Cleveland's Lake View Cemetery reveals the profound effects the cemetery and the City of Cleveland had on one another. Founded in 1869, this garden cemetery served as an escape and a model for Cleveland parks and suburbs, such as University Circle, Little Italy, East Cleveland, and Cleveland Heights. Lake View is home to cultural, economic, and political leaders and thousands of others from all classes, races, and religions. This rich diversity is manifested in the natural and man-made landscape, which features the President James Garfield Monument, the Wade Chapel, and the John D. Rockefeller obelisk.

Developed in the late 19th century, ClevelandÃ's Little Italy neighborhood, on the cityÃ's east side, was peopled with Italian artisans and craftsmen, many of whom were drawn to jobs carving monuments for the nearby Lake View Cemetery. The compact area relied on the local parish, Holy Rosary; charitable institutions, such as Alta House; and the cohesiveness of the neighborhood to sustain itself. It also produced a number of interesting favorite sons, including Angelo Vitantonio, the inventor of the pasta machine; championship boxer Tony Brush; and Anthony Celebrezze, Cleveland mayor, federal judge, and secretary of health, education, and welfare under Pres. John F. Kennedy and Pres. Lyndon B. Johnson. The area continued to grow until after World War II, when residents graduated from the old neighborhood to ClevelandÃ's eastern suburbs. During the last 20 years, however, Little Italy has experienced a rebirth, and today the area combines Old World charm with a vibrant art scene, new housing, and a host of popular restaurants.

John D. Rockefeller arrived in Cleveland in 1853 a boy of 14 and spent six decades in his adopted hometown. With the Standard Oil Company's incorporation in 1870, Rockefeller became the city's most well-known industrialist and, from 1885 to 1917, its foremost summer resident at his Forest Hill estate. Here he raised his children, laid the foundation of a financial and industrial empire, and established a commitment to charitable giving. At the end of the Civil War, Cleveland was a crucible from which would be cast the fortunes of many. None were greater than Rockefeller's. Rockefeller's Cleveland captures the visual panorama of a dynamic city that literally reinvented itself in the 1800s and in doing so emerged a major business and industrial center.

Railroad tycoon turned real estate developer Patrick Calhoun named the premier residential boulevard of his Euclid Heights allotment the Overlook because of its location high on a bluff overlooking Case School of Applied Science, Western Reserve College, Lake Erie, and the city of Cleveland. By 1910, the boulevard was lined with the mansions of Cleveland's wealthy and powerful. Today, although traces of the Overlook's glory days remain, most of its great mansions are gone, replaced by apartment houses and the dormitories and fraternity houses of Case Western Reserve University. This is the story of that transformation.

From art exhibitions and natural wonders of the planet to world-class music and dazzling theater, University Circle is Cleveland's cultural, educational, and civic showpiece. Found in its one square mile are arts and sciences, museums and parks, galleries and restaurants. The circle area began as the turnaround for the Euclid Avenue streetcar in the 19th century and has developed into the cultural capital of Cleveland, as it is home to the Cleveland Museum of Art, the Cleveland Cultural Gardens, Case Western Reserve University, and the Cleveland Orchestra. Its buildings and gardens are only part of the story; the people are at the real heart of the circle--from such philanthropists as John D. Rockefeller and Jeptha Wade to Dr. George Crile and the Mathers family. And then there are the multitudes of students, immigrants, and workers who have called the circle their home.

In cooperation with Western Reserve Historical Society Euclid Avenue, which runs through the heart of downtown Cleveland, was for 60 years one of the finest residential streets of any city in 19th century America. Showplace of America is the fascinating account of the rise and fall of this elegant promenade, including portrayals of the eminent architects who created its opulent residences and colorful details about the lives of the wealthy people who occupied them. The families who resided within this linear, four-mile neighborhood epitomized Midwestern grandeur in the second half of the 19th century. The 1893 Baedeker's travel guide to the United States labeled it "one of the most beautiful residence-streets in America," as others hailed it "Millionaires' Row," the finest avenue in the west, and the most beautiful street in the world." Modeled after the grand boulevards of Europe, this magnificent neighborhood was distinguished for the prominence of its architects as well as the families who lived there. Local architects Jonathan Goldsmith, Charles W. Heard, Levi T. Scofield, Charles F. Schweinfurth, and Coburn & Barnum and national firms Peabody & Stearns and McKim, Mead & White created houses that were stunning monuments to Cleveland and America's growing prosperity. Ironically, the tremendous success of Cleveland's industry and commerce, which had nurtured the rise of this grand avenue, fostered its fall. Downtown commerce expanded along the avenue at the sacrifice of its leading entrepreneurs' residential have. The houses were demolished as the avenue became what is today--a neglected urban thoroughfare. Photographs and illustrations from the archives of the Western Reserve Historical Society and other repositories are published here for the first time, documenting both the glory and decline of the "showplace of America."

Just weeks after Jackie Robinson joined the Brooklyn Dodgers, Larry Doby joined Robinson in breaking the color barrier in the major leagues when he became the first black player to integrate the American League, signing with the Cleveland Indians in July 1947. Doby went on to be a seven-time All-Star center fielder who led the Indians to two pennants. In many respects Robinson and Doby were equals in their baseball talent and experiences and had remarkably similar playing careers: both were well-educated, well-spoken World War II veterans and both had played spectacularly, albeit briefly, in the Negro Leagues. Like Robinson, Doby suffered brickbats, knock-down pitches, spit in his face, and other forms of abuse and discrimination. Doby was also a pioneering manager, becoming the second black manager after Frank Robinson. Well into the 1950s Doby was the only African American All-Star in the American League during a period in which fifteen black players became National League All-Stars. Why is Doby largely forgotten as a central figure in baseball’s integration? Why has he not been accorded his rightful place in baseball history? Greatness in the Shadows attempts to answer these questions, bringing Doby’s story to life and sharing his achievements and firsts with a new generation.