Clement of Alexandria's Stromateis were celebrated in antiquity but modern readers have often skirted them as a messy jumble of notes. When scholarship on Greco-Roman miscellanies took off in the 1990s, Clement was left out as 'different' because he was Christian. This book interrogates the notion of Clement's 'Christian difference' by comparing his work with classic Roman miscellanies, especially those by Plutarch, Pliny, Gellius, and Athenaeus. The comparison opens up fuller insight into the literary and theological character of Clement's own oeuvre. Clement's Stromateis are contextualised within his larger literary project in Christian formation, which began with the Protrepticus and the Paedagogus and was completed by the Hypotyposeis. Together, this stepped sequence of works structured readers' reorientation, purification, and deepening prayerful 'converse' with God. Clement shaped his miscellanies as an instrument for encountering the hidden God in a hidden way, while marvelling at the variegated beauty of divine work refracted through the variegated beauty of his own textuality.

J. M. F. Heath reads Clement of Alexandria's Paedagogus alongside modern approaches to the judgement of taste and aesthetics to show how Clement's forming of the tastes and habits of his audience was vital to early Christian beliefs and practices. In turn, the book also develops a theological response to Pierre Bourdieu's theory of taste.

The second century is a crucial period for the formation of both Judaism and Christianity, but remains in important ways terra incognita. This volume brings together specialists in Jewish studies and Christian studies, two closely related disciplines that nonetheless continue to operate in relative isolation. Taking into consideration the full panoply of Jewish and Christian identities, the volume proposes fresh ways to map the interrelated histories of Jews and Christians. Contributions by leading scholars offer new insights into this period informed by a rich variety of perspectives, including theoretical, literary, thematic and material approaches.

Carpocrates, Marcellina, and Epiphanes is the definitive study of the early Christian theologian Carpocrates, his son Epiphanes, and the leader of the Carpocratian movement in Rome, Marcellina. It contains the first full-length study of and commentary on the fragments of Epiphanes, the earliest reports on Carpocrates and Marcellina, as well as the Epistle to Theodore (containing the so-called Secret Gospel of Mark). Readers also encounter an up-to-date history of research on the Carpocratian movement, and three full profiles of all we can know from the earliest Carpocratian leaders. Written in an accessible style, but based on the most careful historical and linguistic research, this volume is a landmark, helping to redefine the field of early Christian history. Carpocrates, Marcellina, and Epiphanes is a welcome addition to the libraries of all students of early Christian theology, researchers investigating early Christian diversity, and scholars of Gnostic, Nag Hammadi and related materials.

Provides a new history of catechesis in early Latin Christianity that foregrounds core questions of knowledge, faith, and teaching.

The contributions included in this volume deal with the indirect tradition of classical Greek texts in anthologies, lexica and scholia. The innovative approach taken consists in considering the indirect sources as texts worth studying in their own right, rather than as repositories of older, more important texts. The indirect tradition in scholarly literature is thus considered in terms of its broader historical and cultural implications.

Presenting a new approach to Euripides' plays, this book explores the playwright's ancient tragedies in relation to quotation culture. Treating extant works and lost works side-by-side, Matthew Wright presents a selective survey of ways in which Euripidean tragedy was quoted within antiquity, both in social contexts (on the comic stage, at symposia, in law courts, in education) and in different literary genres (drama, biography, oratory, philosophy, literary scholarship, history and anthologies). There is also a discussion of the connection between quotability and classic status, where Wright asks what quotations can tell us about ancient reading habits. The implication is that Euripides actively participated in quotation culture by deliberately making certain portions of his plays stand out as especially quotable. Within classical antiquity, Euripides was the most widely quoted author apart from Homer. His plays are full of 'quotable quotes', which were repeated so often that they acquired a life of their own. Hundreds of famous verses from Euripidean drama circulated widely within the ancient world, even after the plays in which they originally featured became forgotten or vanished completely. Indeed, the majority of Euripides' tragedies now survive only in the form of scattered quotations, otherwise known to us as 'fragments'. It is this corpus of fragmentary quotations, along with his extant plays, that makes Euripides such an interesting case study in the world of quotation culture. This book is the first of its kind to understand Euripides' work through this lens, as well as opening up quotation culture as a major theme of interest within classical scholarship.

Surveying theological literature produced in the Christian East from the first through the 20th century, Eastern Christianity in its Texts explores different theological themes (analytical and mystical), genres (epistles, treatises, and poetry), and milieux (Greek, Armenian, Western and Eastern Syriac, Russian and Romanian). The book illustrates the evolution of the Orthodox thought, how it influenced and was influenced by intellectual, social, and political environments. It demonstrates a theology in context, and yet displays consistency in the traditions spread through different epochs and countries. The book is divided in five parts, each standing for an epoch with distinct features: formation of the Christian identity in the era before Constantine, golden age of theology in the period of Late Antiquity, the pinnacle of erudism and mysticism in the eastern Middle Ages, wrestling with the Modernity imported from the West in the 18th-19th centuries, and finally theological polyphony in the 20th century.

This book shows how Ancient Christians both used curses and criticized them in ancient Mediterranean religion and society.