Natalie’s one of Frankenstein’s creations and works in a New York City morgue. So of course she needs therapy. She and her friends—er, fellow monsters—have formed the world’s most exclusive, most dysfunctional support group. What could go wrong? Undetected in the modern world and under pressure to stay that way, Natalie Grey, Dracula, Bob the Blob, and others (including the fetching wolfman Alec) meet regularly to talk about the pressures of being infamous in the Big Apple. Topics include how long it’s been since their last sighting, how their “story” creates stereotypes they can’t fulfill, and—gasp—sometimes even their feelings. But when their pervy Invisible Man, Ellis, is killed in a manner reminiscent of the H.G. Wells novel, it’s clear someone’s discovered their existence and is down for some monster busting. Led by Natalie—and definitely not helped by Hyde’s bloodthirsty tendencies—the members of Monstofelldosis Anonymous band together for security and a little sleuthing. And maybe—maybe—if they don’t end up dead, they’ll end up friends somewhere along the way.

From the award-winning screenwriter-director Darren Aronofsky and his screenwriting partner, Ari Handel, comes Monster Club. Their debut novel is the first book in a thrilling, new adventure series about growing up, letting go, and facing down your monsters. Like almost everything in eleven-year-old Eric “Doodles” King’s life, King’s Wonderland—the amusement park his great-great grandfather founded—was seriously damaged when a hurricane hit his beloved Coney Island neighborhood. Now hungry property developers are circling the wreckage of the once-awesome King’s Wonderland, and Eric’s family is falling apart from the threat of losing it all. If it weren’t for Monster Club—the epic roleplaying game that Eric and his friends created—Eric’s life would be pretty terrible. Drawing his favorite monster battling with his best friends’ creations is the one thing that still gets Eric excited. So when his friends start to think of Monster Club as a kid’s game and get more interested in other things, Eric just can’t deal. But then Eric happens across a long-lost vial of magic ink that brings their monster drawings to life, and suddenly, Monster Club isn’t just for fun anymore. The monsters Eric and his friends created are wreaking havoc across Coney, and it’s on the Monster Club to save their city, the amusement park, and maybe, just maybe, Eric’s family, too. It’s a hilarious, heartfelt adventure from the creative minds of Darren Aronofsky and Ari Handel that fans of Last Kids on Earth and Spy School are sure to love.

Mikey and his mom have been in school together since kindergarten because his mom is a teacher. But this year, they are in a new city and will be going to separate schools. On the first day at the new school, Mikey notices that his teacher is doing some of the same things his mom and the teachers from his old school did. How could this be? Go with Mikey as his imagination takes you on an adventure to discover the secret his mom and the teachers have all been hiding.

Hidden beneath the streets of London is a dark and dreadful establishment known as The Monster Club, where vampires indulge in a rather different kind of Bloody Mary and ghouls tear into their gruesome repasts. Here, along with the usual monsters - vampires, werewolves, ghouls, and some of Dr Frankenstein's more freakish creations - you'll find other, less familiar ones. You'll meet the frightening Fly-by-Night, the hideous shaddy, the horrible mock, and the dreaded shadmock, perhaps the most terrible of all. When Donald McCloud offers a starving man a meal, he unexpectedly discovers that the man is a vampire - and he's the main course! Accompanying the vampire, Eramus, to The Monster Club, Donald encounters a whole host of strange monsters, who, in a series of five linked stories, recount to Donald their monstrous exploits. But as Donald is regaled with these tales of monsters and their unfortunate human victims, it gradually dawns on him that as the only human in a club full of bloodthirsty monsters, he might be in a bit of a predicament. . . . First published as a paperback original in 1976, R. Chetwynd-Hayes's The Monster Club was adapted for a 1981 film starring Vincent Price, John Carradine and Donald Pleasence, and both book and film have gone on to become cult classics. Told in a wry, tongue-in-cheek style, the tales in The Monster Club are simultaneously horrific, comical, and curiously moving. This edition is the first in more than twenty years and features a new introduction by Stephen Jones and a reproduction of John Bolton's painting from the comic book adaptation of the film.

