CLEOPATRA VICTORIOUS is the alternative history sequel to Helen R. Davis' award-winning novel, CLEOPATRA UNCONQUERED (Savant 2015). Cleopatra VII, queen of Egypt, has triumphed at the Battle of Actium, which in the annals of history cost her and her lover, Mark Antony, their lives. She has won the battle, but will she be able to win the war and create a new place for her, her dynasty and Egypt in the annals of history?

The first book of three in a richly imagined ancient world where the course of history is altered by one battle. In this world, Antony and Cleopatra triumph at the Battle of Actium, and Cleopatra emerges as a queen, stateswoman, and politician. Those around her come to life as the reader returns to those days to live them with her.

On a stiflingly hot day in August, 30 B.C., the thirty-nine-year-old Queen of Egypt, Cleopatra, took her own life, rather than be paraded in chains through Rome by her conqueror, Octavian, the future emperor Augustus. A few days earlier, her lover of eleven years, Mark Antony, had died in her arms following his own botched suicide attempt. Oceans of mythology have grown up around them, all of which Diana Preston puts to rest in her stirring history of the lives and times of a couple whose names-more than two millennia later-still invoke passion, curiosity, and intrigue. This book sets the romance and tragedy of Antony and Cleopatra's personal lives within the context of their political times. There are many contemporary resonances: the relationship between East and West and the nature of empire, the concealment of personal ambition beneath the watchword of liberty, documents forged, edited or disposed of, special relationships established, constitutional forms and legal niceties invoked when it suited. Indeed their lives and deaths had deep political ramifications, and they offer a revealing perspective on a tipping point in Roman politics and on the consolidation of the Roman Empire. Three hundred years would pass before the east would, with the rise of Constantinople and the Byzantine Empire, once again take a share of political power in the Mediterranean. In an intriguing postscript, Preston speculates on what might have happened had Antony and Cleopatra defeated Octavian at the Battle of Actium in 31 B.C.

Why do we continue to experience many of Shakespeare's dramatic characters as real people with personal histories, individual personalities, and psychological depth? What is it that makes Falstaff seem to jump off the page, and what gives Hamlet his complexity? Shakespearean Character: Language in Performance examines how the extraordinary lifelikeness of some of Shakespeare's most enigmatic and self-conscious characters is produced through language. Using theories drawn from linguistic pragmatics, this book claims that our impression of characters as real people is an effect arising from characters' pragmatic use of language in combination with the historical and textual meanings that Shakespeare conveys to his audience by dramatic and meta-dramatic means. Challenging the notion of interiority attributed to Shakespeare's characters by many contemporary critics, theatre professionals, and audiences, the book demonstrates that dramatic characters possess anteriority which gives us the impression that they exist outside of- and prior to- the play-texts as real people. Jelena Marelj's study examines five linguistically self-conscious characters drawn from the genres of history, tragedy and comedy, which continue to be subjects of extensive critical debate: Falstaff, Cleopatra, Henry V, Katherine from The Taming of the Shrew, and Hamlet. She shows that by inferring Shakespeare's intentions through his characters' verbal exchanges and the discourses of the play, the audience becomes emotionally involved with or repulsed by characters and it is this emotional response that makes these characters strikingly memorable and intimately human. Shakespearean Character will equip readers for further work on the genealogy of Shakespearean character, including minor characters, stock characters, and allegorical characters.

Gale Researcher Guide for: Shakespearean Tragedy is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.

Cleopatra, Queen of Egypt, was also a scholar, murderer, lover of Julius Caesar and Mark Antony and one of the most remarkable women in history. The distinguished historian and classicist Michael Grant confirms that her reputation as a temptress was well-founded. However, by unravelling the sources behind the tangle of myth, gossip and invention he shows that the popular image of a wayward woman opting for a life of sensuous luxury and neglecting her affairs of state is far from the truth. A brilliant linguist and the first of her Greek-speaking dynasty who learned Egyptian, she was reputed to be the author of treatises on agriculture, make-up and alchemy. Her love affairs were carefully calculated to further her plans to restore her empire to its former greatness and she was a ruthless foe to all who stood in her way. But dead on her golden couch in the palace at Alexandria her life seemed to have ended in failure; her dreams of empire shattered; her lover Mark Antony a suicide himself and she a prisoner of her conqueror Octavian. An unforgettable portrait of an extraordinary queen and her stormy life.

