Maureen C. Miller traces the ways in which clerical garb changed over the Middle Ages. Miller goes into detail about craft, artistry, and textiles and contributes to our understanding of the religious, social, and political meanings of clothing, past and present.

Comprehensive reference traces evolution of clerical attire through the late 1400s. More than 270 black-and-white illustrations and 8-page color insert depict simple alb, pallium, chasuble, cassock, surplice, mitre, and accessories.

Clothing the New World Church makes a significant contribution to the fields of textile studies, art history, Church history, and Latin American studies, and to interdisciplinary scholarship on material culture and indigenous agency in the New World.

A book that explores the history of church vestments plus directions for making them.

The churches of Britain contain a remarkable heritage of exquisitely embroidered vestments, and cathedrals in particular hold some of the most beautiful textiles ever produced in Europe. The history of these priestly garments and how their use developed in Britain and Europe is fascinating. This book outlines the tradition and mysticism associated with them and the role they still play in the 'theatre' of church, and shows how colour and ornament are used in the symbolism of the Christian faith. It explores the history of vestment production up to the present day, covering the practicalities of design, the sourcing of fabrics and the embroiderers themselves.

Based on the paradigmatic shift in both liturgical and ritual studies, this multidisciplinary volume presents a collection of case studies on rituals in the early Christian world. After a methodological discussion of the new paradigm, it shows how emblematic Christian rituals were influenced by their Greco-Roman and Jewish contexts, undergoing multiple transformations, while themselves affecting developments both within and outside Christianity. Notably, parallel traditions in Judaism and Islam are included in the discussion, highlighting the importance of ongoing reception history. Focusing on the dynamic character of rituals, the new perspectives on ritual traditions pursued here relate to the expanding source material, both textual and material, as well as the development of recent interdisciplinary approaches, including the cognitive science of religion.

A full look at the harmful effect of transference (the application of unresolved issues from one's past to someone in the present) on churches and lives. Provides ways to identify and overcome this phenomenon.

English dress in the second half of the sixteenth century has been studied in depth, yet remarkably little has been written on the earlier years, or indeed on male clothing for the whole century. The few studies that do cover these neglected areas have tended to be quite general, focusing upon garments rather than the wearers. As such this present volume fills an important gap by providing a detailed analysis of not only what people wore in Henry's reign, but why. The book describes and analyses dress in England through a variety of documents, including warrants and accounts from Henry's Great Wardrobe and the royal household, contemporary narrative sources, legislation enacted by Parliament, guild regulations, inventories and wills, supported with evidence and observations derived from visual sources and surviving garments. Whilst all these sources are utilised, the main focus of the study is built around the sumptuary legislation, or the four 'Acts of Apparel' passed by Henry between 1509 and 1547. English sumptuary legislation was concerned primarily with male dress, and starting at the top of society with the king and his immediate family, it worked its way down through the social hierarchy, but stopped short of the poor who did not have sufficient disposable income to afford the items under consideration. Certain groups - such as women and the clergy - who were specifically excluded from the legislation, are examined in the second half of the book. Combining the consideration of such primary sources with modern scholarly analysis, this book is invaluable for anyone with an interest in the history of fashion, clothing, and consumption in Tudor society.

Protestantism carries on with the practice of making the "pastor" the focal point in church. Zens demonstrates that putting all the ecclesiastical eggs in the pastor's basket has no precedent in the New Testament.