An indispensable resource for students and researchers of paranormal myth and media, this book explores the undead and unholy in literature, film, television, and popular culture. Following an introduction to frightful manifestations in media, sections address ghosts, vampires, and monsters individually, and each section includes a broad consideration of the ghost, vampire or monster in American culture. The section dedicated to ghosts examines the "spectral turn" of popular culture and the ghost's relation to justice and mourning, with particular attention to Toni Morrison and Herman Melville. In the vampires section, the author considers the undead bloodsucker's relationship to anti-Semitism, suicide, and cinema. The third section discusses monsters in relation to topics such as global pandemics, terrorism, mass shootings, "stranger danger," and social otherness, with attention to a range of popular culture texts including the films IT and It Follows.

Longlisted for the 2022 International Gothic Association's Allan Lloyd Smith Prize The bestselling genre of Frankenfiction sees classic literature turned into commercial narratives invaded by zombies, vampires, werewolves, and other fantastical monsters. Too engaged with tradition for some and not traditional enough for others, these 'monster mashups' are often criticized as a sign of the artistic and moral degeneration of contemporary culture. These hybrid creations are the 'monsters' of our age, lurking at the limits of responsible consumption and acceptable appropriation. This book explores the boundaries and connections between contemporary remix and related modes, including adaptation, parody, the Gothic, Romanticism, and postmodernism. Taking a multimedia approach, case studies range from novels like Pride and Prejudice and Zombies and The Extraordinary Adventures of the Athena Club series, to television programmes such as Penny Dreadful, to popular visual artworks like Kevin J. Weir's Flux Machine GIFs. Megen de Bruin-Molé uses these monstrous and liminal works to show how the thrill of transgression has been contained within safe and familiar formats, resulting in the mashups that dominate Western popular culture.

At the turn of the twenty-first century, American media abound with images and narratives of bodily transformations. At the crossroads of American, cultural, literary, media, gender, queer, disability and governmentality studies, the book presents a timely intervention into critical debates on body transformations and contemporary makeover culture.

As monster theory highlights, monsters are cultural symbols, guarding the borders that society creates to protect its values and norms. Adolescence is the time when one explores and aims at crossing borders to learn the rules of the culture that one will fit into as an adult. Exploring the roles of monsters in coming-of-age narratives and the need to confront and understand the monstrous, this work explores recent developments in the presentation of monsters--such as the vampire, the zombie, and the man-made monster--in maturation narratives, then moves on to discuss monsters inhabiting the psychic landscapes of child characters. Finally, it touches on monsters in science fiction, in which facing the monstrous is a variation of the New World narrative. Discussions of novels by M. R. Carey, Suzanne Collins, Neil Gaiman, Theodora Goss, Daryl Gregory, Sarah Maria Griffin, Seanan McGuire, Stephenie Meyer, Patrick Ness, and Jon Skovron are complemented by analysis of television series, such as Buffy the Vampire Slayer and Westworld.

"Monsters of the Market" investigates modern capitalism through the prism of the body panics it arouses. Examining "Frankenstein," Marx s "Capital" and zombie fables from sub-Saharan Africa, it offers a novel account of the cultural and corporeal economy of global capitalism.

Mix and match your very own RPG monster with this interactive, illustrated flip book creating fully functional creatures by piecing together heads, torsos, and legs so GMs have exciting new beasts to unleash! Is your adventure party tired of the same old boring monsters? Instead of filling your next dungeon with zombies, flip through Düngeonmeister: The Random Monster Generator and create something brand-new. With each page split into three separate sections (head, torso, and legs), this mix-and-match flip book assembles unique creatures with stats to match each of the beast’s body parts. For instance, GMs can create: -A zombie head kobold with spider legs giving you an unstoppable undead monstrosity that will chase your party across walls and ceilings -A monster with a snake head and tentacles for legs making an enemy that’s resistant to piercing damage with a venomous bite -A dragon that’s more than a dragon when you mix in gelatinous body and a giant’s legs, turning your typical fire-breather into an oversized one that’s resistant to bludgeoning and slashing Fully compatible with 5E, this book is perfect for DMs looking for something functional and fun to help them fill out dungeons and encounters with interesting and challenging enemies.