Giosue Carducci: Presentation address. Poems. The life and works of Giosue Carducci. The 1906 Prize.--Grazia Deledda: Presentation address. The mother. The life and works of Grazia Deledda. The 1926 Prize.--Jose Echegaray: Presentation address. The great Galeoto. The life and works of Jose Echegaray. The 1904 Prize.--T.S. Eliot: Presentation address. Acceptance speech. Poems. The elder statesman. Tradition and the individual talent. The life and works of t. S. Eliot. The 1948 Prize.

These Books of Rates list – for the use of English customs officials – the official values of hundreds of products commonly traded overseas in the sixteenth century. What goods needed to be listed and what their official valuations were held to be, had been the subject of wary negotiations between the crown and the Merchants Adventurers. These lists thus offer us four snapshots of the shape of English foreign trade. But that is not all. Unbeknownst to all previous scholars, the 1536/45 and 1558 Books of Rates were translated into German (in 1558/60) for the use of Hanseatic diplomats haggling with the crown about customs rates. These translations reflect Hanseatic commercial interests in trade with England, in a word: the shape of the Hanse's trade with England. The subject indices, structured to function as a glossary, will serve as a glossary for all scholars working on the economic history of the sixteenth century.

Maurice Polydore Marie Bernard Maeterlinck was a Belgian playwright, poet, and essayist who was Flemish but wrote in French. He was awarded the Nobel Prize in Literature in 1911 "in appreciation of his many-sided literary activities, and especially of his dramatic works, which are distinguished by a wealth of imagination and by a poetic fancy, which reveals, sometimes in the guise of a fairy tale, a deep inspiration, while in a mysterious way they appeal to the readers' own feelings and stimulate their imaginations". The main themes in his work are death and the meaning of life. The Blue Bird The Life of the Bee Our Friend the Dog The miracle of Saint Anthony Wisdom and Destiny The Double Garden The Inner Beauty Poems

A lavishly illustrated history of photography in essays by the author of Otherwise Known as the Human Condition See/Saw shows how photographs frame and change our perspective on the world. Taking in photographers from early in the last century to the present day—including artists such as Eugène Atget, Vivian Maier, Roy DeCarava, and Alex Webb—the celebrated writer Geoff Dyer offers a series of moving, witty, prescient, surprising, and intimate encounters with images. Dyer has been writing about photography for thirty years, and this tour de force of visual scrutiny and stylistic flair gathers his lively, engaged criticism over the course of a decade. A rich addition to Dyer’s The Ongoing Moment, and heir to Roland Barthes’s Camera Lucida, Susan Sontag’s On Photography, and John Berger’s Understanding a Photograph, See/Saw shows how a photograph can simultaneously record and invent the world, revealing a brilliant seer at work. It is a paean to art and art writing by one of the liveliest critics of our day.

Hailed a “Best Book of the Year” by NPR, Publishers Weekly, Vulture, and the New York Public Library, Some Trick is now in paperback Finalist for the Saroyan Prize for Fiction For sheer unpredictable brilliance, Gogol may come to mind, but no author alive today takes a reader as far as Helen DeWitt into the funniest, most far-reaching dimensions of possibility. Her jumping-off points might be statistics, romance, the art world’s piranha tank, games of chance and games of skill, the travails of publishing, or success. “Look,” a character begins to explain, laying out some gambit reasonably enough, even in the face of situations spinning out to their utmost logical extremes, where things prove “more complicated than they had first appeared” and “at 3 a.m. the circumstances seem to attenuate.” In various ways, each tale carries DeWitt’s signature poker-face lament regarding the near-impossibility of the life of the mind when one is made to pay to have the time for it, in a world so sadly “taken up with all sorts of paraphernalia superfluous, not to say impedimental, to ratiocination.”