Multiple and sometimes unexpected forms of closure in biblical narratives bring their stories to satisfactory close. Knowledge of these conventions and how they affect their stories is valuable to students of Bible and of narrative.

There has been much discussion of narrative aspects of the Bible in recent years, but the ends of biblical narratives – how the ends contribute to closure for their stories and how the ending strategies affect the whole narrative – have not been studied comprehensively. This study shows how the writers and editors of short narratives in Genesis gave their stories a sense of closure (or in a few cases, the sense of non-closure). Multiple and sometimes unexpected, forms of closure are identified; together these form a set of closural conventions. This contribution to narrative poetics of the Hebrew Bible in the light of source criticism will also be valuable to those who are interested in narrative and in concepts of closure.

Inherent in every story is a view of death that reflects the human struggle of ending well, a Freudian thanatos inscribed within narrative. As a story draws to a close, the view of death found within the structure of the story's narrative will influence the ending that is produced. To examine the view of death and the closing strategies employed within a narrative, this study proposes a literary category called «narrative mortality.» Narrative mortality compares the degree of finality given to death with the amount of closure the reader experiences within the narrative. The narrative mortality of three differing biblical stories are studied within this work: The Gospel of John, the Book of Job, and the Book of Jonah. Each story employs a differing rhetorical strategy that reflects its own unique view of death and narrative closure.

From celebrated translator of the Hebrew Bible Robert Alter, the "groundbreaking" (Los Angeles Times) book that explores the Bible as literature, a winner of the National Jewish Book Award. Renowned critic and translator Robert Alter's The Art of Biblical Narrative has radically expanded our view of the Bible by recasting it as a work of literary art deserving studied criticism. In this seminal work, Alter describes how the Hebrew Bible's many authors used innovative literary styles and devices such as parallelism, contrastive dialogue, and narrative tempo to tell one of the most revolutionary stories of all time: the revelation of a single God. In so doing, Alter shows, these writers reshaped not only history, but also the art of storytelling itself.

The third volume of an extended and systematic exploration of the relation between Christian theology and the natural sciences, focussing on the origins and place of theory in Christian theology

The book of Genesis introduces three similar wife/sister narratives, commonly thought to be originating from different sources because of their repetitive entries. This research explores the wife/sister narratives in Genesis (Gen 12:10-13:1, 20:1-18, and 26:1-11), and it aims to provide an understanding of the three stories as a whole by uncovering its context by textlinguistic and literary type-scene analysis. Textlinguistic analysis helps us to see how each wife/sister narrative functions in its context, while type-scene analysis emphasizes how the three narratives develop and contribute to the patriarchal narratives through their similarities and variations. Although the traditional type-scene analysis studies recurrent fixed motives in texts, this study focuses much more on literary aspects such as characterization, theme, and plot. Through this study, the three wife/sister stories will elaborate that the patriarchal narratives are not results of different authors, but the well-developed products of a single author. The three wife/sister stories work together to highlight God's faithfulness to his promises (Gen 12:1-3).

The last five chapters of the book of Judges (chs. 17-21) contain some shocking and bizarre stories, and precisely how these stories relate to the rest of the book is a major question in scholarship on the book. Leveraging work from literary studies and hermeneutics, Beldman reexamines Judges 17-21 with the aim of discerning the "strategies of ending" that are at work in these chapters. The author identifies and describes a number of strategies of ending in Judges 17-21, including the strategy of completion, the strategy of circularity, and the strategy of entrapment. The temporal configuration of Judges and especially the nonlinear chronology that chapters 17-21 expose also receive due attention. All of this offers fresh insights into the place and function of Judges 17-21 in the context of the whole book.

This work by Stephen Chapman offers a robustly theological and explicitly Christian reading of 1 Samuel. Chapman’s commentary reveals the theological drama at the heart of that biblical book as it probes the tension between civil religion and vital religious faith through the characters of Saul and David.

Comprised of contributions from scholars across the globe, The Oxford Handbook of Biblical Narrative is a state-of-the-art anthology, offering critical treatments of both the Bible's narratives and topics related to the Bible's narrative constructions. The Handbook covers the Bible's narrative literature, from Genesis to Revelation, providing concise overviews of literary-critical scholarship as well as innovative readings of individual narratives informed by a variety of methodological approaches and theoretical frameworks. The volume as a whole combines literary sensitivities with the traditional historical and sociological questions of biblical criticism and puts biblical studies into intentional conversation with other disciplines in the humanities. It reframes biblical literature in a way that highlights its aesthetic characteristics, its ethical and religious appeal, its organic qualities as communal literature, its witness to various forms of social and political negotiation, and its uncanny power to affect readers and hearers across disparate time-frames and global communities.

New directions and fresh insight for scholars and students The single greatest catalyst and contributor to our developing understanding of priestly literature has been Jacob Milgrom (1923-2010), whose seminal articles, provocative hypotheses, and comprehensively probing books vastly expanded and significantly altered scholarship regarding priestly and related literature. Nineteen articles build on Milgrom's work and look to future directions of research. Essays cover a range of topics including the interpretation, composition and literary structure of priestly and holiness texts as well as their relationships to deuteronomic and extra-biblical texts. The book includes a bibliography of Milgrom's work published between 1994 and 2014. Features: Comparisons with Mesopotamian Hittite texts Essays from a diverse group of scholars representing a variety of backgrounds, perspectives, and methodologies Charts and tables illustrate complex relationships and structures