programs. It conceptualizes business objects and functions, develops business models and software architectures, and enriches the models and the architectures by storyboarding use cases along with user interface designs.Instructor's resources are provided for free to instructors who adopt the book as textbook. Please send your request to [email protected].

This book is made up of short articles, poems and stories that speculate on the future and seek to combine science with medicine and ideas which have always been regarded as belonging to religion or science fiction. The four short articles at the start (Gates> STARGATE, How to Create Universes, Building Doctor Whos TARDIS and Darwins Evolution Unifies Universe) give the reader a condensed view of the conclusions my reading and thinking led me to. They seem to help explain points in each other. After these four are written the steps taken since 1999 to arrive at my conclusions. They include short articles, poems, stories ... and some logic that is hard to follow because I couldnt explain myself well. As a result, its sometimes repetitious too ... but hopefully, all becomes clear in the end. Who wouldn't love to believe the things we see in the 'Star Trek" movies and TV programs are real? We could have warp speed, time travel, matter transporters, alien intelligences, a world without the worries of money, the creation of new planets, and so on. We'd have to move further ahead than the Star Trek years to find worldwide and universal peace, but I think all Trekkies would agree that Mr. Spock and his friends are slowly groping towards peace. Well, people tell me it's the 21st century. That's what my calendar says - but everywhere I look, people are behaving as if it's still the 20th century. Maybe they'll catch up to the calendar in 20 or 30 years. In the meantime, we'll pretend a new age has dawned - and we'll explore how the science of the early 1900s (represented by the theories of Albert Einstein) can be united with the entertainment of the late 1900s (represented by the phenomenon ofStar Trek). Amazingly; I read in a magazine about 10 years ago that Gene Roddenberry (Star Trek's creator) received information from an extraterrestrial civilization about the fantastic possibilities in the show. He then took these and created his inspiring, futuristic program. At the time, I thought this was nothing more than an interesting magazine article. It sounded like science fiction then, and it still sounds like sci-fi. But at the same time, I'm willing to believe he really did experience some kind of vision - something that suggests Star Trek deserves serious thought, and is more than the product of a wonderfully creative imagination. Do you remember the episode of 'Star Trek: The Next Generation" where a woman from a comparatively primitive planet was transported aboard the spaceship Enterprise, and was overwhelmed by the sight of her world shining among the stars? Captain Picard explained that he and his crew don't regard the woman and her kind as children. They are respected for who they are - people whose civilization just happens to be very young compared to that of Picard and his crew. In time, the woman's civilization will learn, and be able to do all the things that presently cause her to think of Picard as a god. The concept of God intrigues me because I believe its related to the nature of the universe. I believe everything in space and time is connected by infinitesimal pulses of energy that are many millions of times smaller than anything that even the most powerful microscopes can reveal (this is similar to the way everything on a computer screen is connected by pulses of electricity, and spacetime's energy pulses are the basic units constituting the