"Victor Brombert's title, borrowed from William Wordsworth's ingenious metaphor, "the pensive citadel," refers to the singular world of universities. In essays on the paradoxical nature of laughter, the art of rereading, Shakespeare, Montaigne (his model as essayist), and more, Brombert reflects on a lifetime of learning whose institutional supports have greatly changed since he began his university career in the 1950s. Yet, as Christy Wampole writes in her foreword, for all that has changed, so much of Brombert's long experience as a reader and teacher is richly familiar: "the angst of not doing enough during one's sabbatical, the stage fright before an important lecture, or the recurrent teaching-related nightmares. But also the good things: the joy of learning from one's students, of discovering something new each time you reread a book whose meanings you thought you'd depleted, or of realizing that you've changed the lives of many through your vocation." A veteran of D-Day and the Battle of the Bulge who witnessed history's worst nightmares first hand, Brombert nevertheless approaches literature with a lightness of spirit, making the case for intellectual mobility and an openness to change. Indeed, the central section of this deeply pleasurable book, entitled "The Ludic Mode," stresses the playful aspect of all serious commerce with ideas, of all good teaching and good learning"--

Hell World Heaven is a collection of two hundred short stories that have truly taken place in the past. Through the author ́s words, readers will learn a unique perspective in life without the need to personally experience the most traumatic and debilitating events in this complex world. Moreover, this book provides a wide spectra in other areas of humanity, such as psychology, science, mystery, culture, sociology, etc. Click on the above link to read some sample stories. You will be compelled to click more.

Julius Caesar's life and example have fascinated and motivated generations of people for nearly 2,000 years. This book explores the people, places, events, and institutions that helped define arguably the most famous individual in the history of Rome. Far from being "ancient history," Roman history and culture from the time of Julius Caesar and the Roman Empire have surprising parallels with the political strife and societal issues in 21st-century life. Interest and awareness have also been bolstered by recent successful Hollywood films as well as television series that depict Roman history. All Things Julius Caesar: An Encyclopedia of Caesar's World and Legacy provides a unique reference on topics and themes related to the life and times of Julius Caesar. It offers historically accurate information about what he did—and did not—do, and examines his impact on later eras via images and idealized depictions of him popularized in literature and other media up to the present. The approximately 200 entries in this two-volume set are organized alphabetically according to topic or theme—for example, individuals such as Marc Antony, places such as the province of Gaul, events such as Roman elections or battles in the Civil War, and institutions such as Roman classes, slavery, patrons, and clients. The entries cover all the territories of the Roman Empire during Caesar's time, from Britain to Egypt. The set includes primary documents such as excerpts from ancient letters, essays, and biographies and supplements the text with images and maps. The bibliography provides print and electronic resources suitable for high school and college student research as well as further reading for general audiences.

The first modern biography of one of the most influential yet long-neglected rulers of the ancient world: Cleopatra Selene, daughter of Antony and Cleopatra. “A vibrant, fascinating portrait of a great woman who deserves her place in the pantheon of Roman queens.” —Emma Southon As the only daughter of Roman Triumvir Marc Antony and Egyptian Queen Cleopatra VII, Cleopatra Selene was expected to uphold traditional feminine virtues; to marry well and bear sons; and to legitimize and strengthen her parents’ rule. Yet with their parents’ deaths by suicide, the princess and her brothers found themselves the inheritors of Egypt, a claim that placed them squarely in the warpath of the Roman emperor. “Supported by a feast of visual and literary references” (Caroline Lawrence), Cleopatra’s Daughter reimagines the life of Cleopatra Selene, a woman who, although born into Egyptian royalty and raised in her mother’s court, was cruelly abandoned and held captive by Augustus Caesar. Creating a narrative from frescos and coinage, ivory dolls and bronzes, historian and archaeologist Jane Draycott shows how Cleopatra Selene navigated years of imprisonment on Palatine Hill—where Octavia, the emperor’s sister and Antony’s fourth wife, housed royal children orphaned in the wake of Roman expansion—and emerged a queen. Despite the disrepute of her family, Cleopatra Selene in time endeared herself to her captors through her remarkable intellect and political acumen. Rather than put her to death, Augustus wed her to the Numidian prince Juba, son of the deposed regent Juba I, and installed them both as client rulers of Mauretania in Africa. There, Cleopatra Selene ruled successfully for nearly twenty years, promoting trade, fostering the arts, and reclaiming her mother’s legacy—all at a time, Draycott reminds us, when kingship was an inherently male activity. A princess who became a prisoner and a prisoner who became a queen, Cleopatra Selene here “finally attains her rightful place in history” (Barry Strauss). A much-needed corrective, Cleopatra’s Daughter sheds new and revelatory light on Egyptian and Roman politics, society, and culture in the early days of the Roman Empire.