Clavis Goêtica presents a reference to the 16th-century tale of the first white magician, Johannes Beer, who is brought back from the dead in this book. And yet, the title as well as the essays united in this volume hold a deeper meaning: this key to the underworld is a living being, a spirit in its own right, that only comes to life when magic is performed as an act of co-creation of equals. In this book Frater Acher and José Gabriel Alegría Sabogal have joined creative forces to break through the perceived dichotomy of left-hand and right-hand paths of practical magic. Through careful historical research, concrete ritual analysis and their own experience as practitioners they show a path towards a more balanced way of approaching magic in the underworld, one where the chthonic spirits are invited to unlock what is theirs, while equally the magician is held accountable to contribute what is uniquely human about them. Only when both sides contribute fairly to the magical (p)act, can the key be turned that is the clavis goêtica.

Rosicrucian Magic is a book of magical reformation that lays a path of contact with spirits and beings through a lens of integrity. Drawing upon wisdom and knowledge from the ancient world through to eighteenth century influences and beyond, Frater Acher takes us on a journey of discovery on Becoming Alike to the Angelic Mind as originally articulated by Johannes Trithemius. Frater Acher draws deeply from decades of experience as a practitioner and researcher of Western Magic to teach the reader how to unlock mystical texts and magical ritual. Rosicrucian Magic illuminates a path through the Mysteries and highlights how spirit communion evolves to become an everyday practice rooted in experience, ethics, knowledge and wisdom. At the heart of the book, and for the first time in English language, Frater Acher presents a full translation and in-depth analysis of a forgotten high-degree ritual from the famous Order of the Golden and Rosy Cross. The occult artist José Gabriel Alegría Sabogal contributes beautiful new original illustrations, and has painstakingly restored the ritual's secret seal, a central symbol of mystical mediation.

Compiled from original manuscripts and fragments in the British Museum Library, Joseph Peterson's new presentation is the most complete and accurate edition of this famous magical grimoire, "The Lesser Key of Solomon the King." He goes to great length to establish the provenance of each part, and possible derivative works, including critical analyses of all major variations, utilizing fresh translations of earlier magical texts such as Johann Trithemius's Steganographia, The Archidoxes of Magic by Paracelsus, and newly discovered Hebrew manuscripts of the original Key of Solomon. Abundantly illustrated, Peterson includes reproductions of the original magical circles, tools, and seals of the spirits with variations of certain drawings from various sources and notae missing from earlier editions. Source list. Appendicies. Index.

The Goetia is the most famous grimoire after the Key of Solomon. The owner of this handbook of sorcery was Dr. Thomas Rudd, the most important scholar-magician of the early seventeenth century, and a magical successor to Dr. John Dee. The Goetia of Dr. Rudd explains how the 72 angels of the Shemhamphorash are used to evoke and safely bind demons--material that has not been made available in any previous edition. This rare volume contains a transcription of a hitherto unpublished manuscript of the Lemegeton and includes illustrations drawn from rare manuscripts held in the British Library.

Limited leather quarter bound collector's edition. Solomonic magic is a major part of the grimoire tradition. This volume is about the methods of Solomonic magic used in Alexandria and how they have been passed via Byzantium (the Hygromanteia), to the manuscripts of the Latin Clavicula Salomonis and its English incarnation as the Key of Solomon. Jewish techniques like the use of pentacles, oil and water skrying were added along the way, but Solomonic magic (despite its name) remained basically a classical Greek form of magic. Amazingly, this transmission has involved very few changes and the technology of magic has remained firmly intact. The emphasis in this book is upon specific magical techniques such as the invocation of the gods, the binding of demons, the use of the four demon Kings, and the construction of the circle and lamen. The requirements of purity, sexual abstinence, and fasting have changed little in the last 2000 years, and the real reasons for that are explained. The use of amulets, talismans and phylacteries or lamens is outlined along with their methods of construction. The structure of a Solomonic evocation puts into perspective the reasons for each step, the use of thwarting angels, achieving invisibility, sacrifice, love magic, treasure finding, and the binding, imprisoning and licensing of spirits. The facing directions and timing of evocations have always been crucial, and these too have remained consistent. Practical considerations such as choice of incense, the timing of the cutting of the wand, utilisation of rings and statues, use of the Table of Evocation, or the acquisition of a familiar spirit are also explained. Techniques of Solomonic Magic is thus a follow on book from Techniques of Graeco-Egyptian Magic. This volume is based on the magicians own handbooks rather than the opinions of theologians, historians, anthropologists, sociologists or legislators. The emphasis is on what magicians actually did and why. Tools used by magicians in 7th century Alexandria, 15th century Constantinople and 19th century London are very much the same. More than 70 illustrations (many in colour) of magical equipment like the wand, the sword, wax images and magical gems, drawn from a wide range of manuscripts are reproduced and examined. This is the most detailed analysis of Solomonic magic, from the inside, ever penned.