Coast Left Past is a collection of over 200 early stories written on the West (left) Coast. Temporally grouped, printed on pulp, it represents a myriad of comedic stories, philosophical rants, and refined sugar-sweet epiphanies from the authors past. Coast is fresh and raw at a time in world history that is dominated by bad sushi. Containing the abandonment of youth and the libido of a moose, here is a book to make you remember what the inside of a damp butterfly, the life of a sad writer, the taste of cold purple, and the smell of a late Thursday night feels like

More Coast Left Past (Volume Two) is part two of a collection of over 200 early stories written on the West (left) Coast. They represent the final bunching of stories written before the author's move to New York. They are flash fictions, rants, ants wearing grandmother-pants, beer covered sailors asking you to dance. Together, they present a myriad kaleidoscope of keyboard prowess and scribbling duress. More Coast is a strength and breadth of work that is astonishing, invigorating, and debilitating. For those of you wishing to finish what you started with Volume One, or for the newly ensconced, Volume Two invites you to mid-life-crisis your way into ecclesiastical eclecticism as the world lies bleeding while you start reading...

New York Times Bestselling Author of Solito "Every line resonates with a wind that crosses oceans."—Jamaal May "Zamora's work is real life turned into myth and myth made real life." —Glappitnova Javier Zamora was nine years old when he traveled unaccompanied 4,000 miles, across multiple borders, from El Salvador to the United States to be reunited with his parents. This dramatic and hope-filled poetry debut humanizes the highly charged and polarizing rhetoric of border-crossing; assesses borderland politics, race, and immigration on a profoundly personal level; and simultaneously remembers and imagines a birth country that's been left behind. Through an unflinching gaze, plainspoken diction, and a combination of Spanish and English, Unaccompanied crosses rugged terrain where families are lost and reunited, coyotes lead migrants astray, and "the thin white man let us drink from a hose / while pointing his shotgun." From "Let Me Try Again": He knew we weren't Mexican. He must've remembered his family coming over the border, or the border coming over them, because he drove us to the border and told us next time, rest at least five days, don't trust anyone calling themselves coyotes, bring more tortillas, sardines, Alhambra. He knew we would try again. And again—like everyone does. Javier Zamora was born in El Salvador and immigrated to the United States at the age of nine. He earned a BA at UC-Berkeley, an MFA at New York University, and is a 2016–2018 Wallace Stegner Fellow at Stanford University.

Mixing history, geography, interviews, personal experiences, and photographs, father and son find a wealth of stories and memorable sights in the multiplicity of landscapes,

“Tracks Along the Left Coast more than accomplishes its self–appointed task of celebrating de Angulo’s legacy.” —Rain Taxi “Schelling’s biography of Jaime de Angulo—'cattle puncher, medical doctor, bohemian, buckeroo,' among other things—presents a fascinating, full–bodied portrait of a man and an era, as well as delving deep into California’s Native history. De Angulo’s isn't a household name, but in Schelling's work the man called by Ezra Pound the 'American Ovid' comes blazing to life in all his singular brilliance.” —Stephen Sparks, Literary Hub California, with its scores of native languages, contains a wealth of old–time stories—a bedrock of the literature of North America. Jaime de Angulo's linguistic and ethnographic work, his writings, as well as the legends that cloak the Old Coyote himself, vividly reflect the particulars of the Pacific Coast. In each retelling, through each storyteller, stories are continually revivified, and that is precisely what Andrew Schelling has done in Tracks Along the Left Coast, weaving together the story of de Angulo's life with the story of the land and the people, languages, and cultures with whom it is so closely tied.

When Barbra Streisand sends Dick Gephardt a personal fax, it makes headline news. When international relations expert Sean Penn leads his own "tour of peace" in Baghdad, every news desk across the country reports it. It's no secret that Hollywood has a leftward tilt when it comes to politics. But what the celebrity-fawning media fail to show is how Hollywood's liberal bias affects actors, movies, and even public policy. In Tales from the Left Coast, author and political commentator James Hirsen digs deep into the liberal underbelly of Hollywood to reveal how biased politics have corrupted the entire entertainment industry. Through extensive research and scores of interviews, Hirsen uncovers some of the most ridiculous, infuriating, and damning political stunts pulled by celebrities of yesterday and today, and he traces the tangled web of influence the Hollywood elite have over politicians in Washington, D.C.