Clown Girl lives in Baloneytown, a seedy neighborhood where drugs, balloon animals, and even rubber chickens contribute to the local currency. Against a backdrop of petty crime, she struggles to live her dreams, calling on cultural masters Charlie Chaplin, Kafka, and da Vinci for inspiration. In an effort to support herself and her layabout performance-artist boyfriend, Clown Girl finds herself unwittingly transformed into a "corporate clown," trapping herself in a cycle of meaningless, high-paid gigs that veer dangerously close to prostitution. Monica Drake has created a novel that riffs on the high comedy of early film stars — most notably Chaplin and W. C. Fields — to raise questions of class, gender, economics, and prejudice. Resisting easy classification, this debut novel blends the bizarre, the humorous, and the gritty with stunning skill.

His unwillingness to express feelings of anger or hurt has made him the "good guy" who jokes about everything and laughs his way through life. Lois Johnson broke up with her rich boyfriend who wasn't a Christian. Now she's committed to serving the Lord through her new job, so she isn't looking for another man. But when slow-Joe the clown falls into her lap, Lois wonders if he might be the man God has in mind for her. Is Joe what Lois is looking for in a man? Or will his laughter and jesting be bad for their relationship? Will Joe be able to connect with is real feelings, or will he spend the rest of his life clowning around?

The frightening yet comic clown is one of the best and most enduring characters in literature, theater, television, and film. Across the centuries, from Shakespeare's Porter in Macbeth to Edgar Allan Poe's "Hop-Frog," or Stephen King's Pennywise, horror and comedy have blended to create the perfect recipe for entertainment. This volume gives an in-depth analysis of the clown horror genre, including essays by revered horror scholars such as Kevin Wetmore, Dale Bailey, Kim Hester Williams, Jennifer K. Cox, and Joanna Parypinski. Their essays cover topics such as nostalgia, race, class, and new portrayals of the scary clown as zombies or phantoms. It also offers interviews with actors and directors working in the clown horror genre: Eoghan McQuinn (Stitches), Kevin Kangas (Fear of Clowns), and Jaysen Buterin (Kill Giggles). Some of fiction's most terrifying creations--like the Killer Klowns, Captain Spaulding, Art the Clown, Krusty, Frowny, the Joker, and Twisty--jig through these pages of analysis and deconstruction, asking what these many iterations of scary clowns have to say about our society and its fears.

A classic work by one of this century's most beloved spiritual writers now reissued. The inspirational writings of Henri Nouwen have touched millions of readers all over the world, and since his death in September 1996, widespread recognition of their enduring value has continued to grow. Now, after being unavailable for several years, Nouwen's Clowning in Rome is available again as an Image trade paperback. In this classic account of the time he spent in Rome, Nouwen offers reflections and spiritual insight characteristic of his best works. During the months in Rome, it wasn't the red cardinals or the Red Brigade who had the most impact on Nouwen, but the little things that took place between the great scenes. In some ways, Nouwen discovered, the real and true story was told by the clowns he often saw in the city streets. In his own words, from the Introduction to Clowning in Rome: "The clowns are not the center of events. They appear between the great acts, fumble and fall and make us smile again after the tensions created by the heroes we came to admire. The clowns don't have it together--they are awkward, out of balance and left-handed, but--they are on our side. The clowns remind us with a tear and a smile that we are sharing the same human weakness. The longer I was in Rome, the more I enjoyed the clowns, those peripheral people who by their humble, saintly lives evoke a smile and awaken hope, even in a city terrorized by kidnapping and street violence."

This book is a practical guide for clowning. It is filled with tools and techniques that will help you find your clown and become more open to your creative sources. The author examines and makes use of the powerful qualities that children possess: imagination, innocence, purity, spontaneity and lust for life. A clown is playful and optimistic. From behind world's smallest mask, the red nose, he invites people to drop their own masks and show their true selves. Being very sensitive, he is able to touch them deeply. This so-called contact clown wants to make a connection from heart to heart. Kurstjens is convinced that clowns can play a crucial role in our society: they can bring people together through their open communication. This richly illustrated book comes with 25 practical exercises, and provides useful information about essential themes in life: setting boundaries, overcoming emotional blockades, and daring to be vulnerable. It is not only meant to inspire clowns and clowning instructors, but also coaches, (communication) trainers, and everyone else who is interested in personal development. Ton Kurstjens (born in the Netherlands, 1959) started as an improvising clown in 1983. He played in Duo Het Elftal and Duo Biek and currently he conducts clowning courses for individuals and workshops for businesspeople. He also directs the clowning theatre performance Met de Neus op de Planken (literally: With your Nose on Stage) and he supports clowns and clowning groups.

Jeff Raz has drawn on his life's work to write a pair of fictional narratives - one following a professional clown performing with Cirque du Soleil and one following a clown student who just wants a job in a circus. It captures the sweat, the sinew and the soul of clowning.

"Rosy-cheeked and wrapped in blue, with a flower in her hair, Death rides a pink bike. Death, a greeneyed little girl in this pastel world, visits small animals with soft fur and big animals with sharp teeth. She lingers with a kindly grandmother as they knit one last scarf together. She wanders through surroundings of gentle beauty and she tells us who she is. For parents of children facing the loss of a family member, a friend, or a pet, this book finds words to express what is often so difficult to explain. It ends with such a feeling of uplift and acceptance that readers of any age will turn the last page with a smile and a tear"--Excerpt from Amazon.com.

Clowns: In Conversation with Modern Masters is a groundbreaking collection of conversations with 20 of the greatest clowns on earth. In discussion with clown aficionados Ezra LeBank and David Bridel, these legends of comedy reveal the origins, inspirations, techniques, and philosophies that underpin their remarkable odysseys. Featuring incomparable artists, including Slava Polunin, Bill Irwin, David Shiner, Oleg Popov, Dimitri, Nola Rae, and many more, Clowns is a unique and definitive study on the art of clowning. In Clowns, these 20 master artists speak candidly about their first encounters with clowning and circus, the crucial decisions that carved out the foundations of their style, and the role of teachers and mentors who shaped their development. Follow the twists and turns that changed the direction of their art and careers, explore the role of failure and originality in their lives and performances, and examine the development and evolution of the signature routines that became each clown’s trademark. The discussions culminate in meditations on the role of clowning in the modern world, as these great practitioners share their perspectives on the mysterious, elusive art of the clown.